![Fürchte dich nicht, ich bin bei dir, BWV 228 [only German]](http://gaudeamusic.com/cdn/shop/products/3122806u_{width}x.jpg?v=1615288346)
![Fürchte dich nicht, ich bin bei dir, BWV 228 [only German]](http://gaudeamusic.com/cdn/shop/products/3122806u_1024x.jpg?v=1615288346)
| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Fürchte dich nicht, ich bin bei dir, BWV 228 [only German] |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成（詳細） | Coro SATB/SATB,[5 Instr,Basso continuo] |
| 品番 | M007165406 |
| 校訂者 | Günter Graulich |
| 難易度 | 中上級 |
| 言語 | ドイツ語・英語 |
| 形状 | 20 ページ・21 x 29.7 cm・60 g・表紙カバー無し |
| 演奏時間 | 9分 |
| 作曲年 | 1726年頃 |
| 出版年 | 2015年 |
| 出版番号 | CV 31.228/06 |
| ISMN | 979-0-007-16540-6 |
| サンプル | https://www.carusmedia.com/images-intern/medien/30/3122806/3122806x.pdf |
The motet Fürchte dich nicht, ich bin bei dir has long posed various puzzles for Bach scholars. Nothing is known about the occasion or date of its composition, and the musical text itself only survives in contradictory and partially incorrect sources. This motet possibly came from Bach’s Weimar period. The double-choir first section of the motet – beginning with the basses of both choirs declaiming the first line of text like a motto in unison – is followed by a second part in which the biblical text is simultaneously combined with a chorale (here in the soprano), a popular stylistic device in Thuringian and Saxon motets throughout the 18th century.