{"title":"楽器から探す","description":"","products":[{"product_id":"9790201898629","title":"Ballades（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eIn 1836 Chopin introduced the term ballad into piano music with the publication of his Ballad op. 23, although up to then it had only been used in literature and in vocal music. Indeed, all four of Chopin’s ballads have the character of a dramatic story: the musical thread is spun with increasing tension throughout the work, reaching a powerful climax at the end. Following the Préludes, we have now thoroughly re-evaluated this edition and revised it to include the latest scholarly findings. The most significant ones are documented in the printed critical apparatus, the detailed version can be downloaded from the Internet.?            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBallade g minor op. 23 - Ballade F major op. 38 - Ballade A flat major op. 47 - Ballade f minor op. 52            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548144292,"sku":"9790201898629","price":3089.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9862-_5B648_5D.jpg?v=1615094379"},{"product_id":"9790201891248","title":"Etudes（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eChopin succeeded in doing something truly remarkable with his two cycles of Etudes op. 10 and op. 25, published in 1833 and 1837 respectively. Probably no one before him had composed technical practice pieces that at the same time reached such musical heights. Chopin’s Etudes are character pieces that are full of tension, written for the concert hall. The virtuosic works, including long-running hits such as the “Revolutionary Etude” op. 10 no. 12 belong to the pianist’s core repertoire. In addition to the two cycles op. 10 and op. 25, our Urtext edition also contains three Etudes without opus number, which Chopin composed for a Parisian piano method in 1840: wonderfully lyrical miniatures, which can hold their own with the 24 grand studies.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eEtude a minor op. 10, 2 - Etude A flat major op. 10, 10 - Etude C major op. 10, 1 - Etude C major op. 10, 7 - Etude C minor op. 10, 12 [Revolution]  - Etude c sharp minor op. 10, 4 - Etude E major op. 10, 3 - Etude E flat major op. 10, 11 - Etude e flat minor op. 10, 6 - Etude F major op. 10, 8 - Etude f minor op. 10, 9 - Etude G flat major op. 10, 5 - Etude a minor op. 25, 11 - Etude a minor op. 25, 4 - Etude A flat major op. 25, 1 - Etude c minor op. 25, 12 - Etude c sharp minor op. 25, 7 - Etude D flat major op. 25, 8 - Etude e minor op. 25, 5 - Etude F major op. 25, 3 - Etude f minor op. 25, 2 - Etude G flat major op. 25, 9 - Etude g sharp minor op. 25, 6 - Etude b minor op. 25, 10 - Etude A flat major KK IIb, 3, 2 - Etude D flat major KK IIb, 3, 3 - Etude f minor KK IIb, 3, 1            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548177060,"sku":"9790201891248","price":3445.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9124-_5B648_5D.jpg?v=1615094367"},{"product_id":"9790201892641","title":"Mazurkas（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eNext to the polonaises and the waltzes, the mazurkas are the third dance form which Chopin cultivated in his music. They constitute the largest of these three groups, boasting nearly 60 pieces. Chopin made use of the mazurka genre from his childhood until the last years of his life. They testify not only to Chopin’s love for his native Poland, but also to the depth of the composer’s feeling for the mentality of his people. He took inspiration from the various types of mazurka found in different regions of Poland, but sublimated them into absolute music of the greatest elegance, refined harmonies and rhythmic power.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eMazurkas op. 6 (including 2 alternative versions)  - Mazurkas op. 7 - Mazurkas op. 17 - Mazurkas op. 24 - Mazurkas op. 30 - Mazurkas op. 33 - Mazurkas op. 41 - Mazurkas op. 50 - Mazurkas op. 56 - Mazurkas op. 59 - Mazurkas op. 63 - Mazurkas op. 67 - Mazurkas op. 68 - Mazurkas KK IIa, 2, 3 - Mazurkas KK IIb, 4, 5 - Mazurkas KK IVb, 1-4 - Appendix: Mazurka op. 7, 4a - Appendix: Mazurka KK IVa, 7 - Appendix: Mazurka op. 7, 2a            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548209828,"sku":"9790201892641","price":5108.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9264-_5B648_5D.jpg?v=1615094377"},{"product_id":"9790201891859","title":"Nocturnes（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eTime and again, Chopin succeeded in giving different piano music genres their own individual characters, whether etudes, preludes, waltzes, scherzi or nocturnes. The Irishman John Field had already composed over 20 nocturnes, which presumably greatly influenced Chopin. The latter continued to develop the light, song-like piano writing and created works whose dreamy, longing atmosphere came to embody Chopin’s music. Our volume contains the works that were published during Chopin’s lifetime as well as ones which were only published posthumously, including the famous Lento con gran espressione in c sharp minor – in two authentic versions.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eNocturne b flat minor op. 9, 1 - Nocturne E flat major op. 9, 2 - Nocturne B major op. 9, 3 - Nocturne F major op. 15, 1 - Nocturne F sharp major op. 15, 2 - Nocturne g minor op. 15, 3 - Nocturne c sharp minor op. 27, 1 - Nocturne D flat major op. 27, 2 - Nocturne B major op. 32, 1 - Nocturne A flat major op. 32, 2 - Nocturne g minor op. 37, 1 - Nocturne G major op. 37, 2 - Nocturne c minor op. 48, 1 - Nocturne f sharp minor op. 48, 2 - Nocturne f minor op. 55, 1 - Nocturne E flat major op. 55, 2 - Nocturne B major op. 62, 1 - Nocturne E major op. 62, 2 - Nocturne e minor op. post. 72, 1 - Nocturne (version 1) c sharp minor KK IVa, 16 - Nocturne (version 2) c sharp minor KK IVa, 16 - Nocturne c minor KK IVb, 8            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548340900,"sku":"9790201891859","price":3445.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9185-_5B648_5D.jpg?v=1615094370"},{"product_id":"9790201893181","title":"Piano Pieces（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eMazurkas, nocturnes, waltzes and polonaises constitute the core of Chopin’s expressive world. However, he also moved comfortably beyond such genre cycles, and pieces of this sort are brought together in this “Klavierstücke” book, in which we find lesser-known works (two Variation cycles, three Ecossaises) from Chopin’s earlier creative period along with rousing dance movements (Bolero and Tarantelle) and, to finish, the orchestrally conceived Allegro de concert. This forms the introduction to a sequence of three great individual works from Chopin’s middle and later creative periods: the Fantasie op. 49, the Berceuse op. 57, and the Barcarolle op. 60 – the finest Chopin, available in Henle paperback, cloth-bound, and study editions.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eVariations brillantes B flat major op. 12 - Bolero C major op. 19 - Tarantella A flat major op. 43 - Allegro de Concert A major op. 46 - Fantasy f minor op. 49 - Berceuse D flat major op. 57 - Barcarolle F sharp major op. 60 - Variations on Der Schweizerbub E major KK IVa, 4 - 3 Ecossaises D major, G major, D flat major op. 72, 3            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548373668,"sku":"9790201893181","price":4039.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9318-_5B648_5D.jpg?v=1615094379"},{"product_id":"9790201898841","title":"Rondos（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eChopin’s early works include a wealth of new stimuli for anyone wishing to take a closer look at the creative works of the Polish genius. Up to now the four Rondos have been missing from our catalogue, but now they are finally available in Henle Urtext. Although they have been unfairly neglected, there are real discoveries to be made. It is hard to imagine that Chopin was only 15 when his Opus 1, the Rondo in c minor, was first published. Likewise, his Rondo op. 5, which incorporates the exotic sounds of Polish folk music, and the brilliant work in C major op. 73 were also written during his time in Warsaw. Without a doubt the young composer, who was the darling of the Warsaw salons, wrote these works as showpieces for himself. Here, and also with the Rondo op. 16, his mark is unmistakable. Our Urtext edition is also available as an affordable study score.?            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eRondo c minor op. 1 - Rondo F major op. 5 - Rondo E flat major op. 16 - Rondo C major op. post 73A            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548471972,"sku":"9790201898841","price":3445.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9884-_5B648_5D.jpg?v=1615094383"},{"product_id":"9790201891316","title":"Waltzes（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eChopin revolutionized the etude – but he ennobled the waltz. He spent much time on this genre throughout his life and created a wide spectrum of forms, from virtuosic showpieces – the Grandes Valses Brillantes – to deeply melancholic atmospheric pictures. All these works have one thing in common: one cannot and should not dance to them! Our volume contains all of the waltzes that were published during Chopin’s lifetime, or posthumously, including popular masterpieces such as the so-called “Minute Waltz” (op. 64 no. 1). In cases where two authentic versions of the same waltz have been transmitted, we naturally give the Urtext of both versions.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eWaltz [Grande Valse brillante] E flat major op. 18 - Waltz A flat major op. 34, 1 - Waltz a minor op. 34, 2 - Waltz F major op. 34, 3 - Waltz A flat major op. 42 - Waltz D flat major op. 64, 1 [Minute]  - Waltz c sharp minor op. 64, 2 - Waltz A flat major op. 64, 3 - Waltz (two versions) A flat major op. post. 69, 1 - Waltz (two versions) b minor op. post. 69, 2 - Waltz (two versions) G flat major op. post. 70, 1 - Waltz F minor, A flat major (two versions) op. post. 70, 2 - Waltz D flat major op. post. 70, 3 - Waltz A flat major KK IVa, 13 - Waltz E major KK IVa, 12 - Waltz e minor KK IVa, 15 - Appendix: Waltz E flat major KK IVa, 14 - Appendix: Waltz E flat major KK IVb, 10 - Waltz a minor KK IVb, 11            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548570276,"sku":"9790201891316","price":3326.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9131-_5B648_5D.jpg?v=1615094369"},{"product_id":"9790201892351","title":"Impromptus（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eConformément à ce genre créé par Franz Schubert, les quatre impromptus de Chopin présentent un fort caractère d’improvisation tout en restant toujours parfaitement légers et élégants. Ces qualités s’appliquent en particulier aux trois premiers morceaux du présent volume, les opus 29, 36 et 51. Tandis que le premier d’entre eux date vraisemblablement de 1837, l’op. 36 fut composé en 1839 et l’opus 51 trois ans plus tard, pendant le séjour de Chopin au domaine de Nohant appartenant à l’écrivain George Sand avec qui il entretenait une relation amoureuse. Le numéro d’opus de la Fantaisie-Impromptu op. 66 est trompeur, car elle fut composée en 1834, soit avant les trois autres impromptus. Chopin n’avait manifestement pas prévu de la faire publier, mais son ami Julian Fontana se chargea de le faire après la mort du compositeur. La version imprimée dénote toutefois des différences tellement importantes par rapport au manuscrit autographe heureusement conservé, que l’édition Henle-Urtext reproduit les deux versions.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eImpromptu A flat major op. 29 - Impromptu F sharp major op. 36 - Impromptu G flat major op. 51 - Fantaisie-Impromptu C sharp minor op. post. 66 (in two versions)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548635812,"sku":"9790201892351","price":2257.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9235-_5B648_5D.jpg?v=1615094374"},{"product_id":"9790006205349","title":"Works for Violin and Orchestra（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBased on the Urtext of the \"New Mozart Edition\", this new study score unites the five violin concertos and the 3 single movements for violin from the pen of Mozart in one thoroughly reliable study score. A new historical introduction by Gudula Schütz provides valuable additional information.\u003cbr\u003eFull scores, piano reductions and performance material to all works included in the study score are readily available.\u003cbr\u003e\u003cbr\u003eThis new edition will replace the following study scores:\u003cbr\u003eConcerto for Violin and Orchestra no. 1 K. 207, TP 270\u003cbr\u003eConcerto for Violin and Orchestra no. 2 K. 211, TP 271\u003cbr\u003e\u003cbr\u003eThese study scores will continue to be available:\u003cbr\u003eConcerto for Violin and Orchestra no. 3 K. 216, TP 272 \u003cbr\u003eConcerto for Violin and Orchestra no. 4 K. 218, TP 273 \u003cbr\u003eConcerto for Violin and Orchestra no. 5 K. 219, TP 20 \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\"Devoid of extraneous markings, this handy 61\/2 x 9 inch score of 300 pages has many practical, veratile purposes as a helpful, accessible rehearsal tool for the teacher, student, and conductor, let alone Mozart scholars who will appreciate the reliability of the text and its clear, user-friendly format.\"\u003cbr\u003e(Strings July 2015)\u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eK. 207, 211, 216, 218, 219, 261, 269 (261a), 373            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334548701348,"sku":"9790006205349","price":10443.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/TP00325_00_9790006205349_co_lrg_01.jpg?v=1615715303"},{"product_id":"9790006446254","title":"Eleven Sonatas for Flute and Basso Continuo (Score \u0026 parts)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eHandel's flute sonatas have been favourites among ?autists for 270 years. Our earlier urtext edition, published in 1955, was largely based on Chrysander's 1858 print. This new edition draws on all available sources, incorporating the revised version of the Halle Handel Edition to produce a definitive reading for the new millennium.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eHWV 379, 359b, 360, 362, 363b, 365, 367b, 369\/ HWV 374-376            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334552961188,"sku":"9790006446254","price":6403.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04225_00_9790006446254_co_lrg_01.jpg?v=1615715759"},{"product_id":"9790006455454","title":"The Ten Celebrated String Quartets [set of parts]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe present volume contains those ten string quartets of Mozart which have become famous as the composer's greatest contribution to the medium and which are frequently performed in public. According to the dates of their composition and publication they may be divided into three groups: the six \"Haydn\" Quartets K.387, 421 (417b), 458, 428 (421b), 464 and 465; the so-called Hoffmeister Quartet K.499 and the three \"Prussian\" Quartets, K.575, 589 and 590.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eVorwort - Preface - Quartett in G, KV 387 - Quartett in d, KV 421 (417b) - Quartett in B, KV 458 - Quartett in Es, KV 428 (421b) - Quartett in A, KV 464 - Quartett in C, KV 465 - Quartett in D, KV 499 - Quartett in D, KV 575 - Quartett in B, KV 589 - Quartett in F, KV 590            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553092260,"sku":"9790006455454","price":15206.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04750_00_9790006455454_co_lrg_01_0bf6d7a7-170b-4ef8-91cb-290681ee6a0b.jpg?v=1615712137"},{"product_id":"9790006543731","title":"Folk for two Violins","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThis collection contains many well-known pieces from the Anglo-American world which are catchy and of a dance-like quality. Some melodies are lively, some dreamy but all are easy on the ear. Both violinists are of equal importance and the melody moves frequently from one player to another. When the player takes on the accompanying role, he occasionally has to substitute the guitar and must play arpeggios and easy double stops. The melody part contains embellishments typical of the style.\u003cbr\u003e\u003cbr\u003e•\tWell-known catchy folk music pieces\u003cbr\u003e•\tEvenly balanced parts\u003cbr\u003e•\tEntertaining and street music worthy\u003cbr\u003e\u003cbr\u003eFrom the contents:\u003cbr\u003e\"Morning has Broken\", \"All through the Night\", \"Scarborough Fair\", \"The Foggy Dew\", \"The Rolling of the Stones\", \"I'll Fly Away\" and others\u003cbr\u003e\u003cbr\u003e\u003cb\u003eGeorge Speckert\u003c\/b\u003e is a composer, author and lecturer in multimedia production and E-learning. He has composed and arranged pieces for numerous Bärenreiter editions.\u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eI'll Fly Away - Halleluja - All through the Night - Farewell Rosanna - The Rolling of the Stones - Oh Happy Day - Scarborough Fair - Shenandoah - This is Your Land - Morning has Broken - Like a Rolling Stone - The Foggy Dew            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553256100,"sku":"9790006543731","price":4871.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA10624_00_9790006543731_co_lrg_01.jpg?v=1615700510"},{"product_id":"9790006464906","title":"Six Sonatas for Violin and Obbligato Harpsichord, vol. 1","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eTwenty-five years after Johann Sebastian Bach's death his son Carl Philipp Emanuel praised his father's trio sonatas, stating that \"still today they sound great, even though they are older than fifty years.\" What a compliment about works of a genre that was notoriously fast to adapt to new styles and fashions in the eighteenth century! Still today, Bach's sonatas are considered masterpieces of Baroque counterpoint. Yet they might surprise anyone who expects them to feature the usual combination of two flutes or violins and figured bass. As in all of Bach's trio sonatas (except those for solo organ), there is only one melody instrument, as two of the three voices are played by the two hands of the obbligato harpsichord.\u003cbr\u003e\u003cbr\u003eThe sonatas for violin and obbligato harpsichord BWV 1014-1016 are a single sonata cycle with a remarkable expressive range: The melancholic, even lamenting sonorities of the first and fourth sonatas are contrasted by the serenity of the second or the virtuosity of the third sonata.\u003cbr\u003e\u003cbr\u003eThis revised edition is based on manuscript copies by several of Bach's pupils, as well as on the Urtext of the \"New Bach Edition\". The edition comprises a harpsichord score, a part for a bass string instrument as well as both an Urtext violin part and a second violin part, annotated with fingering and bowing along with notes on performance practice. A detailed Preface (Ger\/Eng) and a Critical Commentary (Ger\/Eng) are also included.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSonata I, BWV 1014 - Sonata II, BWV 1015 - Sonata III, BWV 1016            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553354404,"sku":"9790006464906","price":7829.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA05118_00_9790006464906_co_lrg_01.jpg?v=1615693967"},{"product_id":"9790006506316","title":"Le Quattro Stagioni = 四季（ピアノ・リダクション）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThis new publication of Vivaldi's masterpiece is a critical performing edition of the Manchester manuscript source, which originates from Vivaldi's circle and represents an alternative (in many cases, more explicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.\u003cbr\u003e \u003cbr\u003e The Manchester source has until now not been used as the primary basis for a modern performing edition, and offers new readings and evidence for players and listeners alike.\u003cbr\u003e With Christopher Hogwood's new edition a fresh gust of wind has taken hold of The Four Seasons.\u003cbr\u003e \u003cbr\u003e Short text:\u003cbr\u003e First performing edition based on the Manchester manuscript source, which until now has not been used as the primary basis for a modern edition. Offers new readings and evidence for players and listeners alike.\u003cbr\u003e \u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eConcerto No. 1 La Primavera (Frühling) op. 8\/1, RV 269 - Concerto No. 2 L'Estate (Sommer) op. 8\/2, RV 315 - Concerto No. 3 L'Autunno (Herbst) op. 8\/3, RV 293 - Concerto No. 4 L'Inverno (Winter) op. 8\/4, RV 297            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553485476,"sku":"9790006506316","price":8197.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA06994_90_9790006506316_co_lrg_01_80e073f7-a7a7-4971-8812-8b5e12e11fa3.jpg?v=1615715148"},{"product_id":"9790006446285","title":"Complete Works for Violin and Basso continuo","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eHandel returned repeatedly throughout his life to the composition of works for violin and basso continuo.\u003cbr\u003e The earliest autograph, HWV 358, was composed around 1707, his last work for this combination of instruments, the Sonata in D major, HWV 371, stems from circa 1750.\u003cbr\u003e In addition to the 5 sonatas, which have survived as autographs, there are 4 other sonatas of a spurious nature which have found a place in the violin repertoire under Handel's name although they are certainly not from his pen. These sonatas are attempts by other unknown composers to make a name by using the style of the great master. To round off this first ever publication of Handel's Complete Works for Violin and Basso continuo, there are two movements currently not available in any other performing edition: the Allegro, HWV 408 and an Andante, HWV 412.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e The Authoritative Performing Edition\u003cbr\u003e \u003cbr\u003e - Edition with the recently-revised Urtext of the Halle Handel Edition\u003cbr\u003e - First ever performing edition of the complete works for violin and basso continuo in one volume\u003cbr\u003e - With separate violin and continuo bass parts, the latter with figures\u003cbr\u003e - Basso continuo part with figures including 2 movements not available in any other performing edition\u003cbr\u003e - Includes valuable comments on performance practice\u003cbr\u003e - An Associated Board recommended title \u003cbr\u003e \u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSonata G-Dur, HWV 358 - Sonata d-Moll, HWV 359 - Sonata A-Dur, HWV 361 - Sonata g-Moll, HWV 364 - Sonata D-Dur, HWV 371 - Sonata g-Moll, HWV 368 - Sonata F-Dur, HWV 370 - Sonata A-Dur, HWV 372 - Sonata E-Dur, HWV 373 - Allegro c-Moll, HWV 408 - Andante a-            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553452708,"sku":"9790006446285","price":8304.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04226_00_9790006446285_co_lrg_01.jpg?v=1615705148"},{"product_id":"9790006494101","title":"Concert Pieces for Viola and Piano","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eTo complement the \"Sassmannshaus Early Start on the Viola\" method, Bärenreiter offer a selection of recital pieces tailored to this educational concept. This edition presents 14 pieces covering a wide stylistic spectrum, giving viola players a rich body of appealing concert pieces to choose from.\u003cbr\u003eThe works are arranged in increasing order of difficulty, the cornerstones being two works by Georg Eduard Goltermann; his technically simple \"Andante religioso\" and his demanding \"Adagio\" and \"Tarantella\". Works by Kalliwoda, Fauré, Grieg, Dvorák, amongst others, are included.\u003cbr\u003e\u003cbr\u003e-\t14 recital pieces presented in increasing order of difficulty\u003cbr\u003e-\tWide range of styles included\u003cbr\u003e\u003cbr\u003eThe editor\u003cbr\u003eKurt Sassmannshaus is a violinist and viola player, a professor of violin in Cincinnati (OH) and a promoter of violin teaching with projects in Germany, China and the United States. He continues the work of his father Egon Sassmannshaus, who set new standards with the Sassmannshaus string methods.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eGoltermann\/Sassmannshaus: Andante religioso op. 56 - Bertoni\/Bériot: La Verginella (from La Governante) - Grieg\/Sitt: Im Balladenton op. 65\/5 - Gabriel-Marie\/Sassmannshaus: La Cinquantaine - Viotti\/Ritter: Andante - Klengel: Elevation and Consolation op. 39\/3 - Kalliwoda: Notturno II op. 186 - Fauré\/Sassmannshaus: Berceuse op. 16 - Dvorák\/Sassmannshaus: Humoresque op. 101\/7 - Kalliwoda: Notturno IV op. 186 - Fauré\/Sassmannshaus: Sicilienne op. 78 - Wieniawski: Reverie - Kalliwoda: Notturno VI op. 186 - Goltermann: Adagio a Tarantella            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553649316,"sku":"9790006494101","price":5928.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA09697_00_9790006494101_co_lrg_01_13ae0665-d37f-4afb-98da-1175f85ea0c6.jpg?v=1615700516"},{"product_id":"9790006520596","title":"Complete Sonatas for Violoncello and Basso continuo RV 39-47","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThis scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc's 1740 print of Sonatas I to VI – an edition probably made without the composer's consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi's direct supervision.\u003cbr\u003e \u003cbr\u003e The editor has also managed to identify a previously unknown source for Sonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - All of Antonio Vivaldi's works for violoncello and continuo in a single edition\u003cbr\u003e - Scholarly-critical edition for performance purposes\u003cbr\u003e - Detailed preface on sources and performance practice (German\/English)\u003cbr\u003e - With new findings that considerably differ from earlier editions\u003cbr\u003e \u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSonata I, RV 47 - Sonata II, RV 41 - Sonata III, RV 43 - Sonata IV, RV 45 - Sonata V, RV 40 - Sonata VI, RV 46 - Sonata VII, RV 44 - Sonata VIII, RV 39 - Sonata IX, RV 42            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553682084,"sku":"9790006520596","price":8910.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA06995_00_9790006520596_co_lrg_01.jpg?v=1615713541"},{"product_id":"9790006562442","title":"Cello Recital Album, vol. 1 [score \u0026 parts]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the \"Early\" Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.\u003cbr\u003e \u003cbr\u003eThe \"Cello Recital Album\", Volume 1 (BA 8994), can be used as a supplement to the \"Early Start on the Cello\" method, Volumes 1 and 2 (BA 8996 and BA 8997).\u003cbr\u003e\u003cbr\u003eCollections of recital pieces for the cello:\u003cbr\u003e•\tCharming collections of easy pieces in first position\u003cbr\u003e•\tEach cello part is supported by a piano accompaniment for student performances\u003cbr\u003e•\tAlternately a second cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole.\u003cbr\u003e•\tThe two volumes (BA 8994, Ba 8995) are designed as companion publications to the Early Start on the Cello method. However, they work equally well as a supplement to any other cello method.\u003cbr\u003e•\tA variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen, Hugo Schlemüller, and August Nölck make these publications attractive to teachers and students.\u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSchlemüller: Hunting Song - Oehmler: The Little Bugler - Pit A Pat Rain (Traditional) - Sassmannshaus\/Lusk: Jumping Beans - Lightly Row (Traditional) - Baa Baa Black Sheep (Traditional) - Cutter: Little March - Hauptmann: Vivace - Althaus: March of the Little Soldiers - Fitzenhagen: Russian Song Without Words - Sassmannshaus\/Lusk: Tip Toe - Krogmann: March - Land: My Old Friende John - Krogmann: The Little Prince - Krogmann: The Robin's Lullaby - Pop Goes the Weasel (Traditional) - Moo-lee-wha (Traditional) - Laubach: Soldier's March            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553780388,"sku":"9790006562442","price":4740.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA08994_00_9790006562442_co_lrg_01_842991a6-d0b3-4e1a-a80a-466c2fa42144.jpg?v=1615699842"},{"product_id":"9790006521937","title":"Complete Sonatas for Oboe and Basso continuo","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e Handel's sonatas for one solo instrument and basso continuo are some of the finest examples found in the genre. The three oboe sonatas found in our new edition are prime examples of this.\u003cbr\u003e \u003cbr\u003e The Urtext of the Halle Handel Complete Edition forms the basis for the new publication. As a scholarly critical edition it is concerned with the authentic sonatas written by Handel and not those often found in other collections which are either transcriptions of works originally composed for other instruments (e. g. the F major sonata which is often found in G major) or spurious compositions. All editorial additions are clearly indicated and as such players have a solid basis for rendering performances true to the composer's intentions. The publication includes an informative historical as well as performance practice introduction by the noted Handel scholar Terence Best. It contains a score and two oboe\/basso continuo parts.\u003cbr\u003e \u003cbr\u003e All of this adds up to a sure winner for oboists.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - Authoritative edition based on the reliable Urtext of the Halle Handel Edition\u003cbr\u003e - Performance practice tips (English\/German)\u003cbr\u003e - Score with two oboe\/basso continuo parts\u003cbr\u003e - Introduction (English\/German)\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSonata B-Dur, HWV 357 - Sonata c-Moll, HWV 366 - Sonata, HWV 363            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553976996,"sku":"9790006521937","price":5215.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04260_00_9790006521937_co_lrg_01.jpg?v=1615713779"},{"product_id":"9790006559671","title":"Christmas Hits for two Flutes","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eMusic for Christmas\u003cbr\u003e\u003cbr\u003eNo other season of the year can rival Advent and the pre-Christmas season for music-making, whether in school, with friends or in the family. This edition contains Christmas hits from the German, English and French traditions,arranged for two flutes.\u003cbr\u003eThe duet version always appears on the left-hand page of the edition. On the right is the carol, underlaid with the words for every stanza and printed with simple guitar chords.\u003cbr\u003e\u003cbr\u003e•\tFamiliar carols\u003cbr\u003e•\tFrom the German, English and French traditions\u003cbr\u003e•\tIdeal for music-making at home\u003cbr\u003e•\tEnlivens music lessons in the run-up to Christmas\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eAdeste fideles - God Rest You Merry, Gentleman - Il est né, le divin Enfant! - Stille Nacht, heilige Nacht - O Tannenbaum - Hark! THe Herald-Angels Sing - Les anges dans nos compagnes - Jingle Bells - Joy To The World - What Child Is This? - O du fröhliche - Entre le bœuf et l'âne gris - We Wish You A Merry Christmas            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334554534052,"sku":"9790006559671","price":3920.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA10634_00_9790006559671_co_lrg_01.jpg?v=1615699779"},{"product_id":"9790006507047","title":"Sonata in C major for Flute and Basso Continuo \/ Sonatas in E-flat major and G minor for Flute and Obbligato Harpsichord BWV 1033, 1031, 1020","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBach's preferred instrument for chamber music, after the violin, was the traverse flute. Yet today it is impossible to determine exactly how much music he wrote for this instrument or the genesis of those compositions that survive.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBWV 1033 - BWV 1031- BWV 1020            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334554665124,"sku":"9790006507047","price":6403.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA05220_00_9790006507047_co_lrg_01.jpg?v=1615713706"},{"product_id":"9790006521920","title":"Complete Sonatas for Recorder and Basso continuo","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe popularity of Handel's recorder sonatas can easily be gauged by the sheer number of old and modern publications of them. This edition unites the six authentic sonatas and also includes the early version of movement no. 6 to the D minor sonata. It is based on the eminently reliable text of the Halle Handel Edition, the \"last word\" in Handel scholarship.\u003cbr\u003eThe G minor, A minor, C major and F major sonatas were originally edited by Hans Peter Schmitz in 1955 for the Halle Handel Edition. These sonatas were then re-edited in 1995 by Terence Best.\u003cbr\u003e\u003cbr\u003eThe publication contains a thorough discussion of the history and genesis of the works and handy tips dealing with performance practice by the renowned Handel scholar Terence Best. In addition to the score, the edition has a solo recorder part and a bass part with figures.\u003cbr\u003eA must publication for performers of Handel's beloved music for recorder.\u003cbr\u003e\u003cbr\u003eThis publication replaces the older Hortus Musicus nos. 251 and 269.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eShort text:\u003cbr\u003eThis edition unites the six authentic sonatas and also includes the early version of movement no. 6 to the D min sonata. The publication contains a thorough discussion of the history and genesis of the works and handy tips dealing with performance practice by the renowned Handel scholar Terence Best. The edition has a solo recorder part and a bass part with figures.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e- Authoritative edition based on the reliable Urtext of the Halle Handel Edition\u003cbr\u003e- Performance practice tips (English\/German)\u003cbr\u003e- Score with solo recorder part and bass part with figures\u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSonata g-Moll, HWV 360 - Sonata a-Moll, HWV 362 - Sonata C-Dur, HWV 365 - Sonata F-Du, HWV 369 - Sonata B-Dur, HWV 377 - Sonata d-Moll, HWV 367 - 6. Satz Variantemovement, HWV 367            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334554730660,"sku":"9790006521920","price":8779.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04259_00_9790006521920_co_lrg_01.jpg?v=1615713873"},{"product_id":"9790006507078","title":"L'Oeuvre d'orgue 1: Works published or intended for publication during the composer's lifetime","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eJehan Alain, a pupil of Marcel Dupré, came from a family of musicians near Paris. His works display literary influences as well as the influence of Gregorian chant, early music, impressionism, jazz, non-European rhythms and tonal systems. His treatment of the organ, almost chamber music-like, shows a stylistic departure from the romantic-orchestral type of organ composition.\u003cbr\u003e \u003cbr\u003eThis is accompanied by a change of direction to an idealised sound which combines elements of French classicism and romanticism in a new kind of synthesis. Not only the interpretation, but also a proper analysis of Alain's organ works has been difficult until now because of the lack of a critical edition. For the first time this new three-volume scholarly-critical Urtext edition of the complete organ works fills this gap.\u003cbr\u003e\u003cbr\u003eThe publications also coincide with the 100th anniversary of Alain's birth. The editor is an internationally recognised scholar and interpreter of Alain's organ works.\u003cbr\u003e\u003cbr\u003e- First authoritative Urtext edition of the Complete Organ Works\u003cbr\u003e- 100th anniversary jubilee edition\u003cbr\u003e- Informative foreword (Fr\/Eng\/Ger) and a critical commentary (Eng) to each volume\u003cbr\u003e \u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003ePostlude pour l'Office de Complies AWV 13\u003cbr\u003eDeux Préludes profanes:\u003cbr\u003e1er Prélude profane AWV 57\u003cbr\u003e2e Prélude profane AWV 58\u003cbr\u003eSuite monodique: I. Animato\u003cbr\u003eII. Andante\u003cbr\u003eIII. Vivace AWV 65\u003cbr\u003eChoral dorien AWV 75\u003cbr\u003eChoral phrygien AWV 76\u003cbr\u003eVariations sur un thème de Clément Jannequin AWV 99\u003cbr\u003eLe Jardin suspendu AWV 63\u003cbr\u003eLitanies AWV 100            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334554861732,"sku":"9790006507078","price":9860.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA08428_00_9790006507078_co_lrg_01.jpg?v=1615725638"},{"product_id":"9790006562459","title":"Cello Recital Album, vol. 2 [score \u0026 parts]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the \"Early Start\" method, Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.\u003cbr\u003e\u003cbr\u003eThe \"Cello Recital Album\", Volume 2 (BA 8995), can be used as a supplement to the \"Early Start on the Cello\" method, Volumes 2 and 3 (BA 8997 and BA 8998).\u003cbr\u003e\u003cbr\u003eCollections of recital pieces for the cello:\u003cbr\u003e•\tCharming collections of easy pieces in first position\u003cbr\u003e•\tEach cello part is supported by a piano accompaniment for student performances\u003cbr\u003e•\tAlternately a second cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole.\u003cbr\u003e•\tThe two volumes (BA 8994, Ba 8995) are designed as companion publications to the Early Start on the Cello method. However, they work equally well as a supplement to any other cello method.\u003cbr\u003e•\tA variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen, Hugo Schlemüller, and August Nölck make these publications attractive to teachers and students.\u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eWinner: Favorite Melody - Krogmann: The Pony Race - Volti: Pas redouble - English Folk Song (Traditional) - Winner: The Last Rose of Summer - Nölck: Study - Greenwald: Arminta Waltz - Woodforde-Finden: The Temple Bells - Mendelssohn: Serioso - Lagye: Danse Espagnole - Leonardi: Capriccio Polka - Leonardi: Tarantella            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334554960036,"sku":"9790006562459","price":4740.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA08995_00_9790006562459_co_lrg_01_24bfbfe2-daa0-4c2f-87e8-bb7c8cec78ab.jpg?v=1615709637"},{"product_id":"9790006507085","title":"L'Oeuvre d'orgue 2: Posthumous Works. Fantaisies,petites danses et marginalia","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eJehan Alain, a pupil of Marcel Dupré, came from a family of musicians near Paris. His works display literary influences as well as the influence of Gregorian chant, early music, impressionism, jazz, non-European rhythms and tonal systems. His treatment of the organ, almost chamber music-like, shows a stylistic departure from the romantic-orchestral type of organ composition.\u003cbr\u003e \u003cbr\u003eThis is accompanied by a change of direction to an idealised sound which combines elements of French classicism and romanticism in a new kind of synthesis. Not only the interpretation, but also a proper analysis of Alain's organ works has been difficult until now because of the lack of a critical edition. For the first time this new three-volume scholarly-critical Urtext edition of the complete organ works fills this gap.\u003cbr\u003e\u003cbr\u003eThe publications also coincide with the 100th anniversary of Alain's birth. The editor is an internationally recognised scholar and interpreter of Alain's organ works.\u003cbr\u003e\u003cbr\u003e- First authoritative Urtext edition of the Complete Organ Works\u003cbr\u003e- 100th anniversary jubilee edition\u003cbr\u003e- Informative foreword (Fr\/Eng\/Ger) and a critical commentary (Eng) to each volume\u003cbr\u003e \u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e1re Fantaisie\u003cbr\u003e2e Fantaisie\u003cbr\u003eFantasmagorie\u003cbr\u003eDeux Danses à Agni Yavishta\u003cbr\u003eAria\u003cbr\u003ePrélude et Fugue\u003cbr\u003eBerceuse sur deux notes qui cornent\u003cbr\u003eBallade en mode phrygien\u003cbr\u003eLamento\u003cbr\u003eLamento (early version)\u003cbr\u003eVariations sur Lucis Creator: Choral\u003cbr\u003eVariation I\u003cbr\u003eVariations II: Thema fugatum\u003cbr\u003eChant donné\u003cbr\u003eGrave\u003cbr\u003ePetite Piéce\u003cbr\u003eClimat\u003cbr\u003eElévation\u003cbr\u003eDe Jules Lemaître\u003cbr\u003eMonodie            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334555025572,"sku":"9790006507085","price":9860.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA08429_00_9790006507085_co_lrg_01.jpg?v=1615724621"},{"product_id":"m007040956","title":"Sämtliche Orgelchoräle","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe edition compiles all known chorale arrangements for organ by Johann Michael Bach, father of Johann Sebastian’s first wife Maria Barbara. Herein Johann Michael proves to be a thoroughly selfreliant composer, whose influence must have been felt by the young Johann Sebastian Bach. Especially parttime organists will find a very versatile and readytouse repertoire – and also interesting insights into the Middle German organ music during the 17th century.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eComplete organ chorales            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334555222180,"sku":"M007040956","price":9009.0,"currency_code":"JPY","in_stock":true}]},{"product_id":"9790006523085","title":"Organ works, vol 1: Orgelbüchlein \/ Six Chorales \"von verschiedener Art\" (Schübler-Chorales) \/ Chorale-Partitas","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe \"Messiah\" occupies a unique position in Handel's work. It is one of the most renowned works of this composer's monumental output.\u003cbr\u003e\u003cbr\u003eIt has often been said that Handel composed the \"Messiah\" for his visit in Ireland, where he had been invited by the Lord Lieutenant, William Cavendish, Duke of Devonshire, to perform his music for the benefit of charity. The first performance took place on 13 April 1742 in Neale's Music Hall, Dublin. After Handel's return from Ireland, the \"Messiah\" received no less than fifty-six performances in England during his lifetime.\u003cbr\u003eNow the \"Messiah\" is being published in a handy affordable soft-cover score to complement the substantial linen-bound complete edition volume. The tried and tested musical text remains the same, whilst the Foreword has been revised and supplemented by an English translation. \u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eDie Choralmelodien Orgelbüchlein:\u003cbr\u003eNun komm der Heiden Heiland BWV 599\u003cbr\u003eGott, durch deine Güte \/ Gottes Sohn ist kommen BWV 600\u003cbr\u003eHerr Christ, der ein`ge Gottessohn \/ Herr Gott, nun sei gepreiset BWV 601\u003cbr\u003eLob sei dem allmächtigen Gott BWV 602\u003cbr\u003ePuer natus in Bethlehem BWV 603\u003cbr\u003eDer Tag, der ist so freudenreich BWV 605\u003cbr\u003eGelobet seist du, Jesu Christ BWV 604\u003cbr\u003eVom Himmel hoch, da komm ich her BWV 606\u003cbr\u003eVom Himmel kam der Engel Schar BWV 607\u003cbr\u003eIn dulci jubilo BWV 608\u003cbr\u003eLobt Gott, ihr Christen, allzugleich BWV 609\u003cbr\u003eJesu, meine Freude BWV 610\u003cbr\u003eChristum wir sollen loben schon BWV 611\u003cbr\u003eWir Christenleut BWV 612\u003cbr\u003eHelft mir, Gotts Güte preisen BWV 613\u003cbr\u003eDas alte Jahr vergangen ist BWV 614\u003cbr\u003eIn dir ist Freude BWV 615\u003cbr\u003eMit Fried und Freud ich fahr dahin BWV 616\u003cbr\u003eHerr Gott, nun schleuß den Himmel auf BWV 617\u003cbr\u003eO Lamm Gottes, unschuldig BWV 618\u003cbr\u003eChristus, der uns selig macht BWV 620\u003cbr\u003eChriste, du Lamm Gottes BWV 619\u003cbr\u003eDa Jesus an dem Kreuze stund BWV 621\u003cbr\u003eO Mensch bewein dein Sünde groß BWV 622\u003cbr\u003eWir danken dir, Herr Jesu Christ, daß du für uns gestorben bist BWV 623\u003cbr\u003eHilf, Gott, daß mir`s gelinge BWV 624\u003cbr\u003eChrist lag in Todesbanden BWV 625\u003cbr\u003eJesus Christus, unser Heiland, der den Tod überwand BWV 626\u003cbr\u003eChrist ist erstanden BWV 627\u003cbr\u003eErstanden ist der heilge Christ BWV 628\u003cbr\u003eErschienen ist der herrliche Tag BWV 629\u003cbr\u003eHeut triumphieret Gottes Sohn BWV 630\u003cbr\u003eKomm, Gott Schöpfer, Heiliger Geist BWV 631\u003cbr\u003eHerr Jesu Christ, dich zu uns wend BWV 632\u003cbr\u003eLiebster Jesu, wir sind hier BWV 634 und BWV 633\u003cbr\u003eDies sind die heilgen zehn Gebot BWV 635\u003cbr\u003eVater unser im Himmelreich BWV 636\u003cbr\u003eDurch Adams Fall ist ganz verderbt BWV 637\u003cbr\u003eEs ist das Heil uns kommen her BWV 638\u003cbr\u003eIch ruf zu dir, Herr Jesu Christ BWV 639\u003cbr\u003eIn dich hab ich gehoffet, Herr BWV 640\u003cbr\u003eWenn wir in höchsten Nöten sein BWV 641\u003cbr\u003eWer nur den lieben Gott läßt walten BWV 642\u003cbr\u003eAlle Menschen müssen sterben BWV 643\u003cbr\u003eAch wie nichtig, ach wie flüchtig BWV 644\u003cbr\u003eAnhang zum Orgelbüchlein: Christus, der uns selig macht BWV 620a\u003cbr\u003eHeut triumphieret Gottes Sohn BWV 630a\u003cbr\u003eKomm, Gott Schöpfer, Heiliger Geist BWV 631a\u003cbr\u003eEs ist das Heil uns kommen her BWV 638a\u003cbr\u003eSechs Choräle von verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme BWV 645\u003cbr\u003eWo soll ich fliehen hin \/ Auf meinen lieben Gott BWV 646\u003cbr\u003eWer nur den lieben Gott läßt walten BWV 647\u003cbr\u003eMeine Seele erhabt den Herren BWV 648\u003cbr\u003eAch bleib bei uns, Herr Jesu Christ BWV 649\u003cbr\u003eKommst du nun, Jesu, vom Himmel herunter auf Erden BWV 650\u003cbr\u003eChoralpartiten: Ach, was soll ich Sünder machen BWV 770\u003cbr\u003eChrist, der du bist der helle Tag BWV 766\u003cbr\u003eO Gott, du frommer Gott BWV 767\u003cbr\u003eSei gegrüßet, Jesu gütig BWV 768\u003cbr\u003eAnhänge zu Sei gegrüßet, Jesu gütig BWV 768: Anhang 1: Variatio 3, 1. und 2. Fassung\u003cbr\u003eAnhang 2: Choral, Fassung der Handschrift Preller\u003cbr\u003eAnhang 3: Variatio 1, Fassung der Handschrift Preller            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334555254948,"sku":"9790006523085","price":8542.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA05261_00_9790006523085_co_lrg_01.jpg?v=1615724492"},{"product_id":"9790006523214","title":"Organ works, vol. 9: Organ Chorales from the Neumeister Collection","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eGlazunov's compositions are often noted for their distinctive emotionality and underlying heroic mood. This also applies to the known organ works of this Russian master, all of which bear the characteristic traits of the Russian symphonic style: epic breadth and monumentality as well as a close proximity to folk music, all combined with supreme contrapuntal skill. \u003cbr\u003e\u003cbr\u003eThis Urtext edition contains not only the well-known Prelude and Fugue in D major op. 93 (1906), Prelude and Fugue in D minor op. 98 (1914) and Fantasy op. 110 (1935) but also the Prelude and Fugue in D minor op. 62 (1899), an expressive piano piece presented here in a revised transcription for symphonic organ by B. L. Sabaneyev (1909).\u003cbr\u003e\u003cbr\u003e• New Urtext edition of the complete organ works plus a historic transcription\u003cbr\u003e• Detailed Foreword (Russ\/Ger\/Eng) and a Critical Commentary (Eng)\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eVorwort\u003cbr\u003ePreface\u003cbr\u003eDie Choralmelodien\/The Chorale Melodies\u003cbr\u003eOrgelchoräle der Neumeister-Sammlung: Der Tag, der ist so freudenreich \/ Ein Kindelein so löbelich BWV 719\u003cbr\u003eWir Christenleut BWV 1090\u003cbr\u003eDas alte Jahr vergangen ist BWV 1091\u003cbr\u003eHerr Gott, nun schleuß den Himmel auf BWV 1092\u003cbr\u003eHerzliebster Jesus, was hast du verbrochen BWV 1093\u003cbr\u003eO Jesu, wie ist dein Gestalt BWV 1094\u003cbr\u003eO Lamm Gottes unschuldig BWV 1095\u003cbr\u003eChriste, der du bist Tag und Licht \/ Wir danken dir, Herr Jesu Christ BWV 1096\u003cbr\u003eEhre sei dir Christe, der du leidest Not BWV 1097\u003cbr\u003eWir glauben all an einen Gott BWV 1098\u003cbr\u003eAus tiefer Not schrei ich zu dir BWV 1099\u003cbr\u003eAllein zu dir, Herr Jesu Christ BWV 1100\u003cbr\u003eAch, Gott und Herr BWV 714\u003cbr\u003eAch Herr, mich armen Sünder \/ Herzlich tut mich verlangen BWV 742\u003cbr\u003eDurch Adams Fall ist ganz verderbt BWV 1101\u003cbr\u003eDu Friedefürst, Herr Jesu Christ BWV 1102\u003cbr\u003eErhalt uns, Herr, bei deinem Wort BWV 1103\u003cbr\u003eWenn dich Unglück tut greifen an BWV 1104\u003cbr\u003eJesu, meine Freude BWV 1105\u003cbr\u003eGott ist mein Heil, mein Hilf und Trost BWV 1106\u003cbr\u003eJesu, meines Lebens Leben BWV 1107\u003cbr\u003eAls Jesus Christus in der Nacht BWV 1108\u003cbr\u003eAch Gott, tu dich erbarmen BWV 1109\u003cbr\u003eO Herre Gott, dein göttlich Wort BWV 1110\u003cbr\u003eNun lasst uns den Leib begraben BWV 1111\u003cbr\u003eChristus, der ist mein Leben BWV1112\u003cbr\u003eIch hab mein Sach Gott heimgestellt BWV 1113\u003cbr\u003eHerr Jesu Christ, du höchstes Gut BWV 1114\u003cbr\u003eHerzlich lieb hab ich dich, o Herr BWV 1115\u003cbr\u003eWas Gott tut, das ist wohlgetan BWV 1116\u003cbr\u003eAlle Menschen müssen sterben BWV 1117\u003cbr\u003eMachs mit mir, Gott, nach deiner Güte BWV 957\u003cbr\u003eWerde munter mein Gemüte BWV 1118\u003cbr\u003eWie nach einer Wasserquelle BWV 1119\u003cbr\u003eChrist, der du bist der helle Tag BWV 1120\u003cbr\u003eAnhang: Orgelchoräle der Neumeister-Sammlung in anderer Überlieferung: Der Tag, der ist so freudenreich BWV 719\u003cbr\u003eFuga BWV 957\/1\u003cbr\u003eChriste, der du bist Tag und Licht BWV 1096\u003cbr\u003eFuga Christe, der du bist Tag und Licht nach J. Pachelbel            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334555615396,"sku":"9790006523214","price":8067.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA05269_00_9790006523214_co_lrg_01.jpg?v=1615724452"},{"product_id":"9790006506095","title":"Oeuvres choisies pour orgue = Selected organ works, vol. 3","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e With their clear formal design and their manageable demands on technique, these pieces reflect Guilmant's basic precept of creating works for church and concert performance.\u003cbr\u003e \u003cbr\u003e Stylistically, they are noteworthy for their evocative and confessional mood and their straightforward, highly melodious workmanship.\u003cbr\u003e \u003cbr\u003e The first four-piece cycle might be termed a \"Gregorian Suite\"; the second is a Christmas suite with Chorale, Magnificat and La Cręche. The Trois Oraisons can be regarded as Guilmant's swan-song: here the composer expressed his spiritual concerns, creating a transfigured idiom for the organ in a meditative and improvisatory vein while ingeniously blending Wagner's tonal language with Lisztian intimacy.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - First Urtext edition of Guilmant's organ works in five volumes\u003cbr\u003e - Based on the latest scholarship\u003cbr\u003e - With sources never evaluated before\u003cbr\u003e - Detailed preface, critical report and source references (German\/English\/French)\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eDeo gratias op. 65, Nr. 58\u003cbr\u003eVariations et Fugue sur le chant du Stabat mater op. 65, Nr. 13\u003cbr\u003e\nSortie op. 65, Nr. 51, Geistliche Charakterstücke Choral op. 49, Nr. 3, Magnificat (Six Versets) op. 41, Nr. 2, Le Crèche (Die Krippe): Pastorale et Adoration op. 50, Nr. 3, Trois Oraisons (Drei Gebete) op. 94            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334555812004,"sku":"9790006506095","price":12118.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA08409_00_9790006506095_co_lrg_01.jpg?v=1615716918"},{"product_id":"9790006501205","title":"Sämtliche Orgel- und Clavierwerke = Complete organ and keyboard works, vol. 1","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eA new scholarly-critical edition of the organ and keyboard works of the brothers Krieger, designed to meet the needs of performers and musicologists alike. With bilingual critical apparatus and list of sources.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSechs musicalische Partien (1697)\u003cbr\u003eAnmuthige Clavier-Übung (1699)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334556008612,"sku":"9790006501205","price":13306.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA08402_00_9790006501205_co_lrg_01.jpg?v=1615724196"},{"product_id":"m007094850","title":"Reger Edition of Work, series 1, vol. 1: Chorale phantasies for organ","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSince January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a “hybrid” edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's ar­rangements of works by other composers. To begin the series, the first seven volumes to be published will contain the organ works, which have been eagerly awaited by many.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eChoralphantasie \"Ein' feste Burg ist unser Gott\"\u003cbr\u003eChoralphantasie \"Freu dich sehr, o meine Seele!\"\u003cbr\u003eChoralphantasie \"Wie schön leucht't uns der Morgenstern\"\u003cbr\u003eChoralphantasie \"Straf mich nicht in deinem Zorn!\"\u003cbr\u003eChoralphantasie \"Alle Menschen müssen sterben\"\u003cbr\u003eChorale Fantasia \"Wachet auf, ruft uns die Stimme\"\u003cbr\u003eChoralphantasie \"Halleluja! Gott zu loben, bleibe meine Seelenfreud\"            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334556205220,"sku":"M007094850","price":50193.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5280100u_310d738a-e86f-4ff2-be71-f26b45076348.jpg?v=1615087362"},{"product_id":"m007097547","title":"Reger Edition of Work, series 1, vol. 3: Fantasias, Fugues, Variations, Sonatas, Suites II","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e The third volume of the section containing organ works includes in chronological order, the Fantasias and Fugues, Variations, Sonatas and Suites of Max Reger composed between November 1901 and July 1906 in Munich and Berchtesgaden and between April 1913 and May 1913 in Meiningen and Jena. Since January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a “hybrid” edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers. To begin the series, the first seven volumes have been published and contain the organ works, which have been eagerly awaited by many.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSuite e-Moll\u003cbr\u003ePhantasie und Fuge c-moll\u003cbr\u003eI. Sonate fis-moll\u003cbr\u003eIntroduction and Passacaglia D minor\u003cbr\u003ePhantasie und Fuge über B-A-C-H\u003cbr\u003eVariationen und Fuge über \"Heil, unserm König, Heil!\"\u003cbr\u003eSymphonische Phantasie und Fuge            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334556598436,"sku":"M007097547","price":72407.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5280300u_cd5fd993-1089-4ed1-bd64-9f47c8b400eb.jpg?v=1615087397"},{"product_id":"m007139384","title":"Reger Edition of Work, series 1, vol. 4: Chorale preludes for organ","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe fourth volume of the section of the Reger Edition devoted to his organ works comprises, in chronological order, the chorale preludes composed between October 1893 and November 1914 in Wiesbaden, Weiden, Munich, Leipzig, and Meiningen. The composition of chorale preludes accompanied Reger throughout his entire career, even though they were composed primarily in the years from 1900 to 1902 and 1914 (Opus 135a). As almost no other composer at the turn of the century, he dedicated himself to the chorale prelude, composing around 100 works in this genre. Since January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a “hybrid” edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers. To begin the series, the first seven volumes have been published and contain the organ works, which have been eagerly awaited by many.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eO Traurigkeit, o Herzeleid (1893)\u003cbr\u003eKomm, süßer Tod! (1893)\u003cbr\u003eChrist ist erstanden von dem Tod (1901)\u003cbr\u003eEs kommt ein Schiff geladen (1901)\u003cbr\u003eAllein Gott in der Höh' sei Ehr! (1901\/02)\u003cbr\u003eAlles ist an Gottes Segen (1901\/02)\u003cbr\u003eAus tiefer Not schrei ich zu dir (1901\/02)\u003cbr\u003eAus meines Herzens Grunde (1901\/02)\u003cbr\u003eChristus, der ist mein Leben (1901\/02)\u003cbr\u003eEin' feste Burg ist unser Gott (1901\/02)\u003cbr\u003eDir, dir, Jehovah will ich singen (1901\/02)\u003cbr\u003eErschienen ist der herrlich Tag (1901\/02)\u003cbr\u003eHerr Jesu Christ, dich zu uns wend (1901\/02)\u003cbr\u003eEs ist das Heil uns kommen her (1901\/02)\u003cbr\u003eFreu' dich sehr, o meine Seele (1901\/02)\u003cbr\u003eGott des Himmel und der Erden (1901\/02)\u003cbr\u003eHerr, wie du willst, so schick's mit mir (1901\/02)\u003cbr\u003eHerzlich tut mich verlangen (1901\/02)\u003cbr\u003eJauchz, Erd, und Himmel, juble! (1901\/02)\u003cbr\u003eIch dank dir, lieber Herre (1901\/02)\u003cbr\u003eIch will dich lieben, meine Stärke (1901\/02)\u003cbr\u003eJerusalem, du hochgebaute Stadt (1901\/02)\u003cbr\u003eJesu Leiden, Pein und Tod (1901\/02)\u003cbr\u003eJesus, meine Zuversicht (1901\/02)\u003cbr\u003eJesu, meine Freude (1901\/02)\u003cbr\u003eKomm, o komm, du Geist des Lebens (1901\/02)\u003cbr\u003eLobt Gott, ihr Christen alle gleich (1901\/02)\u003cbr\u003eLobe den Herren, den mächtigen König der Ehren (1901\/02)\u003cbr\u003eMach's mit mir, Gott, nach deiner Güt (1901\/02)\u003cbr\u003eMeinen Jesum lass ich nicht (1901\/02)\u003cbr\u003eNun danket alle Gott (1901\/02)\u003cbr\u003eNun freut euch, lieben Christen (1901\/02)\u003cbr\u003eNun komm, der Heiden Heiland (1901\/02)\u003cbr\u003eO Gott, du frommer Gott (1901\/02)\u003cbr\u003eO Jesu Christ, meines Lebens Licht (1901\/02)\u003cbr\u003eO Lamm Gottes, unschuldig (1901\/02)\u003cbr\u003eO Welt, ich muss dich lassen (1901\/02)\u003cbr\u003eSchmücke dich, o liebe Seele (1901\/02)\u003cbr\u003eSeelenbräutigam (1901\/02)\u003cbr\u003eSollt ich meinem Gott nicht singen (1901\/02)\u003cbr\u003eStraf mich nicht in deinem Zorn (1901\/02)\u003cbr\u003eValet will ich dir geben (1901\/02)\u003cbr\u003eVater unser im Himmelreich (1901\/02)\u003cbr\u003eVom Himmel hoch, da komm ich her (1901\/02)\u003cbr\u003eWachet auf, ruft uns die Stimme (1901\/02)\u003cbr\u003eVon Gott will ich nicht lassen (Mit Ernst, o Menschenkinder) (1901\/02)\u003cbr\u003eWarum sollt ich mich denn grämen (1901\/02)\u003cbr\u003eWas Gott thut, das ist wohlgethan (1901\/02)\u003cbr\u003eWer nur den lieben Gott läßt walten (Zu ernsten Liedern) (1901\/02)\u003cbr\u003eWer nur den lieben Gott läßt walten (Zu Liedern ernsten Inhalts) (1901\/02)\u003cbr\u003eWerde munter, mein Gemüte (1901\/02)\u003cbr\u003eWer weiß, wie nahe mir mein Ende (1901\/02)\u003cbr\u003eWie schön leuchtet der Morgenstern (1901\/02)\u003cbr\u003eWie wohl ist mir, o Freund der Seelen (1901\/02)\u003cbr\u003eJesus ist kommen (1901\/02)\u003cbr\u003eO wie selig (1901\/02)\u003cbr\u003eKompositionen\u003cbr\u003eAch Gott, verlass mich nicht\u003cbr\u003eEin' feste Burg ist unser Gott\u003cbr\u003eHerr, nun selbst den Wagen halt\u003cbr\u003eMorgenglanz der Ewigkeit\u003cbr\u003eMit Fried und Freud ich fahr dahin\u003cbr\u003eWer weiß, wie nahe mir mein Ende! (1901)\u003cbr\u003eAuferstehn, ja auferstehn\u003cbr\u003eChrist ist erstanden von dem Tod\u003cbr\u003eChristus, der ist mein Leben\u003cbr\u003eMit Fried und Freud ich fahr dahin\u003cbr\u003eNun danket alle Gott\u003cbr\u003eHerr, nun selbst den Wagen halt\u003cbr\u003eWarum sollt ich mich denn grämen (1901)\u003cbr\u003eO Haupt voll Blut und Wunden\u003cbr\u003eWie schön leucht’t uns der Morgenstern (1908\/09)\u003cbr\u003eDreißig kleine Choralvorspiele zu den gebräuchlichsten Chorälen\u003cbr\u003eAch bleib mit deiner Gnade (1914)\u003cbr\u003eAllein Gott in der Höh sei Ehr\u003cbr\u003eAlles ist an Gottes Segen\u003cbr\u003eAus tiefer Not schrei ich zu dir\u003cbr\u003eEin' feste Burg ist unser Gott\u003cbr\u003eEins ist Not, ach Herr, dies Eine\u003cbr\u003eEs ist das Heil uns kommen her\u003cbr\u003eEs ist gewißlich an der Zeit\u003cbr\u003eFreu' dich sehr, o meine Seele (1914)\u003cbr\u003eGroßer Gott, wir loben dich\u003cbr\u003eHerr Jesu Christ, dich zu uns wend\u003cbr\u003eJerusalem, du hochgebaute Stadt\u003cbr\u003eJesus, meine Zuversicht\u003cbr\u003eLiebster Jesu, wir sind hier\u003cbr\u003eLobe den Herren, den mächtigen König der Ehren\u003cbr\u003eMacht hoch die Tür\u003cbr\u003eMeinen Jesum laß' ich nicht\u003cbr\u003eNun danket alle Gott\u003cbr\u003eO daß ich tausend Zungen hätte\u003cbr\u003eO Gott, du frommer Gott\u003cbr\u003eO Haupt voll Blut und Wunden\u003cbr\u003eO Welt, ich muß dich lassen\u003cbr\u003eValet will ich dir geben\u003cbr\u003eVom Himmel hoch, da komm ich her\u003cbr\u003eWachet auf, ruft uns die Stimme (1914)\u003cbr\u003eWas Gott tut, das ist wohlgetan (1914)\u003cbr\u003eWas mein Gott will, das g'scheh allzeit (1914)\u003cbr\u003eWer nur den lieben Gott läßt walten (1914)\u003cbr\u003eWie schön leucht't uns der Morgenstern (1914)\u003cbr\u003eWunderbarer König (1914)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334556795044,"sku":"M007139384","price":65328.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5280400u_57b648e3-2b68-4bfc-beaa-a1bda60dd666.jpg?v=1615087365"},{"product_id":"m007142933","title":"Reger Edition of Work, series 1, vol. 5: Organ pieces I","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe fifth volume in the series of organ works includes, in chronological order, the organ pieces Max Reger composed in autumn 1892 in Weiden and Wiesbaden, and those composed between January 1900 and April 1902 in Weiden and Munich. The works presented in Vols. I\/5-7 are, except for the works without opus numbers, collections of character pieces, not composed as cycles, but nevertheless arranged systematically. They mainly combine Reger’s compositions of medium difficulty, written both as a response to his large-scale works, but also with an eye to the market for printed music. Since January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a “hybrid” edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers. To begin the series, the first seven volumes have been published and contain the organ works, which have been eagerly awaited by many.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eDrei Stücke (1892)\u003cbr\u003eSechs Trios (1900)\u003cbr\u003ePräludium c-Moll (1900)\u003cbr\u003eFuge c-Moll (1901)\u003cbr\u003ePräludium (1901)\u003cbr\u003ePastorale (1901)\u003cbr\u003eIntermezzo (1901)\u003cbr\u003eCanon (1901)\u003cbr\u003eToccata (1901)\u003cbr\u003eFuge (1901)\u003cbr\u003eKyrie eleison (1901)\u003cbr\u003eGloria in excelsis (1901)\u003cbr\u003eBenedictus (1901)\u003cbr\u003eCapriccio (1901)\u003cbr\u003eMelodia (1901)\u003cbr\u003eTe Deum (1901)\u003cbr\u003eMonologe (1902)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334556958884,"sku":"M007142933","price":64350.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5280500u_117b5f63-d66e-4e7e-bc16-6f4e13aef2b1.jpg?v=1615087370"},{"product_id":"9790006559954","title":"Orgelwerke = Organ Works","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eIn terms of layout and musical text, this scholarly-critical performing edition of George Frideric Handel's Complete Organ Works is based on the complete edition volumes of the composer's keyboard music edited by Terence Best as part of the Halle Handel Edition (HHA).\u003cbr\u003eThe HHA Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel works for which it can be solidly argued that they were composed for the organ. The centre piece is a set of twelve handwritten fugues deriving directly from his immediate surroundings and published here, for the first time, as a unified cycle. Secondly, our edition presents plausible alternative readings from various sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary.\u003cbr\u003e\u003cbr\u003e•\tA detailed Foreword contains a description of the sources, followed by comments on the individual works. In addition this edition includes contemporary organ dispositions and a Critical Commentary.\u003cbr\u003e•\tScholarly-critical edition based on the Urtext of the Halle Handel Edition (HHA)\u003cbr\u003e•\tFirst single-volume edition of Handel's organ works\u003cbr\u003e•\tIncludes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA\u003cbr\u003e•\tDetailed Foreword (Ger\/Eng) with short descriptions of each source and a Critical Commentary (Ger\/Eng)\u003cbr\u003e•\tWith contemporary organ dispositions\u003cbr\u003e\u003cbr\u003eContents\u003cbr\u003eFuga I in C minor HWV 610\u003cbr\u003eFuga II in G minor HWV 605\u003cbr\u003eFuga III in B-flat major HWV 607\u003cbr\u003eFuga IV in F minor HWV 433\/2\u003cbr\u003eFuga V in E minor HWV 429\/1\u003cbr\u003eFuga VI in G major HWV 606\u003cbr\u003eFuga VII in D minor HWV 428\/2\u003cbr\u003eFuga VIII in A minor HWV 609\u003cbr\u003eFuga IX in B minor HWV 608\u003cbr\u003eFuga X in F-sharp minor HWV 431\/3\u003cbr\u003eFuga XI in F major HWV 427\/4\u003cbr\u003eFuga XII in F major HWV 611\u003cbr\u003e\u003cbr\u003e\"Fuga in E major\" HWV 612\u003cbr\u003e\"O the pleasure of the plains\" in G major HWV 474\u003cbr\u003e\"Jesu meine Freude\" in G minor HWV 480\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eFuga I in C minor HWV 610\u003cbr\u003eFuga II in G minor HWV 605\u003cbr\u003eFuga III in B-flat major HWV 607\u003cbr\u003eFuga IV in F minor HWV 433\/2\u003cbr\u003eFuga V in E minor HWV 429\/1\u003cbr\u003eFuga VI in G major HWV 606\u003cbr\u003eFuga VII in D minor HWV 428\/2\u003cbr\u003eFuga VIII in A minor HWV 609\u003cbr\u003eFuga IX in B minor HWV 608\u003cbr\u003eFuga X in F-sharp minor HWV 431\/3\u003cbr\u003eFuga XI in F major HWV 427\/4\u003cbr\u003eFuga XII in F major HWV 611\u003cbr\u003e\"Fuga in E major” HWV 612\u003cbr\u003e\"O the pleasure of the plains” in G major HWV 474\u003cbr\u003e\"Jesu meine Freude” in G minor HWV 480            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334557155492,"sku":"9790006559954","price":7960.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA11226_00_9790006559954_co_lrg_01.jpg?v=1615700569"},{"product_id":"m007164164","title":"Reger Edition of Work, series 1, vol. 7: Organ pieces III","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSince January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a “hybrid” edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers. To begin the series, the first seven volumes have been published and contain the organ works, which have been eagerly awaited by many. The Max-Reger-Institut (MRI), located in Karlsruhe, Germany, has initiated the first ever scholarly-critical edition of works by Max Reger. The Reger-Werkausgabe (RWA) is sponsored by the Mainzer Akademie der Wissenschaften und der Literatur and with its design as a hybrid edition breaks new ground in the editorial techniques. The seventh and final volume in the series of organ works includes, in chronological order, the organ pieces Max Reger composed in 1904 and 1906 in Munich, in 1912 in Berchtesgaden, in 1913 in Kolberg, and in 1915 to 1916 in Jena.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eCapriccio (1902)\u003cbr\u003ePastorale (1902)\u003cbr\u003eConsolation (1902)\u003cbr\u003eImprovisation (1902)\u003cbr\u003eFuge (1902)\u003cbr\u003ePräludium (1902)\u003cbr\u003eFuge (1902)\u003cbr\u003eCanzone (1902)\u003cbr\u003eScherzo (1902)\u003cbr\u003eToccata (1902)\u003cbr\u003eFuge (1902)\u003cbr\u003ePräludium und Fuge d-Moll (1902)\u003cbr\u003ePräludium (1902\/03)\u003cbr\u003eFuge (1902\/03)\u003cbr\u003eBasso ostinato (1902\/03)\u003cbr\u003eMoment musical (1902\/03)\u003cbr\u003eCapriccio (1902\/03)\u003cbr\u003eToccata (1902\/03)\u003cbr\u003eFuge (1902\/03)\u003cbr\u003eRomanze (1902\/03)\u003cbr\u003ePräludium (1902\/03)\u003cbr\u003eFuge (1902\/03)\u003cbr\u003ePräludium und Fuge E-Dur (1903)\u003cbr\u003ePräludium und Fuge d-Moll (1903)\u003cbr\u003ePräludium und Fuge G-Dur (1903)\u003cbr\u003ePräludium und Fuge C-Dur (1903)\u003cbr\u003ePräludium und Fuge h-Moll (1903)\u003cbr\u003ePostludium d-Moll (1903)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334557286564,"sku":"M007164164","price":72407.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5280700u_f652cadc-de05-4298-b298-224bfc983b45.jpg?v=1615087372"},{"product_id":"m007143534","title":"Reger Edition of Work, series 1, vol. 6: Organ pieces II","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe sixth volume in the series of organ works includes, in chronological order, the organ pieces Max Reger composed in between April 1902 and spring 1903 in Munich. The Max-Reger-Institut (MRI), located in Karlsruhe, Germany, has initiated the first ever scholarly-critical edition of works by Max Reger. The Reger-Werkausgabe (RWA) is sponsored by the Mainzer Akademie der Wissenschaften und der Literatur and with its design as a hybrid edition breaks new ground in the editorial techniques. Since January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a “hybrid” edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers. To begin the series, the first seven volumes have been published and contain the organ works, which have been eagerly awaited by many.             \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eRomanze a-Moll (1904)\u003cbr\u003e12 Stücke (1902\/04)\u003cbr\u003e4 Präludien und Fugen (1904)\u003cbr\u003ePräludium und Fuge gis-Moll (1906)\u003cbr\u003ePräludium und Fuge fis-Moll (1912)\u003cbr\u003e9 Stücke (1913)\u003cbr\u003eAlniederländisches Dankgebet (1915)\u003cbr\u003eOrgelstücke (1914\/1915)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334557384868,"sku":"M007143534","price":65328.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5280600u_d911ad8a-6e13-4c11-8e1d-2853ba2e619a.jpg?v=1615087369"},{"product_id":"9790006563326","title":"L'Oeuvre d'Orgue = Complete Organ Works, vols. 1-10（14巻セット）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eLouis Vierne’s organ compositions are challenging master pieces and comprise a central portion of the organ repertory. His compositions helped define the art of organ music and his organ symphonies are considered the peak of the genre. Vierne’s piano works are of equal compositional value.\u003cbr\u003e\n\u003cbr\u003e\nThe complete, scholarly-critical Bärenreiter edition includes previously unpublished works attributed to Vierne.\u003cbr\u003e\n\u003cbr\u003e\nThis Urtext edition, which, in its philologically precise approach, extends way beyond the lists of corrections that have been in circulation for some time, is based on an evaluation of all available autographs, first prints, and previously unpublished letters.\u003cbr\u003e\n\u003cbr\u003e\nIn addition to valuable suggestions for performance practice in the detailed foreword (Ger \/ En \/ Fr), the edition also contains an extensive critical commentary (Ger \/ En \/ Fr) describing available sources as well as the editorial principles. Furthermore, it provides numerous images and facsimiles.\u003cbr\u003e\n\u003cbr\u003e\nOffering various levels of difficulty, the compositions for organ and piano are suitable for professional musicians as well as advanced keyboard students.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eVol. 1: Symphony no. 1, op. 14\u003cbr\u003e\nVol. 2: Symphony no. 2, op. 20\u003cbr\u003e\nVol. 3: Symphony no. 3, op. 28\u003cbr\u003e\nVol. 4: Symphony no. 4, op. 32\u003cbr\u003e\nVol. 5: Symphony no. 5, op. 47\u003cbr\u003e\nVol. 6: Symphony no. 6, op. 59\u003cbr\u003e\nVol. 7.1: Pièces de Fantaisie en quatre suites, Livre I, op. 51\u003cbr\u003e\nVol. 7.2: Pièces de Fantaisie en quatre suites, Livre II op. 53\u003cbr\u003e\nVol. 7.3: Pièces de Fantaisie en quatre suites, Livre III op. 54\u003cbr\u003e\nVol. 7.4: Pièces de Fantaisie en quatre suites, Livre IV op. 55\u003cbr\u003e\nVol. 8.1: Pièces en style libre en deux livres, Livre I, op. 31\u003cbr\u003e\nVol. 8.2: Pièces en style libre en deux livres, Livre II, op. 31\u003cbr\u003e\nVol. 9: Masses and individual liturgical pieces\u003cbr\u003e\nVol. 10: Improvisations (1928) \/ Transcriptions (1894\/1901\/1932)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334557679780,"sku":"9790006563326","price":89338.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA09239_00_9790006563326_co_lrg_01.jpg?v=1615725677"},{"product_id":"9790006558612","title":"An Easy Handel organ album","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eEasy arrangements for organ\u003cbr\u003e\u003cbr\u003eThe \"Easy Handel Organ Album\" presents a wide overview of the composer's sacred and secular works, forming an ideal basis for lessons and for introducing Baroque organ music.\u003cbr\u003e\u003cbr\u003eThis selection comprises easy to moderately difficult Handel pieces for semi-professional church musicians and organists. All the pieces are also suitable for performance on smaller instruments.\u003cbr\u003e\u003cbr\u003e•\tIdeal for semi-professional church musicians and organists\u003cbr\u003e•\tCollection of easy to moderately difficult organ arrangements\u003cbr\u003e•\tAlso playable on smaller instruments\u003cbr\u003e•\tSuitable for teaching purposes\u003cbr\u003e\u003cbr\u003eContents\u003cbr\u003eFrom \"Music for the Royal Fireworks\": Grave, Allegro, two minuets \/ From \"the Water Music\": Air, Alla Hornpipe, Minuet, Coro \/ From \"Berenice\": Minuet \/ From \"Serse\": Largo \/ Further movements from \"Judas Maccabaeus and Messiah\" \/ \"Movements from Organ Concerto\" op. 4 no. 6 (arranged for solo organ by John Walsh) \/ From \"Six Fugues\" or \"Voluntaries\": Fuga VI\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSaraband HWV 439 from Suite in g\u003cbr\u003eSarabande con Variazioni HWV 437 from Suite in d\u003cbr\u003eMarch in G major HWV 419, 3\u003cbr\u003eMinuet B flat HWV 551\u003cbr\u003eMinuet in a minor HWV 549\u003cbr\u003e\u003cb\u003eOriginal barrel organ transcriptions by John Christopher Smith, Handel's assistant:\u003c\/b\u003e\u003cbr\u003e A Voluntary or a Flight of Angels HWV 600\u003cbr\u003eMinuet in a minor HWV 603\u003cbr\u003eAir in a minor HWV 604\u003cbr\u003e\u003cb\u003eOriginal arrangements by John Walsh, Handel's publisher:\u003c\/b\u003e\u003cbr\u003eLarghetto Nr. 6 op. 4 HWV 294 from Organ concerto, Alla Siciliana Nr. 5 op. 4 HWV 293 from Organ concerto, Largo e piano Nr. 1 op. 7 HWV 306 from Organ concerto, Minuet Nr. 5 op. 7 HWV 310 from Organ concerto\u003cbr\u003e\u003cb\u003eFrom Water Music:\u003c\/b\u003e\u003cbr\u003e Air in F major\u003cbr\u003eAlla hornpipe in D major\u003cbr\u003eMinuet in G major\u003cbr\u003e\u003cbr\u003eMarch in D major HWV 341 from \"Water piece\" (1733)\u003cbr\u003eOverture, La Réjouissance, Menuet I and Menuet II from Musick for the Royal Fireworks—Pifa (Pastoral Symphony) from Messiah\u003cbr\u003eAria from \"Serse\"\u003cbr\u003eAndante, Larghetto from Overture to \"Bernice\"\u003cbr\u003eChorus \"See, the conqu'ring her comes\" from \"Judas Maccabeaus\"            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334558007460,"sku":"9790006558612","price":5821.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA11213_00_9790006558612_co_lrg_01.jpg?v=1615713714"},{"product_id":"9790006537020","title":"Christmas for organ, volume 2","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eFollowing on from the successful first volume, we are now publishing a second volume of organ music for the Christmas festive period. It contains well-known pieces as well as works which have been unjustly forgotten; both free-standing compositions and works for use in the liturgy. The repertoire is mainly from the 19th century. Of technically easy to medium difficulty, the works will appeal to both professional and amateur organists. An attractive publication for Christmas concerts, recitals and services at Advent and Christmas.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - Highlights of Christmas organ music\u003cbr\u003e - Easy-to-perform pieces suitable for both professional church musicians and players of more modest abilities\u003cbr\u003e \u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eKarl Wolfrum: Choralvorspiel aus op. 19: \"Macht hoch die Tür\"\u003cbr\u003eAlfred Grundmann: Aus \"Zehn längere Choralvorspiele\" op. 2: \"Macht hoch die Tür\"\u003cbr\u003eKarl Wolfrum: Choralvorspiel aus op. 17: \"Nun komm, der Heiden Heiland\"\u003cbr\u003eTheophil Forchhammer: Aus \"Zehn Nachspiele über Choralmotive\" op. 30: \"Nun komm, der Heiden Heiland\"\u003cbr\u003eArnold Joseph Monar: Aus \"20 Orgelstücke über deutsche Kirchenlieder\" op. 25: \"O Heiland, reiß die Himmel auf\"\u003cbr\u003eWeihnachten:\u003cbr\u003eCarl Piutti: Aus \"Fünf Charakterstücke\" op. 6: \"Auf Weihnacht\"\u003cbr\u003eArnold Joseph Monar: Choralvorspiel über \"Es ist ein Ros entsprungen\"\u003cbr\u003eAdalbert Überlée: Aus der Orgelsonate F-Dur: Pastorale\u003cbr\u003eKarl Wolfrum: Choralvorspiel aus op. 18: \"Fröhlich soll mein Herze springen\"\u003cbr\u003eWilhelm Rudnick: Pastorale aus op. 142\u003cbr\u003ePaul Blumenthal: Choralvorspiel op. 89, 3: \"Gelobet seist du, Jesu Christ\"\u003cbr\u003eAlfred Grundmann: Choralvorspiel op. 2: \"Gelobet seist du, Jesu Christ\"\u003cbr\u003eGeorg Riemenschneider: Aus \"Orgelstücke\" op. 51: \"An der Krippe\"\u003cbr\u003eAus \"Der Cantus firmus auf der Orgel\" op. 22:\" Ich steh an deiner Krippen hier\"\u003cbr\u003eHeinrich von Herzogenberg: \"Hirtenmusik\" aus dem Kirchen-Oratorium \"Die Geburt Christi\" op. 90\u003cbr\u003eKarl Wolfrum: Choralvorspiel aus op. 19: \"Kommt und lasst uns Christus ehren\"\u003cbr\u003eGustav Merk: Festvorspiel aus op. 4 über \"Lobt Gott, ihr Christen alle gleich\"\u003cbr\u003eWilhelm Volckmar: Aus \"Vorspiele für die Orgel\" op. 205: \"Lobt Gott, ihr Christen alle gleich\"\u003cbr\u003eAlbert Therig: Aus \"Präludienbuch\" op. 9: \"Nun singet und seid froh\"\u003cbr\u003eArnold Joseph Monar: Aus \"12 Festvorspiele\", Trio über \"Nun singet und seid froh\"\u003cbr\u003eJohannes Diebold: Fantasie und Nachspiel op. 43 über \"O du fröhliche\"\u003cbr\u003eGustav Merk: Choralvorspiel über \"O du fröhliche\"\u003cbr\u003eWilly Herrmann: Festpostludium über \"O du fröhliche\"\u003cbr\u003ePaul Blumenthal: Aus \"Neun Festvorspiele\" op. 89: \"Vom Himmel hoch, da komm ich her\"\u003cbr\u003eAlbrecht Hänlein: Weihnachtspastorale über \"Vom Himmel hoch, da komm ich her\"\u003cbr\u003eImannuel Faißt: Fuge über \"Vom Himmel hoch, da komm ich her\"\u003cbr\u003eJohannes Plag: Trio über \"Zu Bethlehem geboren\"\u003cbr\u003eJohann Georg Herzog: Weihnachtssonate op. 62, 2, 1. Satz            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334558335140,"sku":"9790006537020","price":9017.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA09258_00_9790006537020_co_lrg_01.jpg?v=1615714399"},{"product_id":"9790006523030","title":"Enjoy the organ 2","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe second volume of \"Enjoy the Organ\" likewise offers eighteenth-and nineteenth-century concert pieces suitable for performance on smaller instruments and capable of producing impressive results with a limited amount of practice time.\u003cbr\u003e These pieces are intended primarily for the amateur organist but can also be of interest to the professional who can use them as a starting point for improvisation.\u003cbr\u003e\u003cbr\u003eThe volume contains François-Joseph Gossec's \"Tambourin\", Johann Georg Albrechtsberger's \"Prelude and Fugue in C major\", Théophile Stern's \"Morceau pour Sortie (Musikstück zum Ausgang)\", Alphonse Charles Renaud de Vilbac's \"Communio sur Bellini\", Charles Villiers Stanford's \"Prelude in F major\", and other works.\u003cbr\u003e\u003cbr\u003e•\tCollection of easy-to-play concert pieces\u003cbr\u003e•\tIdeal for amateur organists and church musicians\u003cbr\u003e•\tAlso suitable for performance on smaller instruments\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003ePraeludium \u0026amp; Fuge C-dur \/ J.G. Walther\u003cbr\u003e\nTambourin \/ F.-J. Gossec\u003cbr\u003e\nPraeludium \u0026amp; Fuge C-Dur \/ J.G. Albrechtsberger\u003cbr\u003e\nPrélude \/ T. Stern\u003cbr\u003e\nMorceau pour Sortie \/ Stern\u003cbr\u003e\nCommunio sur Bellini \/ A. C. R. De Vilbac\u003cbr\u003e\nScherzo \/ F. Capocci\u003cbr\u003e\nAndante cantabile \/ F. Capocci\u003cbr\u003e\nOffertoire \/ E. Grosjean\u003cbr\u003e\nPrelude op. 101, 1 \/ C.V. Stanford            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334558498980,"sku":"9790006523030","price":5108.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA11208_00_9790006523030_co_lrg_01.jpg?v=1615693592"},{"product_id":"9790006526413","title":"Enjoy the organ 1","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e\"Enjoy the Organ\" presents attractive organ pieces from the 18th and 19th centuries that are manageable on smaller instruments and, even with little practice time, lead to impressive results. These pieces are intended primarily for the amateur organist but can also be of interest to the professional who can use these as a starting point for improvisation.\u003cbr\u003e\u003cbr\u003eVolume 1 includes, among other pieces: Luigi Cherubini, \"Sonata in F major\"; Louis-Claude Daquin, \"Le coucou\"; Johann Christian Gotthilf Tag, \"Organ Symphony in C major\"; Anonymous, \"Variations on 'La Gayta'\"; Carl Czerny, \"Prelude in F major op. 698.1\"\u003cbr\u003e\u003cbr\u003e- A collection of easy concert pieces for the organ\u003cbr\u003e- Mainly for amateur church musicians and organists\u003cbr\u003e- Manageable on smaller instruments\u003cbr\u003e- Leads to impressive results\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eVariations on “The Bagpipes” \/ Anonymous (ed. Chilla)\u003cbr\u003e\nSonata in F major \/ L. Cherubini\u003cbr\u003e\nElevazione \/ Vincenzo Palafuti\u003cbr\u003e\nAllegro \/ Giovanni Battista Pescetti\u003cbr\u003e\nOrgan symphony for the recessional \/ J.C.G. Tag\u003cbr\u003e\nPrelude op. 698.1 \/ Czerny\u003cbr\u003e\nToccata \/ J.H. Knecht\u003cbr\u003e\nRondo “The Cuckoo” \/ L.-C. Daquin            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334558761124,"sku":"9790006526413","price":5108.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA11207_00_9790006526413_co_lrg_01.jpg?v=1615693592"},{"product_id":"m007072704","title":"Freie Orgelmusik des 19. Jahrhunderts = Free Organ Music from the Romantic Period, Vol. 1","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eWhile organ music of the 19th century was not highly regarded in Germany a few years ago (with the exception of a few outstanding works), our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This threevolume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions (at the time of publication), and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the Germanspeaking area of Europe between 1800 and 1900, some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e\u003cb\u003eContents \u003c\/b\u003e\u003cbr\u003eJohann Georg Frech: Nachspiel in C \u003cbr\u003eFelix Mendelssohn Bartholdy Prelude in C major \u003cbr\u003eGustav Adolf Merkel: Organ piece in C major \u003cbr\u003eMoritz Brosig: Präludium in C \u003cbr\u003eJosef Gabriel Rheinberger Fughette in C über BACH \u003cbr\u003eJohann Christian Heinrich Rinck: Präludium in c \u003cbr\u003eJohann Friedrich Herzog: Tonstück in c \u003cbr\u003eMichael Gotthard Fischer: Präludium in Des \u003cbr\u003eGustav Adolf Merkel: Vor- und Nachspiel in D \u003cbr\u003eGustav Adolf Merkel: Präludium in D \u003cbr\u003eJosef Gabriel Rheinberger Fughette in D \u003cbr\u003eAdolph Friedrich Hesse: Vor- und Nachspiel in d \u003cbr\u003eWilhelm Volckmar Organ piece in D minor \u003cbr\u003eCarl Gottlieb Umbreit: Präludium in Es \u003cbr\u003eJohann Georg Herzog: Tonstück in Es \u003cbr\u003eMoritz Brosig: Festvorspiel (Präludium und Fuge) in Es \u003cbr\u003eGustav Adolf Merkel: Präludium in Es \u003cbr\u003eChristian Fink: Organ piece in E major \u003cbr\u003eCarl Gottlieb Umbreit: Vor- und Nachspiel in e \u003cbr\u003eAdolph Friedrich Hesse: Präludium in F \u003cbr\u003eJohann Christian Heinrich Rinck: Präludium in F \u003cbr\u003eGustav Adolf Merkel: Präludium in F \u003cbr\u003eMoritz Brosig: Präludium in f \u003cbr\u003eCarl Gottlieb Umbreit: Präludium in fis \u003cbr\u003eJohann Gottfried Vierling Präludium in G \u003cbr\u003eJohann Christian Heinrich Rinck: Präludium in G \u003cbr\u003eJohann Georg Frech: Vorspiel in G \u003cbr\u003eMoritz Brosig: Präludium in G \u003cbr\u003eGustav Adolf Merkel: Vor- und Nachspiel in G \u003cbr\u003eMoritz Brosig: Präludium in g \u003cbr\u003eGustav Adolf Merkel: Präludium in g \u003cbr\u003eCarl Gottlieb Umbreit: Präludium in As \u003cbr\u003eMoritz Brosig: Präludium in As \u003cbr\u003eMichael Gotthard Fischer: Orgelstück in A \u003cbr\u003eGustav Adolf Merkel: Präludium in A \u003cbr\u003eGustav Adolf Merkel: Vor- und Nachspiel in a \u003cbr\u003eAdolph Friedrich Hesse: Vor- und Nachspiel in B \u003cbr\u003eMoritz Brosig: Präludium in B \u003cbr\u003eGustav Adolf Merkel: Präludium in B \u003cbr\u003eMoritz Brosig: Präludim in b \u003cbr\u003eMichael Gotthard Fischer: Orgelstück in H \u003cbr\u003eJohann Christian Heinrich Rinck: Vor- und Nachspiel in h             \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334559645860,"sku":"M007072704","price":9009.0,"currency_code":"JPY","in_stock":true}]},{"product_id":"m007072698","title":"Freie Orgelmusik des 19. Jahrhunderts = Free Organ Music from the Romantic Period, Vol. 2","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eWhile organ music of the 19th century was not highly regarded in Germany a few years ago (with the exception of a few outstanding works), our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This threevolume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions (at the time of publication), and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the Germanspeaking area of Europe between 1800 and 1900, some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e4 Präludien \u0026amp; Postludium in f \/ Brosig\u003cbr\u003eOrgelstück in B-flat minor, Nachspiel in f \/ Frech\u003cbr\u003e8 Vorspiele \/ Frech\u003cbr\u003ePraeludium in f \/ Herzog\u003cbr\u003e3 Orgelstücke \/ Hesse\u003cbr\u003ePraeludium in g \/ Hesse\u003cbr\u003eVorspiel in A \/ Hesse\u003cbr\u003eOrgelstück in Bflat \/ Mendelssohn\u003cbr\u003eOrgelstück in g \/ Merkel\u003cbr\u003e6 Praeludien \/ Merkel\u003cbr\u003ePraeludium in E minor \/ Rheinberger\u003cbr\u003eNachspiel in E-flat \/ Rinck\u003cbr\u003e2 Orgelstücke \/ Rinck 2\u003cbr\u003eVor oder Nachspiele \/ Rinck\u003cbr\u003eNachspiel in E-flat \/ Rinck\u003cbr\u003eOrgelstück in Bflat \/ Scheibner            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334559744164,"sku":"M007072698","price":9009.0,"currency_code":"JPY","in_stock":true}]},{"product_id":"m007088439","title":"Freie Orgelmusik des 19. Jahrhunderts = Free Organ Music from the Romantic Period, Vol. 3","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eWhile organ music of the 19th century was not highly regarded in Germany a few years ago (with the exception of a few outstanding works), our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This threevolume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions (at the time of publication), and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the Germanspeaking area of Europe between 1800 and 1900, some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eCarillon in D \/ Brewer\u003cbr\u003eElegy in g \/ ColeridgeTaylor Fuge in D \/ Dvorak\u003cbr\u003ePräludium in D \/ Dvorak\u003cbr\u003eTonstück in C \/ Gade Andante con moto in F \/ Guilmant\u003cbr\u003eCommunion in G \/ Guilmant\u003cbr\u003eGrand choeur en forme de marche in d \/ Guilmant\u003cbr\u003eLamento in c \/ Guilmant\u003cbr\u003ePrélude fugué in G \/ Guilmant\u003cbr\u003eAllegretto con grazia in B \/ Hopkins\u003cbr\u003ePrélude in E-flat \/ Lemmens\u003cbr\u003eRisoluto in A \/ Lemmens\u003cbr\u003eElegy in d \/ Lloyd\u003cbr\u003eChacone in B-flat \/ Loret\u003cbr\u003eAndante in D \/ Mendlessohn\u003cbr\u003eAria in A \/ Oswald\u003cbr\u003eAndantino grazioso in G \/ Piutii\u003cbr\u003eGrand choeur in G \/ Salmé\u003cbr\u003ePostlude in C \/ Smart\u003cbr\u003eVoluntary in G \/ Smart\u003cbr\u003ePrelude in G \/ Stanford\u003cbr\u003eService prelude in A \/ Thayer\u003cbr\u003eInterlude in E-flat Truette\u003cbr\u003eLargo in E-flat Wesley\u003cbr\u003eLament in d \/ West            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334559842468,"sku":"M007088439","price":9009.0,"currency_code":"JPY","in_stock":true}]},{"product_id":"9790006559060","title":"Enjoy the organ 3","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eVolume 3 in our successful \"Enjoy the Organ\" series offers attractive organ pieces from the 17th to 20th centuries suitable for performance on smaller instruments and capable of producing impressive results with a limited amount of practice time. \u003cbr\u003e  \u003cbr\u003eAmong the pieces in Volume 3 are Juan Cabanilles, \"Batalla Imperial I\"; Johann Baptist Vanhal, \"Sonatina in F major\"; Robert Schumann, \"Adagio\" from op. 70; Gabriel Fauré, \"Cantique de Jean Racine\", op. 11; and Pietro Yon, \"Humoresque\". \u003cbr\u003e \u003cbr\u003eThese pieces are intended primarily for the amateur organist but will also appeal to professional church musicians who will find the collection useful as literature for sight reading and as a starting point for improvisation. \u003cbr\u003e  \u003cbr\u003e•\tGeared towards amateur church musicians and organists \u003cbr\u003e•\tCollection of easy-to-play concert pieces for organ \u003cbr\u003e•\tAlso effective on smaller instruments \u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBatalla Imperial #1 \/ Cabanilles\u003cbr\u003e\nAndante - Poco vivace \/ J.G. Albrechtsberger\u003cbr\u003e\nSonatina in F major \/ J.B. Vanhal\u003cbr\u003e\nAdagio \/ Robert Schumann\u003cbr\u003e\nOffertoire \/ A.-É. Batiste\u003cbr\u003e\nCantique de Jean Racine \/ Fauré (arr. Chilla)\u003cbr\u003e\nHumoresque \/ P. Yon            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334559973540,"sku":"9790006559060","price":5108.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA11209_00_9790006559060_co_lrg_01_519a57ca-4328-4eea-bf07-97e0b1235fdf.jpg?v=1615693593"},{"product_id":"9790006537075","title":"German organ and keyboard music from Bach's period","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThis publication includes organ and keyboard works by composers from Bach's time. For the first time, the original version of Bach's famous Toccata in F major is published in an edition based on the sole source, manuscript Bach P 803 in the Berlin State Library.\u003cbr\u003e \u003cbr\u003e The collection also includes a partita by Friedrich Erhard Niedt and a sonata by Johann Adolph Scheibe, published for the first time in a modern edition. This makes the edition the first to give an overview of keyboard music of Bach's time primarily without pedals, a repertoire of which only a few pieces survive. The critical edition is based closely on surviving sources and includes a Critical Commentary, List of Sources, numerous facsimiles and an extensive foreword with chapters on the techniques used in preparing the edition and performance practice.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eToccatina in E \/ Domenico Alberiz\u003cbr\u003e\nFuga inversa in E minor \/ D. Alberiz\u003cbr\u003e\nToccatina in F major \/ D. Alberiz\u003cbr\u003e\nFuga in C major \/ D. Alberiz\u003cbr\u003e\nToccata col pedale obligato in F major BWV 540.1 \/ J.S. Bach\u003cbr\u003e\nPièce d'Orgue in G major BWV 572a \/ J.S. Bach\u003cbr\u003e\nSuite 6 in D minor \/ Heinrich Nichlaus Gerber\u003cbr\u003e\nVom Himmel hoch \/ H.N. Gerber\u003cbr\u003e\nWer nur den lieben Gott lässt walten \/ H.N. Gerber\u003cbr\u003e\nPartita in C minor \/ Christoph Graupner\u003cbr\u003e\nHertzlich thut mich verlangen in C minor MWV XII.2a\u0026amp;b \/ Johann Melchior Molter\u003cbr\u003e\nNun komm der Heyden Heylandt in A minor MWV XII.1 \/ J.M. Molter\u003cbr\u003e\nFreu dich sehr, O meine Seele in G major MWV XII.4 \/ J.M. Molter\u003cbr\u003e\nLiebster Jesu wir sind hier in B-flat major MWV XII.3 \/ J.M. Molter\u003cbr\u003e\nAllein Gott in der Höh' sei Ehr in G major MWV XII.5 \/ J.M. Molter\u003cbr\u003e\nPartita in C major \/ F.E. Niedt\u003cbr\u003e\nPrael[udium]: in F major RoemV 243.12 \/ Johann Theodor Roemhildt\u003cbr\u003e\nPrael[udium]: in F major RoemV 243.13\/ Johann Theodor Roemhildt\u003cbr\u003e\nZum Ausgange in D major RoemV 243.19 \/ Johann Theodor Roemhildt\u003cbr\u003e\nSonata V.ta in B-flat major \/ Johann Adolph Scheibe\u003cbr\u003e\nConcerto per il Cembalo in B-flat major \/ Johann Adolph Scheibe            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334560006308,"sku":"9790006537075","price":11155.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA09255_00_9790006537075_co_lrg_01.jpg?v=1615712373"},{"product_id":"9790006526024","title":"German organ and keyboard music of the 17th century, vol. 2","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSiegbert Rampe's recently finished two-volume edition takes us back to the early 17th century to discover a wealth of valuable keyboard compositions.\u003cbr\u003e \u003cbr\u003e The second volume, like the first, consists entirely of first publications, this time of pieces by Buttstedt, Erbach, Kindermann, Philips, Christoph Walter and others. With their remarkable contrapuntal intricacy and formal mastery, these pieces invite harpsichord players and organists to diversify their recitals. Sometimes the reader is offered a glimpse of incalculable educational value into previously unknown organ specifications. Our scholarly-critical edition is rigorously based on the surviving source material and contains a critical report, a catalogue of sources, and a detail preface with sections devoted to ornamentation, editorial technique and performance practice.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - First publication of previously unknown works\u003cbr\u003e - Detailed preface (German\/English)\u003cbr\u003e - Scholarly-critical performance edition\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe second volume, like the first, consists entirely of first publications, this time of pieces by Buttstedt , Erbach , Kindermann , Philips, Christoph Walter and others. With their remarkable contrapuntal intricacy and formal mastery, these pieces invite harpsichord players and organists to diversify their recitals.            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334560235684,"sku":"9790006526024","price":13781.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA08427_00_9790006526024_co_lrg_01_2584b9ca-56cc-4155-a45b-95e30eb320e4.jpg?v=1615694176"},{"product_id":"9790006528189","title":"An Easy Bach organ album","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe \"Easy Bach Organ Album\" presents works by Johann Sebastian Bach of easy to medium difficulty which can be played on smaller instruments and are therefore suitable for non-professional church musicians and organists. \u003cbr\u003e\u003cbr\u003eThe edition divides into original works and arrangements by the editor. It contains a selection of ten chorale preludes, three preludes, various works from the \"Well-Tempered Clavier\", pieces for manuals from the \"Schemelli Gesangbuch\" and an arrangement for solo organ of the famous chorale movement \"Jesus bleibet meine Freude\" from Cantata BWV 147, \"Herz und Mund und Tat und Leben\".\u003cbr\u003e\u003cbr\u003eThis anthology presents a varied overview of Bach's sacred and secular works and is ideal for teaching purposes providing an inspiring introduction to Baroque organ playing for beginner organists.\u003cbr\u003e\u003cbr\u003e- Ideal for non-professional church musicians and organists\u003cbr\u003e- A collection of original works as well as arrangements of works by J. S. Bach\u003cbr\u003e- Easy to medium level of difficulty\u003cbr\u003e- Can be performed on smaller instruments\u003cbr\u003e- Suitable as teaching material\u003cbr\u003e\u003cbr\u003eThe editor\u003cbr\u003eDaniel Moult studied in Oxford and became a Fellow of the Royal College of Organists; he then continued his studies in Amsterdam with Jacques van Oortmerssen. From 1995 to 2002 he was organist at Coventry Cathedral. He teaches at the Royal College of Music Junior Department, the Birmingham Conservatoire and the RCO St Giles Organ School, London.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003ePrelude in G minor BWV 558\u003cbr\u003ePrelude in F major BWV 556\u003cbr\u003ePrelude in E minor BWV 555\u003cbr\u003eAllein Gott in der Höh sei Ehr BWV 711\u003cbr\u003eChriste, du Lamm Gottes BWV 619\u003cbr\u003eErbarm dich mein, o Herre Gott BWV 721\u003cbr\u003eErstanden ist der heilig Christ BWV 628\u003cbr\u003eIch ruf zu dir, Herr Jesu Christ BWV 639\u003cbr\u003eIn dulci jubilo (Nun singet und seid froh) BWV 751 \/ J.M. Bach (formerly ascribed to J.S. Bach)\u003cbr\u003eLob sei dem allmächt'gen Gott BWV 704l\u003cbr\u003eNun freut euch, lieben Christen g'mein BWV 755\u003cbr\u003eO Lamm Gottes, unschuldig BWV 1095\u003cbr\u003eWer nur den lieben Gott lässt walten BWV 691\u003cbr\u003eAdagio from Concerto in A minor BWV 593\u003cbr\u003eMarche BWV Anhang II 122 \/ C.P.E. Bach\u003cbr\u003ePrelude I from \"Das Wohltemperierte Klavier\" BWV 846\u003cbr\u003eAria \"So oft ich meine Tobackspfeife\" BWV 515 from \"Klavierbüchlein für Anna Magdalena Bach\"\u003cbr\u003eAria \"Bist du bei mir\" BWV 508 \u0026amp; 515a\u003cbr\u003eGott lebet noch BWV 461\u003cbr\u003eO Jesulein süß, o Jesulein mild BWV 493\u003cbr\u003eJesus bleibet meine Freude (Jesu, joy of man's desiring) from Cantata \"Herz und Mund und Tat und Leben BWV 147\"            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334560366756,"sku":"9790006528189","price":5821.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA11212_00_9790006528189_co_lrg_01.jpg?v=1615716958"},{"product_id":"9790006527472","title":"Organ and keyboard music at the Salzburg Court 1500 - 1800","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eUntil its dissolution in 1803, the Prince-Archbishopric of Salzburg had a rich musical tradition centered on composers of the stature of Paul Hofhaimer, Heinrich Ignaz Franz von Biber, Georg Muffat, Leopold Mozart, Michael Haydn, and of course Wolfgang Amadeus Mozart.\u003cbr\u003e \u003cbr\u003e Our edition contains organ and clavier music by composers active at the Salzburg court from the early 16th century to the end of the archbishopric in 1803. Siegbert Rampe has chosen valuable and technically not too demanding pieces, mostly from previously unpublished sources, that can be used in church services or concert performances. The works are notated on two or three staves so that there is material galore for the harpsichord or positive organ.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - Easy to moderately difficult organ music for church or concert performance\u003cbr\u003e - Valuable compositions from the heyday of the Salzburg court\u003cbr\u003e - Mostly first publications, edited by Siegbert Rampe\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThis edition contains easy to moderately difficult organ music organ and clavier music by composers active at the Salzburg court from the early 16th century to the end of the archbishopric in 1803.            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334560399524,"sku":"9790006527472","price":9385.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA08499_00_9790006527472_co_lrg_01.jpg?v=1615711953"}],"url":"https:\/\/gaudeamusic.com\/collections\/%e6%a5%bd%e5%99%a8%e3%81%8b%e3%82%89%e6%8e%a2%e3%81%99-1.oembed?page=82","provider":"Gaudeamus","version":"1.0","type":"link"}