{"title":"声楽と合唱","description":"","products":[{"product_id":"9790006492138","title":"Six German Songs for voice, clarinet and Piano op. 103","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSpohr composed the Sechs deutsche Lieder (Six German Songs), Op.103, in 1837. From about 1809, a few years after taking up the Post of Konzertmeister in Gotha, he constantly returned to the problem of the song with piano accompaniment (he composed roughly 90 songs in all). It is true that the form of the Lied was not Spohr's principal interest, master of the symphony, opera and chamber music as he was. But the same preference for unusual combinations, the delight in experiment, that is found in such instrumental pieces as the Septet, Octet, Nonet and the Symphony for Two Orchestras, is also discernible in the songs, and repeatedly gives rise to new ventures. Of all his songs with obbligato instruments, it is the present set with clarinet, Op.103, that have succeeded in reclaiming for themselves a place in the repertoire of today.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSei still mein Herz (Carl B. v. Schweitzer): Ich wahrte die Hoffnung - Zwiegesang (Robert Reinick): Im Fliederbusch ein Vöglein saß - Sehnsucht (Emmanuel Geibel): Ich blick in mein Herz - Wiegenlied (Hoffmann von Fallersleben): Alles still in süßer Ruh - Das heimliche Lied (E. Koch): Es gibt geheime Schmerzen - Wach auf (Unbekannt): Was stehst du lange und sinnest nach?            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334549422244,"sku":"9790006492138","price":4265.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA07571_00_9790006492138_co_lrg_01.jpg?v=1615711100"},{"product_id":"9790006520589","title":"Missa in honorem Beatissimae Virginis Mariae E-flat major Hob. XXII:4 \"Great Organ Mass\" （ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eFollowing his \" Jugendmesse \" from 1749, church music played only a secondary role in Haydn's creative output. It was not until 1766 with the \" Cäcilienmesse \" and again in 1768-69 with the \"Great Organ Mass\", that Haydn returned to this genre of composition. This Mass in E-flat major belongs to the same period as the \"Sturm-und- Drang \" symphonies.\u003cbr\u003e \u003cbr\u003e Some of the remarkable features of this period are reflected here in the expansion of expression combined with a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts, the performance material contains both the original as well as the expanded versions.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - Hadyn's \"Sturm-und- Drang\"Mass\u003cbr\u003e - Urtext from the Complete Haydn Edition\u003cbr\u003e - Performable in both versions\u003cbr\u003e - Clear and easy-to-play vocal score\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eKyrie - Gloria - Et in terra - Gratias - Quoniam - Credo - Sanctus - Benedictus - Agnus dei            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334549455012,"sku":"9790006520589","price":5215.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04646_90_9790006520589_co_lrg_01.jpg?v=1615715966"},{"product_id":"9790006467990","title":"Complete Songs (for high voice)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eMozart's lieder reveal him to be a dramatist in miniature. Even if he failed to cultivate this genre systematically he nevertheless directed his creative powers toward the lied at all stages of his career. His first effort (now lost) was written at the age of six or seven and he took up the genre again and again, at irregular intervals, down to the final year of his life. None the less, Mozart usually chose to write a lied only when there was a special occasion for doing so. Even the preface to the firt complete edition of his lieder, published in 1799 by Breitkopf \u0026amp; Härtel, refers to them as \"occasional pieces\", as does the Leipzig Allgemeine Musikalische Zeitung in the same year. Mozart himself doubtless regarded these ingenious little works as \"pieces for friends\", and was not disposed to think of them as particularly significant.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eVorwort - Preface - An die Freude KV 53 (43b) - Wie unglücklich bin ich nit KV 147 (128g) - Auf die feierliche Johannisloge KV 148 (125h) - Oiseaux, si tous les ans KV 307 (284d) - Dans un bois solitaire KV 308 (295b) - Die Zufriedenheit (Johann Martin Miller): KV 349 (367a) - 1. Fassung: Mit Mandolinenbegleitung - 2. Fassung: Mit Klavierbegleitung - Komm, liebe Zither, komm KV 351 (367b) - Verdankt sei es dem Glanz der Großen KV 392 (340a) - Sei du mein Trost KV 391 (340c) - Ich würd' auf meinem Pfad KV 390 (340c) - Lied zur Gesellenreise KV 468 - Der Zauberer KV 472 - Die Zufriedenheit (Christian Felix Weiße) KV 473 - Die betrogene Welt KV 474 - Das Veilchen KV 476 - Lied der Freiheit KV 506 - Zwei deutsche Kirchenlieder: KV 343 (336c) - a) O Gotteslamm - b) Als aus Ägypten - Die Alte KV 517 - Die Verschweigung KV 518 - Das Lied der Trennung KV 519 - Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte KV 520 - Abendempfindung an Laura KV 523 - An Chloe KV 524 - Des kleinen Friedrichs Geburtstag KV 529 - Das Traumbild KV 530 - Die kleine Spinnerin KV 531 - Lied beim Auszug in das Feld KV 552 - Sehnsucht nach dem Frühlinge KV 596 - Der Frühling KV 597 - Das Kinderspiel KV 598 - Anhang: 1. Ridente la calma KV 152 (210a) - 2. Ah! spiegarti, oh Dio KV 178 (125i\/417e) - English translations of the Lieder texts            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334549553316,"sku":"9790006467990","price":6166.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA05330_00_9790006467990_co_lrg_01.jpg?v=1615712272"},{"product_id":"9790006535903","title":"Chambers Duets for Soprano, Contralto and Basso continuo [singing score, part(s)]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBy means of their high degree of consistency and maturity, Handel's chamber duets constitute a highlight of this genre. \u003cbr\u003e\u003cbr\u003eThe six chamber duets for soprano and alto selected for this volume were written in 1710–12 in Hanover (HWV 178, 185, 197) and 1740–45 in London (HWV 181, 190, 186). They are musically demanding and structured contrapuntally: the earlier works are stricter, more scholarly and more elaborate in terms of counterpoint but masterly in their craftsmanship. The later ones are composed somewhat freer, but more compact.\u003cbr\u003e\u003cbr\u003e- Urtext edition based on the \"Halle Handel Edition\" \u003cbr\u003e- Clear, idiomatic realization of the continuo part\u003cbr\u003e- Includes a separate continuo part without realization\u003cbr\u003e\u003cbr\u003eContents\u003cbr\u003e\"A mirarvi io son intento\" (HWV 178) \/ \"Conservate, raddoppiate\" (HWV 185)\u003cbr\u003e\"Tanti strali al sen mi scocchi\" (HWV 197) \/ \"Beato in ver chi puň\" (HWV 181)\u003cbr\u003e\"No, di voi non vuň fidarmi\" (HWV 190) \/ \"Fronda leggiera e mobile\" (HWV 186)\u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eHWV 178, 181, 185, 186, 190, 197            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334549913764,"sku":"9790006535903","price":8542.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA10257_00_9790006535903_co_lrg_01.jpg?v=1615712554"},{"product_id":"m007171407","title":"Reger Edition of Work, series 2, vol. 1: \tSongs I (1889–1899)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSince January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a “hybrid” edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers.  The first volume in the Songs and Choral Works Series contains, in chronological order, the songs Max Reger composed between 1889 and spring 1899 in Weiden and Wiesbaden. The \"youthful songs\" WoO VII\/1–13, composed by Reger, but without the aim of publication, are published in the Appendix. Inhalt: An das Leben WoO VII\/14 Sechs Lieder op. 4 Fünf Lieder op. 8 Fünf Lieder op. 12 Schlummerlied WoO VII\/17 Fünf Duette op. 14 Ich stehe hoch über’m See op. 14b Zehn Lieder op. 15 Am Meer WoO VII\/18 Vier Lieder op. 23 Sechs Gedichte op. 31 Wiegenlied WoO VII\/19+20 Anhang Jugendlieder WoO VII\/1–13             \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eAn das Leben (1891) – Gebet (1892) – Widmung (1892) – Winterahnung (1892) – Im April (1892) – Der zerriss’ne Grabkranz (1892) – »Bitte!« (1892) – Waldlied (1893) – Thränen im Auge (1893) – Der Kornblumenstrauss (1893) – Scherz (1893) – Bauernregel (1893) – Friedhofsgang (1893) – Das arme Vöglein (1893) – Wenn ich’s nur wüsst! (1893) – Gruß (1893) – Um Dich (1893) – Schlummerlied (1893) – Nachts (1894) – Abendlied (1894) – Sommernacht (1984) – Gäb’s ein einzig Brünnelein! (1894) – O frage nicht! (1894) – Ich stehe hoch überm See! (1894) – Glück (1894) – Das Blatt im Buche (1894) – Nelken (1894) – Traum (1894) – Das Mädchen spricht (1894) – Scheiden (1894) – Der Schelm (1894) – Leichtsinniger Rat (1894) – Verlassen hab ich mein Lieb (1894) – Trost (1894) – Am Meer (1984) – Das kleinste Lied (1898) – »Pythia« (1898) – Das sterbende Kind (1898) – \"Vom Küssen!\" (1898) – Allein (1899) – \"Ich glaub’, lieber Schatz\" (1899) – Unbegehrt (1899) – \"Und hab’ so große Sehnsucht doch\" (1899) – Mein Traum (1899) – Schlimme Geschichte (1899) – Wiegenlied (1899) – In verschwiegener Nacht (1899) – Die braune Heide starrt mich an (1901) – Winterlied (1901) – Mit sanften Flügeln senkt die Nacht (1900) – Adagio (1890) – In ein Stammbuch (1890) – Unter der Erde (1890) – Bitte (1890) – Bettlerliebe (1891) – Lied des Harfenmädchens (1891) – Dahin (1891) – Der Traum (1891) – Gute Nacht! (1891) – Du schläfst (1981) – Vergangen, versunken, verklungen! – Unter der Erde (1890) – Bettlerliebe (1891)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334550306980,"sku":"M007171407","price":76448.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5280800u.jpg?v=1615087377"},{"product_id":"9790006538744","title":"Winterreise op. 89 D 911 (High Voice)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eIn spring 1827 Schubert performed the first part of his best-known song cycle ' Winterreise ' for his friends for the first time. At this time he assumed that he had set all the texts belonging to the cycle to music. Only later did he come across the complete cycle of 24 songs in Müller's volume ' Gedichte  aus den hinterlassenen  Papieren eines  reisenden Waldhornisten ' of 1824. As a result, he set the twelve further poems as a separate group, partly paraphrasing the songs in the first part and partly continuing them.\u003cbr\u003e \u003cbr\u003e The appendices also contain four songs – \" Wasserflut \", \" Rast \", \" Mut \" and \" Der Leiermann \"– in Schubert's original keys before they were transposed down a tone by him or his publisher Haslinger.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - Famous song cycle, taken from the practical Complete Edition of Schubert Lieder, Volume 3\u003cbr\u003e - Foreword by Walther Dürr discussing the history of the work's composition and sources (Ger\/Eng)\u003cbr\u003e - With an English translation of the song texts by Richard Wigmore\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eGute Nacht - Die Wetterfahne - Gefrorne Tränen - Erstarrung - Der Lindenbaum - Wasserflut - Auf dem Flusse - Rückblick - Irrlicht - Rast - Frühlingstraum - Einsamkeit Zweite Abteilung - Die Post - Der greise Kopf - Die Krähe - Letzte Hoffnung - Im Dorfe -            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334550339748,"sku":"9790006538744","price":5108.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA09118_00_9790006538744_co_lrg_01.jpg?v=1615719183"},{"product_id":"9790006538751","title":"Winterreise op. 89 D 911 (Medium Voice)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eIn spring 1827 Schubert performed the first part of his best-known song cycle ' Winterreise ' for his friends for the first time. At this time he assumed that he had set all the texts belonging to the cycle to music. Only later did he come across the complete cycle of 24 songs in Müller's volume ' Gedichte  aus den hinterlassenen  Papieren eines  reisenden Waldhornisten ' of 1824. As a result, he set the twelve further poems as a separate group, partly paraphrasing the songs in the first part and partly continuing them.\u003cbr\u003e \u003cbr\u003e The appendices also contain four songs – \" Wasserflut \", \" Rast \", \" Mut \" and \" Der  Leiermann \"– in Schubert's original keys before they were transposed down a tone by him or his publisher Haslinger.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - Famous song cycle, taken from the practical Complete Edition of Schubert Lieder, Volume 3\u003cbr\u003e - Foreword by Walther Dürr discussing the history of the work's composition and sources (Ger\/Eng)\u003cbr\u003e - With an English translation of the song texts by Richard Wigmore\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eGute Nacht - Die Wetterfahne - Gefrorne Tränen - Erstarrung - Der Lindenbaum - Wasserflut - Auf dem Flusse - Rückblick - Irrlicht - Rast - Frühlingstraum - Einsamkeit Zweite Abteilung - Die Post - Der greise Kopf - Die Krähe - Letzte Hoffnung - Im Dorfe -            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334550601892,"sku":"9790006538751","price":5108.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA09138_00_9790006538751_co_lrg_01.jpg?v=1615719181"},{"product_id":"9790006451340","title":"Die Entführung aus dem Serail K. 384 （ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e\"I know for a fact that the Emperor is proposing to mount a German opera in Vienna, and that he is making every effort to find a young Kapellmeister who understands German, has talent and is capable of striking out on a new path. [...] I think it would be a good thing for me – provided, of course, that the pay is good. If the Emperor will give me a thousand gulden, I will write a German opera for him.\"\u003cbr\u003e\u003cbr\u003eThus Mozart in a letter of 10–11 January 1778 from Mannheim to his father, Leopold. He continued by asking his father to \"write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won't take me on any other terms, then let him try me with an opera. After that he can do what he likes for all I care.\"\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBesetzung \/ Ensemble - Vorwort - Preface - Verzeichnis der Szenen \/ Index of Scenes - Ouverture - Erster Aufzug - Zweiter Aufzug - Dritter Aufzug - Anhang            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334550667428,"sku":"9790006451340","price":11868.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04591_90_9790006451340_co_lrg_01_080b98cc-e57c-49aa-b45f-876c7ee19944.jpg?v=1615716819"},{"product_id":"9790006450794","title":"Le nozze di Figaro, K. 492 （ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003ePremičred at the Vienna Hoftheater on 1 May 1786, Wolfang Amadeus Mozart's and Lorenzo Da Ponte's Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozart's music: on the contrary, because of the extraordinary demands it placed on the orchestra (especially the woodwinds), the music even posed an obstacle to the work's spread outside the German-speaking countries. At least equally responsible for the opera's success was the librettist Lorenzo Da Ponte, who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it is amusing.\u003cbr\u003e\u003cbr\u003eThis vocal score is based on Ludwig Finscher's 1973 edition of 'Le nozze di Figaro' published in the 'New Mozart Edition' and the critical commentary by Ulrich Leisinger published in 2007.\u003cbr\u003e\u003cbr\u003eMany of the sources for Mozart's first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the 'New Mozart Edition volume was published. These include the autograph scores of acts 3 and 4, now held at the Biblioteka Jagiello ka in Kraków, significant portions of the original sets of parts and acts 2 to 4 of the conductor's copy from the first performance of 1786.\u003cbr\u003e\u003cbr\u003eThese original sources, now available again, offer compelling solutions to several previously unresolved questions.\u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBesetzung \/ Ensemble - Vorwort \/ Preface - Verzeichnis der Szenen \/ Index of Scenes - Sinfonia - Atto primo \/ Erster Akt - Atto secondo \/ Zweiter Akt - Atto terzo \/ Dritter Akt - Atto quarto \/ Vierter Akt - Anhang \/ Appendix            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334550700196,"sku":"9790006450794","price":14969.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04565_90_9790006450794_co_lrg_01_5356bffd-a89e-4413-8804-2114c1768b9a.jpg?v=1615715495"},{"product_id":"9790006504497","title":"Le nozze di Figaro, K. 492 （ヴォーカル・スコア）German translation by Nicolas Brieger and Friedemann Layer","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003ePremičred at the Vienna Hoftheater on 1 May 1786, Wolfang Amadeus Mozart's and Lorenzo Da Ponte's Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozart's music: on the contrary, because of the extraordinary demands it placed on the orchestra (especially the woodwinds), the music even posed an obstacle to the work's spread outside the German-speaking countries. At least equally responsible for the opera's success was the librettist Lorenzo Da Ponte, who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it is amusing.\u003cbr\u003e\u003cbr\u003eThis vocal score is based on Ludwig Finscher's 1973 edition of 'Le nozze di Figaro' published in the 'New Mozart Edition' and the critical commentary by Ulrich Leisinger published in 2007.\u003cbr\u003e\u003cbr\u003eMany of the sources for Mozart's first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the 'New Mozart Edition volume was published. These include the autograph scores of acts 3 and 4, now held at the Biblioteka Jagiello ka in Kraków, significant portions of the original sets of parts and acts 2 to 4 of the conductor's copy from the first performance of 1786.\u003cbr\u003e\u003cbr\u003eThese original sources, now available again, offer compelling solutions to several previously unresolved questions.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBesetzung \/ Ensemble - Vorwort - Preface - Verzeichnis der Szenen \/ Index of Scenes - Sinfonia - Atto primo \/ Erster Akt - Atto secondo \/ Zweiter Akt - Atto terzo \/ Dritter Akt - Atto quarto \/ Vierter Akt - Anhang \/ Appendix            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334552928420,"sku":"9790006504497","price":17345.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04565_92_9790006504497_co_lrg_01_ef3b51ea-d872-428d-b121-d7227709046c.jpg?v=1615716056"},{"product_id":"9790046279553","title":"Panis angelicus (low voice and organ)","description":"","brand":"Alphonse Leduc・アルフォンス・ルデュック","offers":[{"title":"Default Title","offer_id":39357701750948,"sku":"9790046279553","price":1666.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/AL27955_1.jpg?v=1615281976"},{"product_id":"m007163785","title":"Der Englische Gruß","description":"","brand":"Alfred Coppenrath","offers":[{"title":"Default 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Messe","description":"","brand":"Alfred Coppenrath","offers":[{"title":"Default Title","offer_id":39357770301604,"sku":"M007126148","price":2368.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9223300u.jpg?v=1615283208"},{"product_id":"m007127213","title":"Missa pro defunctis（2声）","description":"","brand":"Alfred Coppenrath","offers":[{"title":"Default Title","offer_id":39357771972772,"sku":"M007127213","price":1802.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9218300u.jpg?v=1615283246"},{"product_id":"m007125950","title":"Geh auf, meins Herzens Morgenstern (Score)","description":"","brand":"Alfred Coppenrath","offers":[{"title":"Default Title","offer_id":39357772791972,"sku":"M007125950","price":1081.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9215000u.jpg?v=1615283279"},{"product_id":"m007118365","title":"Missa brevis, op. 96","description":"","brand":"Alfred Coppenrath","offers":[{"title":"Default Title","offer_id":39357773676708,"sku":"M007118365","price":1532.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9210800u.jpg?v=1615283290"},{"product_id":"m007117979","title":"Missa in hon. S. S. Cordis Jesu","description":"","brand":"Alfred Coppenrath","offers":[{"title":"Default Title","offer_id":39357781442724,"sku":"M007117979","price":1338.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9187100u.jpg?v=1615283449"},{"product_id":"m007121082","title":"Pastorella - Triosonate","description":"","brand":"Alfred Coppenrath","offers":[{"title":"Default Title","offer_id":39357786390692,"sku":"M007121082","price":3295.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9119000u.jpg?v=1615283556"},{"product_id":"m007120399","title":"Laufet, ihr Hirten","description":"","brand":"Alfred Coppenrath","offers":[{"title":"Default Title","offer_id":39357787046052,"sku":"M007120399","price":1416.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9116600u.jpg?v=1615283568"},{"product_id":"m007115395","title":"Magnificat","description":"","brand":"Alfred Coppenrath","offers":[{"title":"Default Title","offer_id":39357787832484,"sku":"M007115395","price":1596.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9112200u.jpg?v=1615283582"},{"product_id":"m007114718","title":"Engel Gottes künden (Score)","description":"","brand":"Alfred Coppenrath","offers":[{"title":"Default Title","offer_id":39357792944292,"sku":"M007114718","price":2561.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9106600u.jpg?v=1615283633"},{"product_id":"m007244774","title":"O salutaris, op. 47, 1 (Score)","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357797269668,"sku":"M007244774","price":2368.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7031000u.jpg?v=1615283706"},{"product_id":"m007080938","title":"Ave Maria in B, op. WoO 7, 1","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357977821348,"sku":"M007080938","price":824.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5025110u.jpg?v=1615284840"},{"product_id":"m007079017","title":"Salve Regina in A (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThis setting of the famous Marian antiphon was composed in 1736 for the Ospedale degl'Incurabili. It is the only sacred work by Hasse which was published during his lifetime (London, 1740).            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358025400484,"sku":"M007079017","price":5405.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4096700u.jpg?v=1615285316"},{"product_id":"m007077778","title":"Ave maris stella, MWV C 3 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eVirtuosic aria of 1828. An adaptation for organ is attached to the score, to enable the performance of the work—as it was in the premiere—with only an organ accompaniment.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358046863524,"sku":"M007077778","price":4633.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4079700u.jpg?v=1615285430"},{"product_id":"m007089955","title":"Ave Maria (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThis small, expressive setting of the “Ave Maria” by Verdi for solo soprano and strings is not based on the Latin text, but on an Italian version of the Marian prayer. Verdi took it from a long poem known as the “Credo di Dante, ” which contains texts of faith and prayers, whose author, according to recent research, is probably not Dante. The “Ave Maria” was initially only available as a piano score and in the past was often only performed in this reduced form. The present edition, on the other hand, also provides the original version with string accompaniment. Only with this does the special, intimate atmosphere of Marian piety that surrounds Verdi's setting really come into its own.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358046994596,"sku":"M007089955","price":1673.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4079500u.jpg?v=1615285430"},{"product_id":"m007084974","title":"Exsultate, jubilate, KV 165 (158a) (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eA good six years following its first performance in Milan (1773) a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart’s autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the Biblioteka Jagiellónska in Kraków for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358048239780,"sku":"M007084974","price":4633.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4076700u.jpg?v=1615285440"},{"product_id":"m007074296","title":"Dormi, Deus incarnate, ZWV 172 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eJan Dismas Zelenka's great church music work, which he composed mainly for the Dresden Electoral Court, also includes a number of smaller sacred compositions of general or special liturgical purpose. Among them are the two small Christmas cantatas for solo voice (alto resp. tenor), flutes and strings Dormi nate, dormi Deus ZWV 171 and Dormi, Deus incarnate ZW 172 named “Motetti pro Nativitate.” Both works consist only of a recitative and an aria, the flutes lend a pastoral mood.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358048567460,"sku":"M007074296","price":3604.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4076500u.jpg?v=1615285444"},{"product_id":"m007074289","title":"Dormi nate, dormi Deus, ZWV 171 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eJan Dismas Zelenka's great church music work, which he composed mainly for the Dresden Electoral Court, also includes a number of smaller sacred compositions of general or special liturgical purpose. Among them are the two small Christmas cantatas for solo voice (alto resp. tenor), flutes and strings Dormi nate, dormi Deus ZWV 171 and Dormi, Deus incarnate ZW 172 named “Motetti pro Nativitate.” Both works consist only of a recitative and an aria, the flutes lend a pastoral mood.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358048862372,"sku":"M007074289","price":2561.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4076400u.jpg?v=1615285446"},{"product_id":"m007162351","title":"Lamentatio III, op. 13","description":"","brand":"Carus・カールス","offers":[{"title":"Default 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Title","offer_id":39358055940260,"sku":"M007106461","price":386.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4075410u.jpg?v=1615285497"},{"product_id":"m007085513","title":"Messe in Es, D 950 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe Mass in E flat major is the last of Schubert’s six settings of the Ordinarium Missae and it is also his most significant work in this form. It is full of varied dramatic gestures and fervent expression and because of some essential omissions of text, it was described by some contemporaries as “unsuitable for liturgical use”. For the new editions of the \"great\" Schubert Masses the editors have once again thoroughly and subtly reexamined the source material. This has resulted in historical-critical Urtext editons which differ from previous editions in many passages: these are major differences but many obvious details, especially dynamic and articulation are corrected (which has been a trouble spot in the Schubert Edition). The scholarly editions present the musical text in a manner which furthers historically informed performance practice. This work is available in carus music, the choir app.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358085136548,"sku":"M007085513","price":27027.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4066000u.jpg?v=1615285692"},{"product_id":"m007075002","title":"Missa civilis in B, op. 12\/II8 (Score)","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358099554468,"sku":"M007075002","price":5148.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4063500u.jpg?v=1615285804"},{"product_id":"m007066284","title":"La Nuit de Noel","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003ePastoral Symphony            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358177902756,"sku":"M007066284","price":1532.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4028170u.jpg?v=1615286437"},{"product_id":"m007065843","title":"Die Zauberflöte für Kinder (Score)","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358178885796,"sku":"M007065843","price":21622.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4026300u.jpg?v=1615286453"},{"product_id":"m007060367","title":"Laudate pueri Dominum in D, ZWV 81 (Score)","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358256644260,"sku":"M007060367","price":2960.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4006800u.jpg?v=1615286934"},{"product_id":"m007057817","title":"Confitebor, RV 596 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThis composition offers an extensive palette of the baroque master's musical ideas and modes of expression. The piece owes ist attractiveness principally to ist characteristically Vivaldian transparency and formal perfection, and to the way in which the voices are allowed to blossom within clearly fashioned structures, while all the tonal possibilities of the small orchestral ensemble are fully exploited.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358277353636,"sku":"M007057817","price":5148.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4001100u.jpg?v=1615287126"}],"url":"https:\/\/gaudeamusic.com\/ja\/collections\/%e5%a3%b0%e6%a5%bd%e3%81%a8%e5%90%88%e5%94%b1.oembed?page=207","provider":"Gaudeamus","version":"1.0","type":"link"}