{"title":"All products","description":"","products":[{"product_id":"9790201898629","title":"Ballades（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eIn 1836 Chopin introduced the term ballad into piano music with the publication of his Ballad op. 23, although up to then it had only been used in literature and in vocal music. Indeed, all four of Chopin’s ballads have the character of a dramatic story: the musical thread is spun with increasing tension throughout the work, reaching a powerful climax at the end. Following the Préludes, we have now thoroughly re-evaluated this edition and revised it to include the latest scholarly findings. The most significant ones are documented in the printed critical apparatus, the detailed version can be downloaded from the Internet.?            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBallade g minor op. 23 - Ballade F major op. 38 - Ballade A flat major op. 47 - Ballade f minor op. 52            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548144292,"sku":"9790201898629","price":3089.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9862-_5B648_5D.jpg?v=1615094379"},{"product_id":"9790201891248","title":"Etudes（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eChopin succeeded in doing something truly remarkable with his two cycles of Etudes op. 10 and op. 25, published in 1833 and 1837 respectively. Probably no one before him had composed technical practice pieces that at the same time reached such musical heights. Chopin’s Etudes are character pieces that are full of tension, written for the concert hall. The virtuosic works, including long-running hits such as the “Revolutionary Etude” op. 10 no. 12 belong to the pianist’s core repertoire. In addition to the two cycles op. 10 and op. 25, our Urtext edition also contains three Etudes without opus number, which Chopin composed for a Parisian piano method in 1840: wonderfully lyrical miniatures, which can hold their own with the 24 grand studies.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eEtude a minor op. 10, 2 - Etude A flat major op. 10, 10 - Etude C major op. 10, 1 - Etude C major op. 10, 7 - Etude C minor op. 10, 12 [Revolution]  - Etude c sharp minor op. 10, 4 - Etude E major op. 10, 3 - Etude E flat major op. 10, 11 - Etude e flat minor op. 10, 6 - Etude F major op. 10, 8 - Etude f minor op. 10, 9 - Etude G flat major op. 10, 5 - Etude a minor op. 25, 11 - Etude a minor op. 25, 4 - Etude A flat major op. 25, 1 - Etude c minor op. 25, 12 - Etude c sharp minor op. 25, 7 - Etude D flat major op. 25, 8 - Etude e minor op. 25, 5 - Etude F major op. 25, 3 - Etude f minor op. 25, 2 - Etude G flat major op. 25, 9 - Etude g sharp minor op. 25, 6 - Etude b minor op. 25, 10 - Etude A flat major KK IIb, 3, 2 - Etude D flat major KK IIb, 3, 3 - Etude f minor KK IIb, 3, 1            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548177060,"sku":"9790201891248","price":3445.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9124-_5B648_5D.jpg?v=1615094367"},{"product_id":"9790201892641","title":"Mazurkas（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eNext to the polonaises and the waltzes, the mazurkas are the third dance form which Chopin cultivated in his music. They constitute the largest of these three groups, boasting nearly 60 pieces. Chopin made use of the mazurka genre from his childhood until the last years of his life. They testify not only to Chopin’s love for his native Poland, but also to the depth of the composer’s feeling for the mentality of his people. He took inspiration from the various types of mazurka found in different regions of Poland, but sublimated them into absolute music of the greatest elegance, refined harmonies and rhythmic power.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eMazurkas op. 6 (including 2 alternative versions)  - Mazurkas op. 7 - Mazurkas op. 17 - Mazurkas op. 24 - Mazurkas op. 30 - Mazurkas op. 33 - Mazurkas op. 41 - Mazurkas op. 50 - Mazurkas op. 56 - Mazurkas op. 59 - Mazurkas op. 63 - Mazurkas op. 67 - Mazurkas op. 68 - Mazurkas KK IIa, 2, 3 - Mazurkas KK IIb, 4, 5 - Mazurkas KK IVb, 1-4 - Appendix: Mazurka op. 7, 4a - Appendix: Mazurka KK IVa, 7 - Appendix: Mazurka op. 7, 2a            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548209828,"sku":"9790201892641","price":5108.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9264-_5B648_5D.jpg?v=1615094377"},{"product_id":"9790201891859","title":"Nocturnes（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eTime and again, Chopin succeeded in giving different piano music genres their own individual characters, whether etudes, preludes, waltzes, scherzi or nocturnes. The Irishman John Field had already composed over 20 nocturnes, which presumably greatly influenced Chopin. The latter continued to develop the light, song-like piano writing and created works whose dreamy, longing atmosphere came to embody Chopin’s music. Our volume contains the works that were published during Chopin’s lifetime as well as ones which were only published posthumously, including the famous Lento con gran espressione in c sharp minor – in two authentic versions.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eNocturne b flat minor op. 9, 1 - Nocturne E flat major op. 9, 2 - Nocturne B major op. 9, 3 - Nocturne F major op. 15, 1 - Nocturne F sharp major op. 15, 2 - Nocturne g minor op. 15, 3 - Nocturne c sharp minor op. 27, 1 - Nocturne D flat major op. 27, 2 - Nocturne B major op. 32, 1 - Nocturne A flat major op. 32, 2 - Nocturne g minor op. 37, 1 - Nocturne G major op. 37, 2 - Nocturne c minor op. 48, 1 - Nocturne f sharp minor op. 48, 2 - Nocturne f minor op. 55, 1 - Nocturne E flat major op. 55, 2 - Nocturne B major op. 62, 1 - Nocturne E major op. 62, 2 - Nocturne e minor op. post. 72, 1 - Nocturne (version 1) c sharp minor KK IVa, 16 - Nocturne (version 2) c sharp minor KK IVa, 16 - Nocturne c minor KK IVb, 8            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548340900,"sku":"9790201891859","price":3445.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9185-_5B648_5D.jpg?v=1615094370"},{"product_id":"9790201893181","title":"Piano Pieces（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eMazurkas, nocturnes, waltzes and polonaises constitute the core of Chopin’s expressive world. However, he also moved comfortably beyond such genre cycles, and pieces of this sort are brought together in this “Klavierstücke” book, in which we find lesser-known works (two Variation cycles, three Ecossaises) from Chopin’s earlier creative period along with rousing dance movements (Bolero and Tarantelle) and, to finish, the orchestrally conceived Allegro de concert. This forms the introduction to a sequence of three great individual works from Chopin’s middle and later creative periods: the Fantasie op. 49, the Berceuse op. 57, and the Barcarolle op. 60 – the finest Chopin, available in Henle paperback, cloth-bound, and study editions.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eVariations brillantes B flat major op. 12 - Bolero C major op. 19 - Tarantella A flat major op. 43 - Allegro de Concert A major op. 46 - Fantasy f minor op. 49 - Berceuse D flat major op. 57 - Barcarolle F sharp major op. 60 - Variations on Der Schweizerbub E major KK IVa, 4 - 3 Ecossaises D major, G major, D flat major op. 72, 3            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548373668,"sku":"9790201893181","price":4039.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9318-_5B648_5D.jpg?v=1615094379"},{"product_id":"9790201898841","title":"Rondos（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eChopin’s early works include a wealth of new stimuli for anyone wishing to take a closer look at the creative works of the Polish genius. Up to now the four Rondos have been missing from our catalogue, but now they are finally available in Henle Urtext. Although they have been unfairly neglected, there are real discoveries to be made. It is hard to imagine that Chopin was only 15 when his Opus 1, the Rondo in c minor, was first published. Likewise, his Rondo op. 5, which incorporates the exotic sounds of Polish folk music, and the brilliant work in C major op. 73 were also written during his time in Warsaw. Without a doubt the young composer, who was the darling of the Warsaw salons, wrote these works as showpieces for himself. Here, and also with the Rondo op. 16, his mark is unmistakable. Our Urtext edition is also available as an affordable study score.?            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eRondo c minor op. 1 - Rondo F major op. 5 - Rondo E flat major op. 16 - Rondo C major op. post 73A            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548471972,"sku":"9790201898841","price":3445.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9884-_5B648_5D.jpg?v=1615094383"},{"product_id":"9790201891316","title":"Waltzes（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eChopin revolutionized the etude – but he ennobled the waltz. He spent much time on this genre throughout his life and created a wide spectrum of forms, from virtuosic showpieces – the Grandes Valses Brillantes – to deeply melancholic atmospheric pictures. All these works have one thing in common: one cannot and should not dance to them! Our volume contains all of the waltzes that were published during Chopin’s lifetime, or posthumously, including popular masterpieces such as the so-called “Minute Waltz” (op. 64 no. 1). In cases where two authentic versions of the same waltz have been transmitted, we naturally give the Urtext of both versions.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eWaltz [Grande Valse brillante] E flat major op. 18 - Waltz A flat major op. 34, 1 - Waltz a minor op. 34, 2 - Waltz F major op. 34, 3 - Waltz A flat major op. 42 - Waltz D flat major op. 64, 1 [Minute]  - Waltz c sharp minor op. 64, 2 - Waltz A flat major op. 64, 3 - Waltz (two versions) A flat major op. post. 69, 1 - Waltz (two versions) b minor op. post. 69, 2 - Waltz (two versions) G flat major op. post. 70, 1 - Waltz F minor, A flat major (two versions) op. post. 70, 2 - Waltz D flat major op. post. 70, 3 - Waltz A flat major KK IVa, 13 - Waltz E major KK IVa, 12 - Waltz e minor KK IVa, 15 - Appendix: Waltz E flat major KK IVa, 14 - Appendix: Waltz E flat major KK IVb, 10 - Waltz a minor KK IVb, 11            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548570276,"sku":"9790201891316","price":3326.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9131-_5B648_5D.jpg?v=1615094369"},{"product_id":"9790201892351","title":"Impromptus（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eConformément à ce genre créé par Franz Schubert, les quatre impromptus de Chopin présentent un fort caractère d’improvisation tout en restant toujours parfaitement légers et élégants. Ces qualités s’appliquent en particulier aux trois premiers morceaux du présent volume, les opus 29, 36 et 51. Tandis que le premier d’entre eux date vraisemblablement de 1837, l’op. 36 fut composé en 1839 et l’opus 51 trois ans plus tard, pendant le séjour de Chopin au domaine de Nohant appartenant à l’écrivain George Sand avec qui il entretenait une relation amoureuse. Le numéro d’opus de la Fantaisie-Impromptu op. 66 est trompeur, car elle fut composée en 1834, soit avant les trois autres impromptus. Chopin n’avait manifestement pas prévu de la faire publier, mais son ami Julian Fontana se chargea de le faire après la mort du compositeur. La version imprimée dénote toutefois des différences tellement importantes par rapport au manuscrit autographe heureusement conservé, que l’édition Henle-Urtext reproduit les deux versions.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eImpromptu A flat major op. 29 - Impromptu F sharp major op. 36 - Impromptu G flat major op. 51 - Fantaisie-Impromptu C sharp minor op. post. 66 (in two versions)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"G. Henle Verlag・ヘンレ","offers":[{"title":"Default Title","offer_id":39334548635812,"sku":"9790201892351","price":2257.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/HN_9235-_5B648_5D.jpg?v=1615094374"},{"product_id":"9790006205349","title":"Works for Violin and Orchestra（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBased on the Urtext of the \"New Mozart Edition\", this new study score unites the five violin concertos and the 3 single movements for violin from the pen of Mozart in one thoroughly reliable study score. A new historical introduction by Gudula Schütz provides valuable additional information.\u003cbr\u003eFull scores, piano reductions and performance material to all works included in the study score are readily available.\u003cbr\u003e\u003cbr\u003eThis new edition will replace the following study scores:\u003cbr\u003eConcerto for Violin and Orchestra no. 1 K. 207, TP 270\u003cbr\u003eConcerto for Violin and Orchestra no. 2 K. 211, TP 271\u003cbr\u003e\u003cbr\u003eThese study scores will continue to be available:\u003cbr\u003eConcerto for Violin and Orchestra no. 3 K. 216, TP 272 \u003cbr\u003eConcerto for Violin and Orchestra no. 4 K. 218, TP 273 \u003cbr\u003eConcerto for Violin and Orchestra no. 5 K. 219, TP 20 \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\"Devoid of extraneous markings, this handy 61\/2 x 9 inch score of 300 pages has many practical, veratile purposes as a helpful, accessible rehearsal tool for the teacher, student, and conductor, let alone Mozart scholars who will appreciate the reliability of the text and its clear, user-friendly format.\"\u003cbr\u003e(Strings July 2015)\u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eK. 207, 211, 216, 218, 219, 261, 269 (261a), 373            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334548701348,"sku":"9790006205349","price":10443.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/TP00325_00_9790006205349_co_lrg_01.jpg?v=1615715303"},{"product_id":"9790006567423","title":"Ballet Music (1759 and 1760)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThis volume is the second of three planned volumes of ballet music composed between 1759 and 1769 in Vienna. They represent only a small portion of Viennese ballet music attributed to Gluck for which musical sources have been preserved. The volumes form a compendium that offers comprehensive editorial coverage of Gluck's activities as \"Compositore von der Music zu denen Balletten\" (composer of the music to the ballets). The present volume contains compositions from the years 1759 and 1760 (and, accordingly, the 1759\/60 and 1760\/61 seasons).\u003cbr\u003e\u003cbr\u003eThe ballets have been passed down only as sets of parts. They were commissioned by Count Joseph Adam Prince of Schwarzenberg and originated around the time of the premiere performances from the workshops of Viennese copyists. Today, they are housed in the State Regional Archive Ceský Krumlov (with the exception of the sinfonia for \"Le Prix de la Danse\", which has also been handed down as a composition by Ignaz Holzbauer.)\u003cbr\u003e\u003cbr\u003eThe ballet music works consist of a series of mostly short but occasionally lengthier movements that can be repeated or joined into larger musical units. \"Les Corsaires\" and \"Le Prix de la Danse\" were both premiered in December 1759 at the Kärntnertortheater in Vienna with choreographies by Charles Bernardi, while Gasparo Angioloni most likely created the choreographies for \"Le Berger magicien\", \"Les Miquelets espagnols\", and \"Le Naufrage\" (premiered in 1759 at the Burgtheater), as well as those for \"Les Faunes\" and \"Les Trois Couleurs\" (premiered in 1760 at the same venue).The two Bernardi ballets are the only examples for which scenic descriptions have been recorded in the chronicle of theatrical performances by court dancer and ballet master Philipp Gumpenhuber. However, telling titles and works with similar contents help to reconstruct the thematic orientation of the respective ballets.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eLes Corsaires (Vienna 1759) \/ Le Prix de la danse (Vienna 1759) \/ Le Berger magicien (Vienna 1759) \/ Les Miquelets espagnols (Vienna 1759) \/ Le Naufrage (Vienna 1759) \/ Les Faunes (Vienna 1760) \/ Les Trois Couleurs (Vienna 1760)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334548734116,"sku":"9790006567423","price":108405.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA05819_01_9790006567423_co_lrg_01.jpg?v=1615720941"},{"product_id":"9790006529018","title":"Motets op. 69","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eMendelssohn's Three Motets, op. 69, and Three Psalm Settings, op. 78, belong to the standard repertoire of many choruses and vocal ensembles. Our editions, the work of two leading Mendelssohn specialists, Hiromi Hoshino and Michael Cooper, present these pieces in separate volumes reflecting the latest state of scholarly research.\u003cbr\u003e \u003cbr\u003e We also offer a separate edition of Psalm 91, \"For He shall give His angels charge\", in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into \"Elijah\" with an orchestral accompaniment).\u003cbr\u003e \u003cbr\u003e Each edition contains the original German text and the English translation authorized by the composer himself.\u003cbr\u003e \u003cbr\u003e A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - Urtext at the forefront of musical scholarship\u003cbr\u003e - Complete editions with critical reports and introductions in German and English\u003cbr\u003e - With piano reductions for rehearsal purposes\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eHerr, nun lässest du deinen Diener in Frieden fahren - Jauchzet dem Herrn, alle Welt - Mein Herz erhebet Gott, den Herrn            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334548897956,"sku":"9790006529018","price":4740.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA08937_00_9790006529018_co_lrg_01.jpg?v=1615707900"},{"product_id":"9790006495603","title":"Ballet Music (1760-1765)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eIn the second half of the 18th century in the Vienna court theatres, ballets formed an essential component of each production: it was then common practice to perform one or more ballets as interludes between the acts of a play or opera. There was correspondingly a considerable need for suitable music, something which was to the benefit of Christoph Willibald Gluck who made his living as, amongst other things, \"Compositor von der Music zu denen Balletten\" at the Viennese court between 1759 and 1765. In this function he was responsible for the music for the ballets, music which, in line with contemporary practice, was not necessarily completely newly-composed by him. In fact, the creative process was much more about producing the requisite ballet music in collaboration with the choreographers, according to the available personnel and institutional resources, whilst taking into consideration the expectations of the public and the wishes of the patron (the Viennese court). Behind this lay a quite different understanding of the concepts of \"work\" and \"author\" than in other musical genres or other periods, and the Gluck Complete Works (GGA) takes this into account by publishing his ballet music in Volumes II\/3–II\/5 of the Complete Works.\u003cbr\u003e\u003cbr\u003eThe three part-volumes follow the chronology of the works according to their date of composition or first performance. The part-volume II\/5, published at the end of 2016, contains the last compositions arranged chronologically from the entire period 1759 to 1765, namely the six pieces of ballet music composed in Vienna between 1760 and 1765: Les Aventures champętres (premiere: 19.11.1760), Les Blanchisseuses (28.12.1760), Les Matelots (27.1.1761), La Halte des Calmouckes (23.3.1761), Le Tuteur dupé ou L'Amant statue (21.6.1761) and Achille in Sciro (planned for August 1765).\u003cbr\u003e\u003cbr\u003eAs the titles imply, these works belong to different genres. Les Blanchisseuses and Les Matelots are examples of the then-popular type of genre ballet – loose compilations of individual scenes, in which the everyday tasks of particular occupational groups (mainly of lower social standing) form the background, in atmosphere and visuals, for short love stories. \u003cbr\u003e\u003cbr\u003eLes Aventures champętres is a pastoral ballet with cheerful genre scenes from the life of country farming folk, located in an Alsatian village. The note \"Composč Sur des airs d'Opera comiques representés a Vienne\" in the scenario indicates that this is a pasticcio ballet. In fact, it can be demonstrated that Gluck used popular song numbers for this ballet music from Opéras-comiques performed in Vienna, both from his own works (Le Diable ŕ quatre, La Fausse Esclave, L'Île de Merlin and Cythčre assiégée) as well as from operas by other composers (Raton et Rosette, Les Amours de Bastien et Bastienne and Ninette ŕ la cour). In this piece the close interconnections between Opéra-comique and ballet at the time are shown in exemplary fashion.\u003cbr\u003e\u003cbr\u003eLikewise, the influences of Italian theatrical traditions can be discerned: for the comic ballet Le Tuteur dupé ou L'Amant statue the choreographer Gasparo Angiolini, with whom Gluck worked so successfully during this period, used a subject and figures from the Italian Commedia dell'arte. \u003cbr\u003e\u003cbr\u003eBy contrast, La Halte des Calmouckes is a variant of the form of \"Turkish ballet\" then very popular in Vienna: Angiolini places an ethnic-national group, the Kalmyks, at the centre of the ballet action, combining them in the public's perception with a fascination for the exotic, and staging this highly effectively by visual, choreographic, and musical means. The heart of the music, the extended Allegretto No. 9, was later used by Gluck as \"Air pour les esclaves\" in Iphigénie en Aulide (II\/3).\u003cbr\u003e\u003cbr\u003eGluck's ballett Achille in Sciro was not performed during the composer's lifetime: this large-scale, heroic-pantomimic action ballet was composed for the festivities at the wedding of Archduke Leopold and the Spanish Infanta Maria Luisa in 1765 in Innsbruck, which was interrupted on 18 August 1765 by the sudden death of the Emperor Francis I. At the same time this marked the end of Gluck's activities as \"Compositor\" of ballet music for the Viennese court, which formed an important part of his output around 1760. \u003cbr\u003e\u003cbr\u003eThese works have now been made available for the first time for research and practical use in a historical-critical edition. \u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eLes Aventures champêtres (Wien 1760) \/ Les Blanchisseuses (Wien 1760) \/ Les Matelots (Wien 1760 oder 1761) \/ La Halte des Calmouckes (Wien 1761) \/ Le Tuteur dupé ou L'Amant statue (Laxenburg bei Wien 1761) \/ Achille in Sciro (geplant für Innsbruck 1765)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334548930724,"sku":"9790006495603","price":127710.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA05814_01_9790006495603_co_lrg_01_4b53b13f-bf5c-4072-9e75-12cb66bb7d80.jpg?v=1615712350"},{"product_id":"9790006464272","title":"Magnificat D major BWV 243, 2nd version（ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e• BA 5103-90 replaces the previous vocal score. The article number remains unchanged.\u003cbr\u003e• The text appears in slightly larger type size and a clearly legible font.\u003cbr\u003e• The pagination has been adopted from the previous edition. This means that you can rehearse and perform this work with some singers using this new edition and some the old Bärenreiter edition.\u003cbr\u003e• This vocal score is fully compatible with all existing performance material (BA 5103)\u003cbr\u003e• The new vocal score includes a revised piano reduction. It is based on the reliable Eduard Müller piano reduction but has been revised and re-engraved, making it far easier to read and play.\u003cbr\u003e• A more exact spacing of underlaid words has been included in the vocal parts.\u003cbr\u003e• Apart from the revised piano reduction, the musical text remains unchanged.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eVorwort - Preface - Magnificat in D-Dur BWV 243: 1. Magnificat (Coro) - 2. Et exsultavit spiritus meus (Soprano II solo) - 3. Quia respexit humilitatem (Soprano I solo) - 4. Omnes generationes (Coro) - 5. Quia fecit mihi magna (Basso solo) - 6. Et misericordia (Alto solo, Tenore solo) - 7. Fecit potentiam (Coro) - 8. Deposuit potentes (Tenore solo) - 9. Esurientes implevit bonis (Alto solo) - 10. Suscepit Israel (Soprano I, II, Alto) - 11. Sicut locutus est (Coro) - 12. Gloria patri (Coro) - Anhang: Die vier Einlagesätze aus der Es-Dur-Fassung: Einlagesatz A: Vom Himmel hoch (Coro) - Einlagesatz B: Freut euch und jubiliert (Coro) - Einlegesatz C: Gloria in excelsis Deo (Coro) - Einlegesatz D: Virga Jesse floruit (Soprano solo, Basso solo)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334548963492,"sku":"9790006464272","price":2435.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA05103_90_9790006464272_co_lrg_01_86602cb4-b07c-4982-aca5-69aa178ce54b.jpg?v=1615705124"},{"product_id":"9790006505517","title":"Motets, BWV 225-230","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe six Motets of J S Bach rank among the highpoint of standard choral repertoire. This edition brings together for the first time all six works in the original text of the New Bach Edition in a vocal score format with piano reduction.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSinget dem Herrn ein neues Lied BWV 225 (SATB+SATB) - Der Geist hilftunser Schwacheit auf BWV 226 (SATB+SATB) - Jesu, meine Freude BWV 227 (SSATB) - Fürchte dich nicht, ich bin bei dir BWV 228 (SATB+SATB) - Komm, Jesu, komm BWV 229 (SATB+SATB) - Lobet den Herrn, alle Heiden BWV 230 (SATB)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334549029028,"sku":"9790006505517","price":7116.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA05193_90_9790006505517_co_lrg_01.jpg?v=1615700420"},{"product_id":"9790006520497","title":"Missa Sancti Nicolai Hob. XXII:6 \"Nicolai Mass\" （ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe name of the \" Missa Sancti Nicolai\" refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.\u003cbr\u003e \u003cbr\u003e It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later, trumpet and timpani parts were added to the work.\u003cbr\u003e \u003cbr\u003e As with the \"Great Organ Mass\" these additional parts were not actually written by Haydn himself, but simply authorized by him. They are included in the score and performance material so that both versions can be performed.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - Urtext from the Haydn Complete Edition\u003cbr\u003e - Performable in both versions\u003cbr\u003e - Clear and easy-to-play piano part\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eKyrie - Gloria - Credo - Sanctus - Benedictus - Agnus            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334549225636,"sku":"9790006520497","price":3445.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04645_90_9790006520497_co_lrg_01.jpg?v=1615712444"},{"product_id":"9790006492138","title":"Six German Songs for voice, clarinet and Piano op. 103","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSpohr composed the Sechs deutsche Lieder (Six German Songs), Op.103, in 1837. From about 1809, a few years after taking up the Post of Konzertmeister in Gotha, he constantly returned to the problem of the song with piano accompaniment (he composed roughly 90 songs in all). It is true that the form of the Lied was not Spohr's principal interest, master of the symphony, opera and chamber music as he was. But the same preference for unusual combinations, the delight in experiment, that is found in such instrumental pieces as the Septet, Octet, Nonet and the Symphony for Two Orchestras, is also discernible in the songs, and repeatedly gives rise to new ventures. Of all his songs with obbligato instruments, it is the present set with clarinet, Op.103, that have succeeded in reclaiming for themselves a place in the repertoire of today.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSei still mein Herz (Carl B. v. Schweitzer): Ich wahrte die Hoffnung - Zwiegesang (Robert Reinick): Im Fliederbusch ein Vöglein saß - Sehnsucht (Emmanuel Geibel): Ich blick in mein Herz - Wiegenlied (Hoffmann von Fallersleben): Alles still in süßer Ruh - Das heimliche Lied (E. Koch): Es gibt geheime Schmerzen - Wach auf (Unbekannt): Was stehst du lange und sinnest nach?            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334549422244,"sku":"9790006492138","price":4265.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA07571_00_9790006492138_co_lrg_01.jpg?v=1615711100"},{"product_id":"9790006520589","title":"Missa in honorem Beatissimae Virginis Mariae E-flat major Hob. XXII:4 \"Great Organ Mass\" （ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eFollowing his \" Jugendmesse \" from 1749, church music played only a secondary role in Haydn's creative output. It was not until 1766 with the \" Cäcilienmesse \" and again in 1768-69 with the \"Great Organ Mass\", that Haydn returned to this genre of composition. This Mass in E-flat major belongs to the same period as the \"Sturm-und- Drang \" symphonies.\u003cbr\u003e \u003cbr\u003e Some of the remarkable features of this period are reflected here in the expansion of expression combined with a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts, the performance material contains both the original as well as the expanded versions.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - Hadyn's \"Sturm-und- Drang\"Mass\u003cbr\u003e - Urtext from the Complete Haydn Edition\u003cbr\u003e - Performable in both versions\u003cbr\u003e - Clear and easy-to-play vocal score\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eKyrie - Gloria - Et in terra - Gratias - Quoniam - Credo - Sanctus - Benedictus - Agnus dei            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334549455012,"sku":"9790006520589","price":5215.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04646_90_9790006520589_co_lrg_01.jpg?v=1615715966"},{"product_id":"9790006467990","title":"Complete Songs (for high voice)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eMozart's lieder reveal him to be a dramatist in miniature. Even if he failed to cultivate this genre systematically he nevertheless directed his creative powers toward the lied at all stages of his career. His first effort (now lost) was written at the age of six or seven and he took up the genre again and again, at irregular intervals, down to the final year of his life. None the less, Mozart usually chose to write a lied only when there was a special occasion for doing so. Even the preface to the firt complete edition of his lieder, published in 1799 by Breitkopf \u0026amp; Härtel, refers to them as \"occasional pieces\", as does the Leipzig Allgemeine Musikalische Zeitung in the same year. Mozart himself doubtless regarded these ingenious little works as \"pieces for friends\", and was not disposed to think of them as particularly significant.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eVorwort - Preface - An die Freude KV 53 (43b) - Wie unglücklich bin ich nit KV 147 (128g) - Auf die feierliche Johannisloge KV 148 (125h) - Oiseaux, si tous les ans KV 307 (284d) - Dans un bois solitaire KV 308 (295b) - Die Zufriedenheit (Johann Martin Miller): KV 349 (367a) - 1. Fassung: Mit Mandolinenbegleitung - 2. Fassung: Mit Klavierbegleitung - Komm, liebe Zither, komm KV 351 (367b) - Verdankt sei es dem Glanz der Großen KV 392 (340a) - Sei du mein Trost KV 391 (340c) - Ich würd' auf meinem Pfad KV 390 (340c) - Lied zur Gesellenreise KV 468 - Der Zauberer KV 472 - Die Zufriedenheit (Christian Felix Weiße) KV 473 - Die betrogene Welt KV 474 - Das Veilchen KV 476 - Lied der Freiheit KV 506 - Zwei deutsche Kirchenlieder: KV 343 (336c) - a) O Gotteslamm - b) Als aus Ägypten - Die Alte KV 517 - Die Verschweigung KV 518 - Das Lied der Trennung KV 519 - Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte KV 520 - Abendempfindung an Laura KV 523 - An Chloe KV 524 - Des kleinen Friedrichs Geburtstag KV 529 - Das Traumbild KV 530 - Die kleine Spinnerin KV 531 - Lied beim Auszug in das Feld KV 552 - Sehnsucht nach dem Frühlinge KV 596 - Der Frühling KV 597 - Das Kinderspiel KV 598 - Anhang: 1. Ridente la calma KV 152 (210a) - 2. Ah! spiegarti, oh Dio KV 178 (125i\/417e) - English translations of the Lieder texts            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334549553316,"sku":"9790006467990","price":6166.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA05330_00_9790006467990_co_lrg_01.jpg?v=1615712272"},{"product_id":"9790006535903","title":"Chambers Duets for Soprano, Contralto and Basso continuo [singing score, part(s)]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBy means of their high degree of consistency and maturity, Handel's chamber duets constitute a highlight of this genre. \u003cbr\u003e\u003cbr\u003eThe six chamber duets for soprano and alto selected for this volume were written in 1710–12 in Hanover (HWV 178, 185, 197) and 1740–45 in London (HWV 181, 190, 186). They are musically demanding and structured contrapuntally: the earlier works are stricter, more scholarly and more elaborate in terms of counterpoint but masterly in their craftsmanship. The later ones are composed somewhat freer, but more compact.\u003cbr\u003e\u003cbr\u003e- Urtext edition based on the \"Halle Handel Edition\" \u003cbr\u003e- Clear, idiomatic realization of the continuo part\u003cbr\u003e- Includes a separate continuo part without realization\u003cbr\u003e\u003cbr\u003eContents\u003cbr\u003e\"A mirarvi io son intento\" (HWV 178) \/ \"Conservate, raddoppiate\" (HWV 185)\u003cbr\u003e\"Tanti strali al sen mi scocchi\" (HWV 197) \/ \"Beato in ver chi puň\" (HWV 181)\u003cbr\u003e\"No, di voi non vuň fidarmi\" (HWV 190) \/ \"Fronda leggiera e mobile\" (HWV 186)\u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eHWV 178, 181, 185, 186, 190, 197            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334549913764,"sku":"9790006535903","price":8542.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA10257_00_9790006535903_co_lrg_01.jpg?v=1615712554"},{"product_id":"m007171407","title":"Reger Edition of Work, series 2, vol. 1: \tSongs I (1889–1899)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSince January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a “hybrid” edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers.  The first volume in the Songs and Choral Works Series contains, in chronological order, the songs Max Reger composed between 1889 and spring 1899 in Weiden and Wiesbaden. The \"youthful songs\" WoO VII\/1–13, composed by Reger, but without the aim of publication, are published in the Appendix. Inhalt: An das Leben WoO VII\/14 Sechs Lieder op. 4 Fünf Lieder op. 8 Fünf Lieder op. 12 Schlummerlied WoO VII\/17 Fünf Duette op. 14 Ich stehe hoch über’m See op. 14b Zehn Lieder op. 15 Am Meer WoO VII\/18 Vier Lieder op. 23 Sechs Gedichte op. 31 Wiegenlied WoO VII\/19+20 Anhang Jugendlieder WoO VII\/1–13             \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eAn das Leben (1891) – Gebet (1892) – Widmung (1892) – Winterahnung (1892) – Im April (1892) – Der zerriss’ne Grabkranz (1892) – »Bitte!« (1892) – Waldlied (1893) – Thränen im Auge (1893) – Der Kornblumenstrauss (1893) – Scherz (1893) – Bauernregel (1893) – Friedhofsgang (1893) – Das arme Vöglein (1893) – Wenn ich’s nur wüsst! (1893) – Gruß (1893) – Um Dich (1893) – Schlummerlied (1893) – Nachts (1894) – Abendlied (1894) – Sommernacht (1984) – Gäb’s ein einzig Brünnelein! (1894) – O frage nicht! (1894) – Ich stehe hoch überm See! (1894) – Glück (1894) – Das Blatt im Buche (1894) – Nelken (1894) – Traum (1894) – Das Mädchen spricht (1894) – Scheiden (1894) – Der Schelm (1894) – Leichtsinniger Rat (1894) – Verlassen hab ich mein Lieb (1894) – Trost (1894) – Am Meer (1984) – Das kleinste Lied (1898) – »Pythia« (1898) – Das sterbende Kind (1898) – \"Vom Küssen!\" (1898) – Allein (1899) – \"Ich glaub’, lieber Schatz\" (1899) – Unbegehrt (1899) – \"Und hab’ so große Sehnsucht doch\" (1899) – Mein Traum (1899) – Schlimme Geschichte (1899) – Wiegenlied (1899) – In verschwiegener Nacht (1899) – Die braune Heide starrt mich an (1901) – Winterlied (1901) – Mit sanften Flügeln senkt die Nacht (1900) – Adagio (1890) – In ein Stammbuch (1890) – Unter der Erde (1890) – Bitte (1890) – Bettlerliebe (1891) – Lied des Harfenmädchens (1891) – Dahin (1891) – Der Traum (1891) – Gute Nacht! (1891) – Du schläfst (1981) – Vergangen, versunken, verklungen! – Unter der Erde (1890) – Bettlerliebe (1891)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334550306980,"sku":"M007171407","price":76448.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5280800u.jpg?v=1615087377"},{"product_id":"9790006538744","title":"Winterreise op. 89 D 911 (High Voice)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eIn spring 1827 Schubert performed the first part of his best-known song cycle ' Winterreise ' for his friends for the first time. At this time he assumed that he had set all the texts belonging to the cycle to music. Only later did he come across the complete cycle of 24 songs in Müller's volume ' Gedichte  aus den hinterlassenen  Papieren eines  reisenden Waldhornisten ' of 1824. As a result, he set the twelve further poems as a separate group, partly paraphrasing the songs in the first part and partly continuing them.\u003cbr\u003e \u003cbr\u003e The appendices also contain four songs – \" Wasserflut \", \" Rast \", \" Mut \" and \" Der Leiermann \"– in Schubert's original keys before they were transposed down a tone by him or his publisher Haslinger.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - Famous song cycle, taken from the practical Complete Edition of Schubert Lieder, Volume 3\u003cbr\u003e - Foreword by Walther Dürr discussing the history of the work's composition and sources (Ger\/Eng)\u003cbr\u003e - With an English translation of the song texts by Richard Wigmore\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eGute Nacht - Die Wetterfahne - Gefrorne Tränen - Erstarrung - Der Lindenbaum - Wasserflut - Auf dem Flusse - Rückblick - Irrlicht - Rast - Frühlingstraum - Einsamkeit Zweite Abteilung - Die Post - Der greise Kopf - Die Krähe - Letzte Hoffnung - Im Dorfe -            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334550339748,"sku":"9790006538744","price":5108.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA09118_00_9790006538744_co_lrg_01.jpg?v=1615719183"},{"product_id":"9790006538751","title":"Winterreise op. 89 D 911 (Medium Voice)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eIn spring 1827 Schubert performed the first part of his best-known song cycle ' Winterreise ' for his friends for the first time. At this time he assumed that he had set all the texts belonging to the cycle to music. Only later did he come across the complete cycle of 24 songs in Müller's volume ' Gedichte  aus den hinterlassenen  Papieren eines  reisenden Waldhornisten ' of 1824. As a result, he set the twelve further poems as a separate group, partly paraphrasing the songs in the first part and partly continuing them.\u003cbr\u003e \u003cbr\u003e The appendices also contain four songs – \" Wasserflut \", \" Rast \", \" Mut \" and \" Der  Leiermann \"– in Schubert's original keys before they were transposed down a tone by him or his publisher Haslinger.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - Famous song cycle, taken from the practical Complete Edition of Schubert Lieder, Volume 3\u003cbr\u003e - Foreword by Walther Dürr discussing the history of the work's composition and sources (Ger\/Eng)\u003cbr\u003e - With an English translation of the song texts by Richard Wigmore\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eGute Nacht - Die Wetterfahne - Gefrorne Tränen - Erstarrung - Der Lindenbaum - Wasserflut - Auf dem Flusse - Rückblick - Irrlicht - Rast - Frühlingstraum - Einsamkeit Zweite Abteilung - Die Post - Der greise Kopf - Die Krähe - Letzte Hoffnung - Im Dorfe -            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334550601892,"sku":"9790006538751","price":5108.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA09138_00_9790006538751_co_lrg_01.jpg?v=1615719181"},{"product_id":"9790006451340","title":"Die Entführung aus dem Serail K. 384 （ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e\"I know for a fact that the Emperor is proposing to mount a German opera in Vienna, and that he is making every effort to find a young Kapellmeister who understands German, has talent and is capable of striking out on a new path. [...] I think it would be a good thing for me – provided, of course, that the pay is good. If the Emperor will give me a thousand gulden, I will write a German opera for him.\"\u003cbr\u003e\u003cbr\u003eThus Mozart in a letter of 10–11 January 1778 from Mannheim to his father, Leopold. He continued by asking his father to \"write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won't take me on any other terms, then let him try me with an opera. After that he can do what he likes for all I care.\"\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBesetzung \/ Ensemble - Vorwort - Preface - Verzeichnis der Szenen \/ Index of Scenes - Ouverture - Erster Aufzug - Zweiter Aufzug - Dritter Aufzug - Anhang            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334550667428,"sku":"9790006451340","price":11868.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04591_90_9790006451340_co_lrg_01_080b98cc-e57c-49aa-b45f-876c7ee19944.jpg?v=1615716819"},{"product_id":"9790006450794","title":"Le nozze di Figaro, K. 492 （ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003ePremičred at the Vienna Hoftheater on 1 May 1786, Wolfang Amadeus Mozart's and Lorenzo Da Ponte's Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozart's music: on the contrary, because of the extraordinary demands it placed on the orchestra (especially the woodwinds), the music even posed an obstacle to the work's spread outside the German-speaking countries. At least equally responsible for the opera's success was the librettist Lorenzo Da Ponte, who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it is amusing.\u003cbr\u003e\u003cbr\u003eThis vocal score is based on Ludwig Finscher's 1973 edition of 'Le nozze di Figaro' published in the 'New Mozart Edition' and the critical commentary by Ulrich Leisinger published in 2007.\u003cbr\u003e\u003cbr\u003eMany of the sources for Mozart's first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the 'New Mozart Edition volume was published. These include the autograph scores of acts 3 and 4, now held at the Biblioteka Jagiello ka in Kraków, significant portions of the original sets of parts and acts 2 to 4 of the conductor's copy from the first performance of 1786.\u003cbr\u003e\u003cbr\u003eThese original sources, now available again, offer compelling solutions to several previously unresolved questions.\u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBesetzung \/ Ensemble - Vorwort \/ Preface - Verzeichnis der Szenen \/ Index of Scenes - Sinfonia - Atto primo \/ Erster Akt - Atto secondo \/ Zweiter Akt - Atto terzo \/ Dritter Akt - Atto quarto \/ Vierter Akt - Anhang \/ Appendix            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334550700196,"sku":"9790006450794","price":14969.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04565_90_9790006450794_co_lrg_01_5356bffd-a89e-4413-8804-2114c1768b9a.jpg?v=1615715495"},{"product_id":"9790006504497","title":"Le nozze di Figaro, K. 492 （ヴォーカル・スコア）German translation by Nicolas Brieger and Friedemann Layer","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003ePremičred at the Vienna Hoftheater on 1 May 1786, Wolfang Amadeus Mozart's and Lorenzo Da Ponte's Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozart's music: on the contrary, because of the extraordinary demands it placed on the orchestra (especially the woodwinds), the music even posed an obstacle to the work's spread outside the German-speaking countries. At least equally responsible for the opera's success was the librettist Lorenzo Da Ponte, who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it is amusing.\u003cbr\u003e\u003cbr\u003eThis vocal score is based on Ludwig Finscher's 1973 edition of 'Le nozze di Figaro' published in the 'New Mozart Edition' and the critical commentary by Ulrich Leisinger published in 2007.\u003cbr\u003e\u003cbr\u003eMany of the sources for Mozart's first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the 'New Mozart Edition volume was published. These include the autograph scores of acts 3 and 4, now held at the Biblioteka Jagiello ka in Kraków, significant portions of the original sets of parts and acts 2 to 4 of the conductor's copy from the first performance of 1786.\u003cbr\u003e\u003cbr\u003eThese original sources, now available again, offer compelling solutions to several previously unresolved questions.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBesetzung \/ Ensemble - Vorwort - Preface - Verzeichnis der Szenen \/ Index of Scenes - Sinfonia - Atto primo \/ Erster Akt - Atto secondo \/ Zweiter Akt - Atto terzo \/ Dritter Akt - Atto quarto \/ Vierter Akt - Anhang \/ Appendix            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334552928420,"sku":"9790006504497","price":17345.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04565_92_9790006504497_co_lrg_01_ef3b51ea-d872-428d-b121-d7227709046c.jpg?v=1615716056"},{"product_id":"9790006446254","title":"Eleven Sonatas for Flute and Basso Continuo (Score \u0026 parts)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eHandel's flute sonatas have been favourites among ?autists for 270 years. Our earlier urtext edition, published in 1955, was largely based on Chrysander's 1858 print. This new edition draws on all available sources, incorporating the revised version of the Halle Handel Edition to produce a definitive reading for the new millennium.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eHWV 379, 359b, 360, 362, 363b, 365, 367b, 369\/ HWV 374-376            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334552961188,"sku":"9790006446254","price":6403.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04225_00_9790006446254_co_lrg_01.jpg?v=1615715759"},{"product_id":"9790006455454","title":"The Ten Celebrated String Quartets [set of parts]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe present volume contains those ten string quartets of Mozart which have become famous as the composer's greatest contribution to the medium and which are frequently performed in public. According to the dates of their composition and publication they may be divided into three groups: the six \"Haydn\" Quartets K.387, 421 (417b), 458, 428 (421b), 464 and 465; the so-called Hoffmeister Quartet K.499 and the three \"Prussian\" Quartets, K.575, 589 and 590.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eVorwort - Preface - Quartett in G, KV 387 - Quartett in d, KV 421 (417b) - Quartett in B, KV 458 - Quartett in Es, KV 428 (421b) - Quartett in A, KV 464 - Quartett in C, KV 465 - Quartett in D, KV 499 - Quartett in D, KV 575 - Quartett in B, KV 589 - Quartett in F, KV 590            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553092260,"sku":"9790006455454","price":15206.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04750_00_9790006455454_co_lrg_01_0bf6d7a7-170b-4ef8-91cb-290681ee6a0b.jpg?v=1615712137"},{"product_id":"9790006543731","title":"Folk for two Violins","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThis collection contains many well-known pieces from the Anglo-American world which are catchy and of a dance-like quality. Some melodies are lively, some dreamy but all are easy on the ear. Both violinists are of equal importance and the melody moves frequently from one player to another. When the player takes on the accompanying role, he occasionally has to substitute the guitar and must play arpeggios and easy double stops. The melody part contains embellishments typical of the style.\u003cbr\u003e\u003cbr\u003e•\tWell-known catchy folk music pieces\u003cbr\u003e•\tEvenly balanced parts\u003cbr\u003e•\tEntertaining and street music worthy\u003cbr\u003e\u003cbr\u003eFrom the contents:\u003cbr\u003e\"Morning has Broken\", \"All through the Night\", \"Scarborough Fair\", \"The Foggy Dew\", \"The Rolling of the Stones\", \"I'll Fly Away\" and others\u003cbr\u003e\u003cbr\u003e\u003cb\u003eGeorge Speckert\u003c\/b\u003e is a composer, author and lecturer in multimedia production and E-learning. He has composed and arranged pieces for numerous Bärenreiter editions.\u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eI'll Fly Away - Halleluja - All through the Night - Farewell Rosanna - The Rolling of the Stones - Oh Happy Day - Scarborough Fair - Shenandoah - This is Your Land - Morning has Broken - Like a Rolling Stone - The Foggy Dew            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553256100,"sku":"9790006543731","price":4871.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA10624_00_9790006543731_co_lrg_01.jpg?v=1615700510"},{"product_id":"9790006464906","title":"Six Sonatas for Violin and Obbligato Harpsichord, vol. 1","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eTwenty-five years after Johann Sebastian Bach's death his son Carl Philipp Emanuel praised his father's trio sonatas, stating that \"still today they sound great, even though they are older than fifty years.\" What a compliment about works of a genre that was notoriously fast to adapt to new styles and fashions in the eighteenth century! Still today, Bach's sonatas are considered masterpieces of Baroque counterpoint. Yet they might surprise anyone who expects them to feature the usual combination of two flutes or violins and figured bass. As in all of Bach's trio sonatas (except those for solo organ), there is only one melody instrument, as two of the three voices are played by the two hands of the obbligato harpsichord.\u003cbr\u003e\u003cbr\u003eThe sonatas for violin and obbligato harpsichord BWV 1014-1016 are a single sonata cycle with a remarkable expressive range: The melancholic, even lamenting sonorities of the first and fourth sonatas are contrasted by the serenity of the second or the virtuosity of the third sonata.\u003cbr\u003e\u003cbr\u003eThis revised edition is based on manuscript copies by several of Bach's pupils, as well as on the Urtext of the \"New Bach Edition\". The edition comprises a harpsichord score, a part for a bass string instrument as well as both an Urtext violin part and a second violin part, annotated with fingering and bowing along with notes on performance practice. A detailed Preface (Ger\/Eng) and a Critical Commentary (Ger\/Eng) are also included.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSonata I, BWV 1014 - Sonata II, BWV 1015 - Sonata III, BWV 1016            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553354404,"sku":"9790006464906","price":7829.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA05118_00_9790006464906_co_lrg_01.jpg?v=1615693967"},{"product_id":"9790006506316","title":"Le Quattro Stagioni = 四季（ピアノ・リダクション）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThis new publication of Vivaldi's masterpiece is a critical performing edition of the Manchester manuscript source, which originates from Vivaldi's circle and represents an alternative (in many cases, more explicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.\u003cbr\u003e \u003cbr\u003e The Manchester source has until now not been used as the primary basis for a modern performing edition, and offers new readings and evidence for players and listeners alike.\u003cbr\u003e With Christopher Hogwood's new edition a fresh gust of wind has taken hold of The Four Seasons.\u003cbr\u003e \u003cbr\u003e Short text:\u003cbr\u003e First performing edition based on the Manchester manuscript source, which until now has not been used as the primary basis for a modern edition. Offers new readings and evidence for players and listeners alike.\u003cbr\u003e \u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eConcerto No. 1 La Primavera (Frühling) op. 8\/1, RV 269 - Concerto No. 2 L'Estate (Sommer) op. 8\/2, RV 315 - Concerto No. 3 L'Autunno (Herbst) op. 8\/3, RV 293 - Concerto No. 4 L'Inverno (Winter) op. 8\/4, RV 297            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553485476,"sku":"9790006506316","price":8197.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA06994_90_9790006506316_co_lrg_01_80e073f7-a7a7-4971-8812-8b5e12e11fa3.jpg?v=1615715148"},{"product_id":"9790006446285","title":"Complete Works for Violin and Basso continuo","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eHandel returned repeatedly throughout his life to the composition of works for violin and basso continuo.\u003cbr\u003e The earliest autograph, HWV 358, was composed around 1707, his last work for this combination of instruments, the Sonata in D major, HWV 371, stems from circa 1750.\u003cbr\u003e In addition to the 5 sonatas, which have survived as autographs, there are 4 other sonatas of a spurious nature which have found a place in the violin repertoire under Handel's name although they are certainly not from his pen. These sonatas are attempts by other unknown composers to make a name by using the style of the great master. To round off this first ever publication of Handel's Complete Works for Violin and Basso continuo, there are two movements currently not available in any other performing edition: the Allegro, HWV 408 and an Andante, HWV 412.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e The Authoritative Performing Edition\u003cbr\u003e \u003cbr\u003e - Edition with the recently-revised Urtext of the Halle Handel Edition\u003cbr\u003e - First ever performing edition of the complete works for violin and basso continuo in one volume\u003cbr\u003e - With separate violin and continuo bass parts, the latter with figures\u003cbr\u003e - Basso continuo part with figures including 2 movements not available in any other performing edition\u003cbr\u003e - Includes valuable comments on performance practice\u003cbr\u003e - An Associated Board recommended title \u003cbr\u003e \u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSonata G-Dur, HWV 358 - Sonata d-Moll, HWV 359 - Sonata A-Dur, HWV 361 - Sonata g-Moll, HWV 364 - Sonata D-Dur, HWV 371 - Sonata g-Moll, HWV 368 - Sonata F-Dur, HWV 370 - Sonata A-Dur, HWV 372 - Sonata E-Dur, HWV 373 - Allegro c-Moll, HWV 408 - Andante a-            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553452708,"sku":"9790006446285","price":8304.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04226_00_9790006446285_co_lrg_01.jpg?v=1615705148"},{"product_id":"9790006494101","title":"Concert Pieces for Viola and Piano","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eTo complement the \"Sassmannshaus Early Start on the Viola\" method, Bärenreiter offer a selection of recital pieces tailored to this educational concept. This edition presents 14 pieces covering a wide stylistic spectrum, giving viola players a rich body of appealing concert pieces to choose from.\u003cbr\u003eThe works are arranged in increasing order of difficulty, the cornerstones being two works by Georg Eduard Goltermann; his technically simple \"Andante religioso\" and his demanding \"Adagio\" and \"Tarantella\". Works by Kalliwoda, Fauré, Grieg, Dvorák, amongst others, are included.\u003cbr\u003e\u003cbr\u003e-\t14 recital pieces presented in increasing order of difficulty\u003cbr\u003e-\tWide range of styles included\u003cbr\u003e\u003cbr\u003eThe editor\u003cbr\u003eKurt Sassmannshaus is a violinist and viola player, a professor of violin in Cincinnati (OH) and a promoter of violin teaching with projects in Germany, China and the United States. He continues the work of his father Egon Sassmannshaus, who set new standards with the Sassmannshaus string methods.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eGoltermann\/Sassmannshaus: Andante religioso op. 56 - Bertoni\/Bériot: La Verginella (from La Governante) - Grieg\/Sitt: Im Balladenton op. 65\/5 - Gabriel-Marie\/Sassmannshaus: La Cinquantaine - Viotti\/Ritter: Andante - Klengel: Elevation and Consolation op. 39\/3 - Kalliwoda: Notturno II op. 186 - Fauré\/Sassmannshaus: Berceuse op. 16 - Dvorák\/Sassmannshaus: Humoresque op. 101\/7 - Kalliwoda: Notturno IV op. 186 - Fauré\/Sassmannshaus: Sicilienne op. 78 - Wieniawski: Reverie - Kalliwoda: Notturno VI op. 186 - Goltermann: Adagio a Tarantella            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553649316,"sku":"9790006494101","price":5928.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA09697_00_9790006494101_co_lrg_01_13ae0665-d37f-4afb-98da-1175f85ea0c6.jpg?v=1615700516"},{"product_id":"9790006520596","title":"Complete Sonatas for Violoncello and Basso continuo RV 39-47","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThis scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc's 1740 print of Sonatas I to VI – an edition probably made without the composer's consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi's direct supervision.\u003cbr\u003e \u003cbr\u003e The editor has also managed to identify a previously unknown source for Sonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - All of Antonio Vivaldi's works for violoncello and continuo in a single edition\u003cbr\u003e - Scholarly-critical edition for performance purposes\u003cbr\u003e - Detailed preface on sources and performance practice (German\/English)\u003cbr\u003e - With new findings that considerably differ from earlier editions\u003cbr\u003e \u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSonata I, RV 47 - Sonata II, RV 41 - Sonata III, RV 43 - Sonata IV, RV 45 - Sonata V, RV 40 - Sonata VI, RV 46 - Sonata VII, RV 44 - Sonata VIII, RV 39 - Sonata IX, RV 42            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553682084,"sku":"9790006520596","price":8910.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA06995_00_9790006520596_co_lrg_01.jpg?v=1615713541"},{"product_id":"9790006525546","title":"Concert Pieces for Double Bass and Piano","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThis collection is conceived for young double bass players who wish to start performing in public.\u003cbr\u003e The edition contains 19 concert pieces which are easy to rehearse yet sound effective from the Baroque, Classical and Romantic periods. In addition there are newly composed pieces by the Polish bass player Boguslaw Furtok (*1967). \u003cbr\u003e\u003cbr\u003e•\tConcert pieces for double bass and piano accompaniment\u003cbr\u003e•\tEasy to medium level of difficulty\u003cbr\u003e•\tIdeal continuation of the string method Early Start on the Double Bass\u003cbr\u003e\u003cbr\u003eFrom the contents:\u003cbr\u003eBeethoven, \"Adagio\" from the Sonatina for Mandoline and Harpsichord \/ J. S. Bach, \"Largo\" \/ Fauré, \"Aprčs un ręve\" \/ Dancla, \"Polka\" \/ Tschaikowsky, \"Chanson triste\" \/ Fauré, \"Sicilienne\" \/ Saint-Saëns, \"The Swan\", among others.\u003cbr\u003e\u003cbr\u003eThe Editors\u003cbr\u003e\u003cb\u003eHolger Sassmannshaus\u003c\/b\u003e is a double bass player with the Niederrheinische Sinfoniker, Germany, as well as being a double bass teacher and musician in other ensembles \u003cbr\u003e\u003cb\u003eJ. Peter Close\u003c\/b\u003e teaches violoncello and double bass in Munich.\u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSchlemüller: Song op. 12\/1 - Dittersdorf: German Dance - Mozart: Papageno's Aria - Mozart: March of the Priests (from The Magic Flute K. 620) - Beethoven: Adagio (originally for mandolin and harpsichord (Woo 43a)) - Mendelssohn: Minuet (from Student Concerto op. 213, 2nd movement) - Anonymus: Tre giorni - Bach: Largo (from BWV 1056\/2) - Dancla: Polka (from Petite école de la mélodie. 20 petits pièces très faciles en trois suites (op. 123, suite no. 1\/6)) - Fauré: Après un rêve - Nölck: Tempo di ballo (from Petit Album de Concert) - Bréval\/Feuillard: Adagio (from Concertino in F, 2nd movement) - Tschaikowsky: Chanson triste - Keyper: Romance - Fuchs: Allegro moderato (from Three Pieces for Contrabass and Piano (op. 96\/1)) - Furtok: Elegie - Fauré: Sicilienne op. 78 - Furtok: Concert Piece - Saint-Saëns: The Swan (from The Carnival of the Animals)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553714852,"sku":"9790006525546","price":5928.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA09696_00_9790006525546_co_lrg_01_f90c1d46-d847-4c02-a53f-7eea90a55e04.jpg?v=1615704530"},{"product_id":"9790006562442","title":"Cello Recital Album, vol. 1 [score \u0026 parts]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the \"Early\" Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.\u003cbr\u003e \u003cbr\u003eThe \"Cello Recital Album\", Volume 1 (BA 8994), can be used as a supplement to the \"Early Start on the Cello\" method, Volumes 1 and 2 (BA 8996 and BA 8997).\u003cbr\u003e\u003cbr\u003eCollections of recital pieces for the cello:\u003cbr\u003e•\tCharming collections of easy pieces in first position\u003cbr\u003e•\tEach cello part is supported by a piano accompaniment for student performances\u003cbr\u003e•\tAlternately a second cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole.\u003cbr\u003e•\tThe two volumes (BA 8994, Ba 8995) are designed as companion publications to the Early Start on the Cello method. However, they work equally well as a supplement to any other cello method.\u003cbr\u003e•\tA variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen, Hugo Schlemüller, and August Nölck make these publications attractive to teachers and students.\u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSchlemüller: Hunting Song - Oehmler: The Little Bugler - Pit A Pat Rain (Traditional) - Sassmannshaus\/Lusk: Jumping Beans - Lightly Row (Traditional) - Baa Baa Black Sheep (Traditional) - Cutter: Little March - Hauptmann: Vivace - Althaus: March of the Little Soldiers - Fitzenhagen: Russian Song Without Words - Sassmannshaus\/Lusk: Tip Toe - Krogmann: March - Land: My Old Friende John - Krogmann: The Little Prince - Krogmann: The Robin's Lullaby - Pop Goes the Weasel (Traditional) - Moo-lee-wha (Traditional) - Laubach: Soldier's March            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553780388,"sku":"9790006562442","price":4740.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA08994_00_9790006562442_co_lrg_01_842991a6-d0b3-4e1a-a80a-466c2fa42144.jpg?v=1615699842"},{"product_id":"9790006521937","title":"Complete Sonatas for Oboe and Basso continuo","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e Handel's sonatas for one solo instrument and basso continuo are some of the finest examples found in the genre. The three oboe sonatas found in our new edition are prime examples of this.\u003cbr\u003e \u003cbr\u003e The Urtext of the Halle Handel Complete Edition forms the basis for the new publication. As a scholarly critical edition it is concerned with the authentic sonatas written by Handel and not those often found in other collections which are either transcriptions of works originally composed for other instruments (e. g. the F major sonata which is often found in G major) or spurious compositions. All editorial additions are clearly indicated and as such players have a solid basis for rendering performances true to the composer's intentions. The publication includes an informative historical as well as performance practice introduction by the noted Handel scholar Terence Best. It contains a score and two oboe\/basso continuo parts.\u003cbr\u003e \u003cbr\u003e All of this adds up to a sure winner for oboists.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - Authoritative edition based on the reliable Urtext of the Halle Handel Edition\u003cbr\u003e - Performance practice tips (English\/German)\u003cbr\u003e - Score with two oboe\/basso continuo parts\u003cbr\u003e - Introduction (English\/German)\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSonata B-Dur, HWV 357 - Sonata c-Moll, HWV 366 - Sonata, HWV 363            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334553976996,"sku":"9790006521937","price":5215.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04260_00_9790006521937_co_lrg_01.jpg?v=1615713779"},{"product_id":"9790006559671","title":"Christmas Hits for two Flutes","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eMusic for Christmas\u003cbr\u003e\u003cbr\u003eNo other season of the year can rival Advent and the pre-Christmas season for music-making, whether in school, with friends or in the family. This edition contains Christmas hits from the German, English and French traditions,arranged for two flutes.\u003cbr\u003eThe duet version always appears on the left-hand page of the edition. On the right is the carol, underlaid with the words for every stanza and printed with simple guitar chords.\u003cbr\u003e\u003cbr\u003e•\tFamiliar carols\u003cbr\u003e•\tFrom the German, English and French traditions\u003cbr\u003e•\tIdeal for music-making at home\u003cbr\u003e•\tEnlivens music lessons in the run-up to Christmas\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eAdeste fideles - God Rest You Merry, Gentleman - Il est né, le divin Enfant! - Stille Nacht, heilige Nacht - O Tannenbaum - Hark! THe Herald-Angels Sing - Les anges dans nos compagnes - Jingle Bells - Joy To The World - What Child Is This? - O du fröhliche - Entre le bœuf et l'âne gris - We Wish You A Merry Christmas            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334554534052,"sku":"9790006559671","price":3920.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA10634_00_9790006559671_co_lrg_01.jpg?v=1615699779"},{"product_id":"9790006507047","title":"Sonata in C major for Flute and Basso Continuo \/ Sonatas in E-flat major and G minor for Flute and Obbligato Harpsichord BWV 1033, 1031, 1020","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBach's preferred instrument for chamber music, after the violin, was the traverse flute. Yet today it is impossible to determine exactly how much music he wrote for this instrument or the genesis of those compositions that survive.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eBWV 1033 - BWV 1031- BWV 1020            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334554665124,"sku":"9790006507047","price":6403.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA05220_00_9790006507047_co_lrg_01.jpg?v=1615713706"},{"product_id":"9790006521920","title":"Complete Sonatas for Recorder and Basso continuo","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe popularity of Handel's recorder sonatas can easily be gauged by the sheer number of old and modern publications of them. This edition unites the six authentic sonatas and also includes the early version of movement no. 6 to the D minor sonata. It is based on the eminently reliable text of the Halle Handel Edition, the \"last word\" in Handel scholarship.\u003cbr\u003eThe G minor, A minor, C major and F major sonatas were originally edited by Hans Peter Schmitz in 1955 for the Halle Handel Edition. These sonatas were then re-edited in 1995 by Terence Best.\u003cbr\u003e\u003cbr\u003eThe publication contains a thorough discussion of the history and genesis of the works and handy tips dealing with performance practice by the renowned Handel scholar Terence Best. In addition to the score, the edition has a solo recorder part and a bass part with figures.\u003cbr\u003eA must publication for performers of Handel's beloved music for recorder.\u003cbr\u003e\u003cbr\u003eThis publication replaces the older Hortus Musicus nos. 251 and 269.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eShort text:\u003cbr\u003eThis edition unites the six authentic sonatas and also includes the early version of movement no. 6 to the D min sonata. The publication contains a thorough discussion of the history and genesis of the works and handy tips dealing with performance practice by the renowned Handel scholar Terence Best. The edition has a solo recorder part and a bass part with figures.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e- Authoritative edition based on the reliable Urtext of the Halle Handel Edition\u003cbr\u003e- Performance practice tips (English\/German)\u003cbr\u003e- Score with solo recorder part and bass part with figures\u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSonata g-Moll, HWV 360 - Sonata a-Moll, HWV 362 - Sonata C-Dur, HWV 365 - Sonata F-Du, HWV 369 - Sonata B-Dur, HWV 377 - Sonata d-Moll, HWV 367 - 6. Satz Variantemovement, HWV 367            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334554730660,"sku":"9790006521920","price":8779.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA04259_00_9790006521920_co_lrg_01.jpg?v=1615713873"},{"product_id":"9790006507078","title":"L'Oeuvre d'orgue 1: Works published or intended for publication during the composer's lifetime","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eJehan Alain, a pupil of Marcel Dupré, came from a family of musicians near Paris. His works display literary influences as well as the influence of Gregorian chant, early music, impressionism, jazz, non-European rhythms and tonal systems. His treatment of the organ, almost chamber music-like, shows a stylistic departure from the romantic-orchestral type of organ composition.\u003cbr\u003e \u003cbr\u003eThis is accompanied by a change of direction to an idealised sound which combines elements of French classicism and romanticism in a new kind of synthesis. Not only the interpretation, but also a proper analysis of Alain's organ works has been difficult until now because of the lack of a critical edition. For the first time this new three-volume scholarly-critical Urtext edition of the complete organ works fills this gap.\u003cbr\u003e\u003cbr\u003eThe publications also coincide with the 100th anniversary of Alain's birth. The editor is an internationally recognised scholar and interpreter of Alain's organ works.\u003cbr\u003e\u003cbr\u003e- First authoritative Urtext edition of the Complete Organ Works\u003cbr\u003e- 100th anniversary jubilee edition\u003cbr\u003e- Informative foreword (Fr\/Eng\/Ger) and a critical commentary (Eng) to each volume\u003cbr\u003e \u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003ePostlude pour l'Office de Complies AWV 13\u003cbr\u003eDeux Préludes profanes:\u003cbr\u003e1er Prélude profane AWV 57\u003cbr\u003e2e Prélude profane AWV 58\u003cbr\u003eSuite monodique: I. Animato\u003cbr\u003eII. Andante\u003cbr\u003eIII. Vivace AWV 65\u003cbr\u003eChoral dorien AWV 75\u003cbr\u003eChoral phrygien AWV 76\u003cbr\u003eVariations sur un thème de Clément Jannequin AWV 99\u003cbr\u003eLe Jardin suspendu AWV 63\u003cbr\u003eLitanies AWV 100            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334554861732,"sku":"9790006507078","price":9860.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA08428_00_9790006507078_co_lrg_01.jpg?v=1615725638"},{"product_id":"9790006562459","title":"Cello Recital Album, vol. 2 [score \u0026 parts]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the \"Early Start\" method, Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.\u003cbr\u003e\u003cbr\u003eThe \"Cello Recital Album\", Volume 2 (BA 8995), can be used as a supplement to the \"Early Start on the Cello\" method, Volumes 2 and 3 (BA 8997 and BA 8998).\u003cbr\u003e\u003cbr\u003eCollections of recital pieces for the cello:\u003cbr\u003e•\tCharming collections of easy pieces in first position\u003cbr\u003e•\tEach cello part is supported by a piano accompaniment for student performances\u003cbr\u003e•\tAlternately a second cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole.\u003cbr\u003e•\tThe two volumes (BA 8994, Ba 8995) are designed as companion publications to the Early Start on the Cello method. However, they work equally well as a supplement to any other cello method.\u003cbr\u003e•\tA variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen, Hugo Schlemüller, and August Nölck make these publications attractive to teachers and students.\u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eWinner: Favorite Melody - Krogmann: The Pony Race - Volti: Pas redouble - English Folk Song (Traditional) - Winner: The Last Rose of Summer - Nölck: Study - Greenwald: Arminta Waltz - Woodforde-Finden: The Temple Bells - Mendelssohn: Serioso - Lagye: Danse Espagnole - Leonardi: Capriccio Polka - Leonardi: Tarantella            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334554960036,"sku":"9790006562459","price":4740.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA08995_00_9790006562459_co_lrg_01_24bfbfe2-daa0-4c2f-87e8-bb7c8cec78ab.jpg?v=1615709637"},{"product_id":"9790006507085","title":"L'Oeuvre d'orgue 2: Posthumous Works. Fantaisies,petites danses et marginalia","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eJehan Alain, a pupil of Marcel Dupré, came from a family of musicians near Paris. His works display literary influences as well as the influence of Gregorian chant, early music, impressionism, jazz, non-European rhythms and tonal systems. His treatment of the organ, almost chamber music-like, shows a stylistic departure from the romantic-orchestral type of organ composition.\u003cbr\u003e \u003cbr\u003eThis is accompanied by a change of direction to an idealised sound which combines elements of French classicism and romanticism in a new kind of synthesis. Not only the interpretation, but also a proper analysis of Alain's organ works has been difficult until now because of the lack of a critical edition. For the first time this new three-volume scholarly-critical Urtext edition of the complete organ works fills this gap.\u003cbr\u003e\u003cbr\u003eThe publications also coincide with the 100th anniversary of Alain's birth. The editor is an internationally recognised scholar and interpreter of Alain's organ works.\u003cbr\u003e\u003cbr\u003e- First authoritative Urtext edition of the Complete Organ Works\u003cbr\u003e- 100th anniversary jubilee edition\u003cbr\u003e- Informative foreword (Fr\/Eng\/Ger) and a critical commentary (Eng) to each volume\u003cbr\u003e \u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e1re Fantaisie\u003cbr\u003e2e Fantaisie\u003cbr\u003eFantasmagorie\u003cbr\u003eDeux Danses à Agni Yavishta\u003cbr\u003eAria\u003cbr\u003ePrélude et Fugue\u003cbr\u003eBerceuse sur deux notes qui cornent\u003cbr\u003eBallade en mode phrygien\u003cbr\u003eLamento\u003cbr\u003eLamento (early version)\u003cbr\u003eVariations sur Lucis Creator: Choral\u003cbr\u003eVariation I\u003cbr\u003eVariations II: Thema fugatum\u003cbr\u003eChant donné\u003cbr\u003eGrave\u003cbr\u003ePetite Piéce\u003cbr\u003eClimat\u003cbr\u003eElévation\u003cbr\u003eDe Jules Lemaître\u003cbr\u003eMonodie            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334555025572,"sku":"9790006507085","price":9860.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA08429_00_9790006507085_co_lrg_01.jpg?v=1615724621"},{"product_id":"m007040956","title":"Sämtliche Orgelchoräle","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe edition compiles all known chorale arrangements for organ by Johann Michael Bach, father of Johann Sebastian’s first wife Maria Barbara. Herein Johann Michael proves to be a thoroughly selfreliant composer, whose influence must have been felt by the young Johann Sebastian Bach. Especially parttime organists will find a very versatile and readytouse repertoire – and also interesting insights into the Middle German organ music during the 17th century.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eComplete organ chorales            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334555222180,"sku":"M007040956","price":9009.0,"currency_code":"JPY","in_stock":true}]},{"product_id":"9790006523085","title":"Organ works, vol 1: Orgelbüchlein \/ Six Chorales \"von verschiedener Art\" (Schübler-Chorales) \/ Chorale-Partitas","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe \"Messiah\" occupies a unique position in Handel's work. It is one of the most renowned works of this composer's monumental output.\u003cbr\u003e\u003cbr\u003eIt has often been said that Handel composed the \"Messiah\" for his visit in Ireland, where he had been invited by the Lord Lieutenant, William Cavendish, Duke of Devonshire, to perform his music for the benefit of charity. The first performance took place on 13 April 1742 in Neale's Music Hall, Dublin. After Handel's return from Ireland, the \"Messiah\" received no less than fifty-six performances in England during his lifetime.\u003cbr\u003eNow the \"Messiah\" is being published in a handy affordable soft-cover score to complement the substantial linen-bound complete edition volume. The tried and tested musical text remains the same, whilst the Foreword has been revised and supplemented by an English translation. \u003cbr\u003e\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eDie Choralmelodien Orgelbüchlein:\u003cbr\u003eNun komm der Heiden Heiland BWV 599\u003cbr\u003eGott, durch deine Güte \/ Gottes Sohn ist kommen BWV 600\u003cbr\u003eHerr Christ, der ein`ge Gottessohn \/ Herr Gott, nun sei gepreiset BWV 601\u003cbr\u003eLob sei dem allmächtigen Gott BWV 602\u003cbr\u003ePuer natus in Bethlehem BWV 603\u003cbr\u003eDer Tag, der ist so freudenreich BWV 605\u003cbr\u003eGelobet seist du, Jesu Christ BWV 604\u003cbr\u003eVom Himmel hoch, da komm ich her BWV 606\u003cbr\u003eVom Himmel kam der Engel Schar BWV 607\u003cbr\u003eIn dulci jubilo BWV 608\u003cbr\u003eLobt Gott, ihr Christen, allzugleich BWV 609\u003cbr\u003eJesu, meine Freude BWV 610\u003cbr\u003eChristum wir sollen loben schon BWV 611\u003cbr\u003eWir Christenleut BWV 612\u003cbr\u003eHelft mir, Gotts Güte preisen BWV 613\u003cbr\u003eDas alte Jahr vergangen ist BWV 614\u003cbr\u003eIn dir ist Freude BWV 615\u003cbr\u003eMit Fried und Freud ich fahr dahin BWV 616\u003cbr\u003eHerr Gott, nun schleuß den Himmel auf BWV 617\u003cbr\u003eO Lamm Gottes, unschuldig BWV 618\u003cbr\u003eChristus, der uns selig macht BWV 620\u003cbr\u003eChriste, du Lamm Gottes BWV 619\u003cbr\u003eDa Jesus an dem Kreuze stund BWV 621\u003cbr\u003eO Mensch bewein dein Sünde groß BWV 622\u003cbr\u003eWir danken dir, Herr Jesu Christ, daß du für uns gestorben bist BWV 623\u003cbr\u003eHilf, Gott, daß mir`s gelinge BWV 624\u003cbr\u003eChrist lag in Todesbanden BWV 625\u003cbr\u003eJesus Christus, unser Heiland, der den Tod überwand BWV 626\u003cbr\u003eChrist ist erstanden BWV 627\u003cbr\u003eErstanden ist der heilge Christ BWV 628\u003cbr\u003eErschienen ist der herrliche Tag BWV 629\u003cbr\u003eHeut triumphieret Gottes Sohn BWV 630\u003cbr\u003eKomm, Gott Schöpfer, Heiliger Geist BWV 631\u003cbr\u003eHerr Jesu Christ, dich zu uns wend BWV 632\u003cbr\u003eLiebster Jesu, wir sind hier BWV 634 und BWV 633\u003cbr\u003eDies sind die heilgen zehn Gebot BWV 635\u003cbr\u003eVater unser im Himmelreich BWV 636\u003cbr\u003eDurch Adams Fall ist ganz verderbt BWV 637\u003cbr\u003eEs ist das Heil uns kommen her BWV 638\u003cbr\u003eIch ruf zu dir, Herr Jesu Christ BWV 639\u003cbr\u003eIn dich hab ich gehoffet, Herr BWV 640\u003cbr\u003eWenn wir in höchsten Nöten sein BWV 641\u003cbr\u003eWer nur den lieben Gott läßt walten BWV 642\u003cbr\u003eAlle Menschen müssen sterben BWV 643\u003cbr\u003eAch wie nichtig, ach wie flüchtig BWV 644\u003cbr\u003eAnhang zum Orgelbüchlein: Christus, der uns selig macht BWV 620a\u003cbr\u003eHeut triumphieret Gottes Sohn BWV 630a\u003cbr\u003eKomm, Gott Schöpfer, Heiliger Geist BWV 631a\u003cbr\u003eEs ist das Heil uns kommen her BWV 638a\u003cbr\u003eSechs Choräle von verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme BWV 645\u003cbr\u003eWo soll ich fliehen hin \/ Auf meinen lieben Gott BWV 646\u003cbr\u003eWer nur den lieben Gott läßt walten BWV 647\u003cbr\u003eMeine Seele erhabt den Herren BWV 648\u003cbr\u003eAch bleib bei uns, Herr Jesu Christ BWV 649\u003cbr\u003eKommst du nun, Jesu, vom Himmel herunter auf Erden BWV 650\u003cbr\u003eChoralpartiten: Ach, was soll ich Sünder machen BWV 770\u003cbr\u003eChrist, der du bist der helle Tag BWV 766\u003cbr\u003eO Gott, du frommer Gott BWV 767\u003cbr\u003eSei gegrüßet, Jesu gütig BWV 768\u003cbr\u003eAnhänge zu Sei gegrüßet, Jesu gütig BWV 768: Anhang 1: Variatio 3, 1. und 2. Fassung\u003cbr\u003eAnhang 2: Choral, Fassung der Handschrift Preller\u003cbr\u003eAnhang 3: Variatio 1, Fassung der Handschrift Preller            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334555254948,"sku":"9790006523085","price":8542.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA05261_00_9790006523085_co_lrg_01.jpg?v=1615724492"},{"product_id":"9790006523214","title":"Organ works, vol. 9: Organ Chorales from the Neumeister Collection","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eGlazunov's compositions are often noted for their distinctive emotionality and underlying heroic mood. This also applies to the known organ works of this Russian master, all of which bear the characteristic traits of the Russian symphonic style: epic breadth and monumentality as well as a close proximity to folk music, all combined with supreme contrapuntal skill. \u003cbr\u003e\u003cbr\u003eThis Urtext edition contains not only the well-known Prelude and Fugue in D major op. 93 (1906), Prelude and Fugue in D minor op. 98 (1914) and Fantasy op. 110 (1935) but also the Prelude and Fugue in D minor op. 62 (1899), an expressive piano piece presented here in a revised transcription for symphonic organ by B. L. Sabaneyev (1909).\u003cbr\u003e\u003cbr\u003e• New Urtext edition of the complete organ works plus a historic transcription\u003cbr\u003e• Detailed Foreword (Russ\/Ger\/Eng) and a Critical Commentary (Eng)\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eVorwort\u003cbr\u003ePreface\u003cbr\u003eDie Choralmelodien\/The Chorale Melodies\u003cbr\u003eOrgelchoräle der Neumeister-Sammlung: Der Tag, der ist so freudenreich \/ Ein Kindelein so löbelich BWV 719\u003cbr\u003eWir Christenleut BWV 1090\u003cbr\u003eDas alte Jahr vergangen ist BWV 1091\u003cbr\u003eHerr Gott, nun schleuß den Himmel auf BWV 1092\u003cbr\u003eHerzliebster Jesus, was hast du verbrochen BWV 1093\u003cbr\u003eO Jesu, wie ist dein Gestalt BWV 1094\u003cbr\u003eO Lamm Gottes unschuldig BWV 1095\u003cbr\u003eChriste, der du bist Tag und Licht \/ Wir danken dir, Herr Jesu Christ BWV 1096\u003cbr\u003eEhre sei dir Christe, der du leidest Not BWV 1097\u003cbr\u003eWir glauben all an einen Gott BWV 1098\u003cbr\u003eAus tiefer Not schrei ich zu dir BWV 1099\u003cbr\u003eAllein zu dir, Herr Jesu Christ BWV 1100\u003cbr\u003eAch, Gott und Herr BWV 714\u003cbr\u003eAch Herr, mich armen Sünder \/ Herzlich tut mich verlangen BWV 742\u003cbr\u003eDurch Adams Fall ist ganz verderbt BWV 1101\u003cbr\u003eDu Friedefürst, Herr Jesu Christ BWV 1102\u003cbr\u003eErhalt uns, Herr, bei deinem Wort BWV 1103\u003cbr\u003eWenn dich Unglück tut greifen an BWV 1104\u003cbr\u003eJesu, meine Freude BWV 1105\u003cbr\u003eGott ist mein Heil, mein Hilf und Trost BWV 1106\u003cbr\u003eJesu, meines Lebens Leben BWV 1107\u003cbr\u003eAls Jesus Christus in der Nacht BWV 1108\u003cbr\u003eAch Gott, tu dich erbarmen BWV 1109\u003cbr\u003eO Herre Gott, dein göttlich Wort BWV 1110\u003cbr\u003eNun lasst uns den Leib begraben BWV 1111\u003cbr\u003eChristus, der ist mein Leben BWV1112\u003cbr\u003eIch hab mein Sach Gott heimgestellt BWV 1113\u003cbr\u003eHerr Jesu Christ, du höchstes Gut BWV 1114\u003cbr\u003eHerzlich lieb hab ich dich, o Herr BWV 1115\u003cbr\u003eWas Gott tut, das ist wohlgetan BWV 1116\u003cbr\u003eAlle Menschen müssen sterben BWV 1117\u003cbr\u003eMachs mit mir, Gott, nach deiner Güte BWV 957\u003cbr\u003eWerde munter mein Gemüte BWV 1118\u003cbr\u003eWie nach einer Wasserquelle BWV 1119\u003cbr\u003eChrist, der du bist der helle Tag BWV 1120\u003cbr\u003eAnhang: Orgelchoräle der Neumeister-Sammlung in anderer Überlieferung: Der Tag, der ist so freudenreich BWV 719\u003cbr\u003eFuga BWV 957\/1\u003cbr\u003eChriste, der du bist Tag und Licht BWV 1096\u003cbr\u003eFuga Christe, der du bist Tag und Licht nach J. Pachelbel            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334555615396,"sku":"9790006523214","price":8067.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA05269_00_9790006523214_co_lrg_01.jpg?v=1615724452"},{"product_id":"9790006506095","title":"Oeuvres choisies pour orgue = Selected organ works, vol. 3","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e With their clear formal design and their manageable demands on technique, these pieces reflect Guilmant's basic precept of creating works for church and concert performance.\u003cbr\u003e \u003cbr\u003e Stylistically, they are noteworthy for their evocative and confessional mood and their straightforward, highly melodious workmanship.\u003cbr\u003e \u003cbr\u003e The first four-piece cycle might be termed a \"Gregorian Suite\"; the second is a Christmas suite with Chorale, Magnificat and La Cręche. The Trois Oraisons can be regarded as Guilmant's swan-song: here the composer expressed his spiritual concerns, creating a transfigured idiom for the organ in a meditative and improvisatory vein while ingeniously blending Wagner's tonal language with Lisztian intimacy.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - First Urtext edition of Guilmant's organ works in five volumes\u003cbr\u003e - Based on the latest scholarship\u003cbr\u003e - With sources never evaluated before\u003cbr\u003e - Detailed preface, critical report and source references (German\/English\/French)\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eDeo gratias op. 65, Nr. 58\u003cbr\u003eVariations et Fugue sur le chant du Stabat mater op. 65, Nr. 13\u003cbr\u003e\nSortie op. 65, Nr. 51, Geistliche Charakterstücke Choral op. 49, Nr. 3, Magnificat (Six Versets) op. 41, Nr. 2, Le Crèche (Die Krippe): Pastorale et Adoration op. 50, Nr. 3, Trois Oraisons (Drei Gebete) op. 94            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334555812004,"sku":"9790006506095","price":12118.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA08409_00_9790006506095_co_lrg_01.jpg?v=1615716918"},{"product_id":"9790006501205","title":"Sämtliche Orgel- und Clavierwerke = Complete organ and keyboard works, vol. 1","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eA new scholarly-critical edition of the organ and keyboard works of the brothers Krieger, designed to meet the needs of performers and musicologists alike. With bilingual critical apparatus and list of sources.\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSechs musicalische Partien (1697)\u003cbr\u003eAnmuthige Clavier-Übung (1699)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334556008612,"sku":"9790006501205","price":13306.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA08402_00_9790006501205_co_lrg_01.jpg?v=1615724196"},{"product_id":"m007094850","title":"Reger Edition of Work, series 1, vol. 1: Chorale phantasies for organ","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSince January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a “hybrid” edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's ar­rangements of works by other composers. To begin the series, the first seven volumes to be published will contain the organ works, which have been eagerly awaited by many.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eChoralphantasie \"Ein' feste Burg ist unser Gott\"\u003cbr\u003eChoralphantasie \"Freu dich sehr, o meine Seele!\"\u003cbr\u003eChoralphantasie \"Wie schön leucht't uns der Morgenstern\"\u003cbr\u003eChoralphantasie \"Straf mich nicht in deinem Zorn!\"\u003cbr\u003eChoralphantasie \"Alle Menschen müssen sterben\"\u003cbr\u003eChorale Fantasia \"Wachet auf, ruft uns die Stimme\"\u003cbr\u003eChoralphantasie \"Halleluja! Gott zu loben, bleibe meine Seelenfreud\"            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334556205220,"sku":"M007094850","price":50193.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5280100u_310d738a-e86f-4ff2-be71-f26b45076348.jpg?v=1615087362"},{"product_id":"m007097547","title":"Reger Edition of Work, series 1, vol. 3: Fantasias, Fugues, Variations, Sonatas, Suites II","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e The third volume of the section containing organ works includes in chronological order, the Fantasias and Fugues, Variations, Sonatas and Suites of Max Reger composed between November 1901 and July 1906 in Munich and Berchtesgaden and between April 1913 and May 1913 in Meiningen and Jena. Since January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a “hybrid” edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers. To begin the series, the first seven volumes have been published and contain the organ works, which have been eagerly awaited by many.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSuite e-Moll\u003cbr\u003ePhantasie und Fuge c-moll\u003cbr\u003eI. Sonate fis-moll\u003cbr\u003eIntroduction and Passacaglia D minor\u003cbr\u003ePhantasie und Fuge über B-A-C-H\u003cbr\u003eVariationen und Fuge über \"Heil, unserm König, Heil!\"\u003cbr\u003eSymphonische Phantasie und Fuge            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334556598436,"sku":"M007097547","price":72407.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5280300u_cd5fd993-1089-4ed1-bd64-9f47c8b400eb.jpg?v=1615087397"},{"product_id":"m007139384","title":"Reger Edition of Work, series 1, vol. 4: Chorale preludes for organ","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe fourth volume of the section of the Reger Edition devoted to his organ works comprises, in chronological order, the chorale preludes composed between October 1893 and November 1914 in Wiesbaden, Weiden, Munich, Leipzig, and Meiningen. The composition of chorale preludes accompanied Reger throughout his entire career, even though they were composed primarily in the years from 1900 to 1902 and 1914 (Opus 135a). As almost no other composer at the turn of the century, he dedicated himself to the chorale prelude, composing around 100 works in this genre. Since January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a “hybrid” edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers. To begin the series, the first seven volumes have been published and contain the organ works, which have been eagerly awaited by many.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eO Traurigkeit, o Herzeleid (1893)\u003cbr\u003eKomm, süßer Tod! (1893)\u003cbr\u003eChrist ist erstanden von dem Tod (1901)\u003cbr\u003eEs kommt ein Schiff geladen (1901)\u003cbr\u003eAllein Gott in der Höh' sei Ehr! (1901\/02)\u003cbr\u003eAlles ist an Gottes Segen (1901\/02)\u003cbr\u003eAus tiefer Not schrei ich zu dir (1901\/02)\u003cbr\u003eAus meines Herzens Grunde (1901\/02)\u003cbr\u003eChristus, der ist mein Leben (1901\/02)\u003cbr\u003eEin' feste Burg ist unser Gott (1901\/02)\u003cbr\u003eDir, dir, Jehovah will ich singen (1901\/02)\u003cbr\u003eErschienen ist der herrlich Tag (1901\/02)\u003cbr\u003eHerr Jesu Christ, dich zu uns wend (1901\/02)\u003cbr\u003eEs ist das Heil uns kommen her (1901\/02)\u003cbr\u003eFreu' dich sehr, o meine Seele (1901\/02)\u003cbr\u003eGott des Himmel und der Erden (1901\/02)\u003cbr\u003eHerr, wie du willst, so schick's mit mir (1901\/02)\u003cbr\u003eHerzlich tut mich verlangen (1901\/02)\u003cbr\u003eJauchz, Erd, und Himmel, juble! (1901\/02)\u003cbr\u003eIch dank dir, lieber Herre (1901\/02)\u003cbr\u003eIch will dich lieben, meine Stärke (1901\/02)\u003cbr\u003eJerusalem, du hochgebaute Stadt (1901\/02)\u003cbr\u003eJesu Leiden, Pein und Tod (1901\/02)\u003cbr\u003eJesus, meine Zuversicht (1901\/02)\u003cbr\u003eJesu, meine Freude (1901\/02)\u003cbr\u003eKomm, o komm, du Geist des Lebens (1901\/02)\u003cbr\u003eLobt Gott, ihr Christen alle gleich (1901\/02)\u003cbr\u003eLobe den Herren, den mächtigen König der Ehren (1901\/02)\u003cbr\u003eMach's mit mir, Gott, nach deiner Güt (1901\/02)\u003cbr\u003eMeinen Jesum lass ich nicht (1901\/02)\u003cbr\u003eNun danket alle Gott (1901\/02)\u003cbr\u003eNun freut euch, lieben Christen (1901\/02)\u003cbr\u003eNun komm, der Heiden Heiland (1901\/02)\u003cbr\u003eO Gott, du frommer Gott (1901\/02)\u003cbr\u003eO Jesu Christ, meines Lebens Licht (1901\/02)\u003cbr\u003eO Lamm Gottes, unschuldig (1901\/02)\u003cbr\u003eO Welt, ich muss dich lassen (1901\/02)\u003cbr\u003eSchmücke dich, o liebe Seele (1901\/02)\u003cbr\u003eSeelenbräutigam (1901\/02)\u003cbr\u003eSollt ich meinem Gott nicht singen (1901\/02)\u003cbr\u003eStraf mich nicht in deinem Zorn (1901\/02)\u003cbr\u003eValet will ich dir geben (1901\/02)\u003cbr\u003eVater unser im Himmelreich (1901\/02)\u003cbr\u003eVom Himmel hoch, da komm ich her (1901\/02)\u003cbr\u003eWachet auf, ruft uns die Stimme (1901\/02)\u003cbr\u003eVon Gott will ich nicht lassen (Mit Ernst, o Menschenkinder) (1901\/02)\u003cbr\u003eWarum sollt ich mich denn grämen (1901\/02)\u003cbr\u003eWas Gott thut, das ist wohlgethan (1901\/02)\u003cbr\u003eWer nur den lieben Gott läßt walten (Zu ernsten Liedern) (1901\/02)\u003cbr\u003eWer nur den lieben Gott läßt walten (Zu Liedern ernsten Inhalts) (1901\/02)\u003cbr\u003eWerde munter, mein Gemüte (1901\/02)\u003cbr\u003eWer weiß, wie nahe mir mein Ende (1901\/02)\u003cbr\u003eWie schön leuchtet der Morgenstern (1901\/02)\u003cbr\u003eWie wohl ist mir, o Freund der Seelen (1901\/02)\u003cbr\u003eJesus ist kommen (1901\/02)\u003cbr\u003eO wie selig (1901\/02)\u003cbr\u003eKompositionen\u003cbr\u003eAch Gott, verlass mich nicht\u003cbr\u003eEin' feste Burg ist unser Gott\u003cbr\u003eHerr, nun selbst den Wagen halt\u003cbr\u003eMorgenglanz der Ewigkeit\u003cbr\u003eMit Fried und Freud ich fahr dahin\u003cbr\u003eWer weiß, wie nahe mir mein Ende! (1901)\u003cbr\u003eAuferstehn, ja auferstehn\u003cbr\u003eChrist ist erstanden von dem Tod\u003cbr\u003eChristus, der ist mein Leben\u003cbr\u003eMit Fried und Freud ich fahr dahin\u003cbr\u003eNun danket alle Gott\u003cbr\u003eHerr, nun selbst den Wagen halt\u003cbr\u003eWarum sollt ich mich denn grämen (1901)\u003cbr\u003eO Haupt voll Blut und Wunden\u003cbr\u003eWie schön leucht’t uns der Morgenstern (1908\/09)\u003cbr\u003eDreißig kleine Choralvorspiele zu den gebräuchlichsten Chorälen\u003cbr\u003eAch bleib mit deiner Gnade (1914)\u003cbr\u003eAllein Gott in der Höh sei Ehr\u003cbr\u003eAlles ist an Gottes Segen\u003cbr\u003eAus tiefer Not schrei ich zu dir\u003cbr\u003eEin' feste Burg ist unser Gott\u003cbr\u003eEins ist Not, ach Herr, dies Eine\u003cbr\u003eEs ist das Heil uns kommen her\u003cbr\u003eEs ist gewißlich an der Zeit\u003cbr\u003eFreu' dich sehr, o meine Seele (1914)\u003cbr\u003eGroßer Gott, wir loben dich\u003cbr\u003eHerr Jesu Christ, dich zu uns wend\u003cbr\u003eJerusalem, du hochgebaute Stadt\u003cbr\u003eJesus, meine Zuversicht\u003cbr\u003eLiebster Jesu, wir sind hier\u003cbr\u003eLobe den Herren, den mächtigen König der Ehren\u003cbr\u003eMacht hoch die Tür\u003cbr\u003eMeinen Jesum laß' ich nicht\u003cbr\u003eNun danket alle Gott\u003cbr\u003eO daß ich tausend Zungen hätte\u003cbr\u003eO Gott, du frommer Gott\u003cbr\u003eO Haupt voll Blut und Wunden\u003cbr\u003eO Welt, ich muß dich lassen\u003cbr\u003eValet will ich dir geben\u003cbr\u003eVom Himmel hoch, da komm ich her\u003cbr\u003eWachet auf, ruft uns die Stimme (1914)\u003cbr\u003eWas Gott tut, das ist wohlgetan (1914)\u003cbr\u003eWas mein Gott will, das g'scheh allzeit (1914)\u003cbr\u003eWer nur den lieben Gott läßt walten (1914)\u003cbr\u003eWie schön leucht't uns der Morgenstern (1914)\u003cbr\u003eWunderbarer König (1914)            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39334556795044,"sku":"M007139384","price":65328.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5280400u_57b648e3-2b68-4bfc-beaa-a1bda60dd666.jpg?v=1615087365"}],"url":"https:\/\/gaudeamusic.com\/ja\/collections\/all-products.oembed?page=1234","provider":"Gaudeamus","version":"1.0","type":"link"}