| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Es wartet alles auf dich, BWV 187 (Score) |
| サブタイトル | Cantata for the 7th Sunday after Trinity |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成 | 混声合唱 |
| 楽器編成（詳細） | Soli SAB,Coro SATB,2 Ob,2 Violins,Viola,Basso continuo |
| 品番 | M007171650 |
| 校訂者 | Frieder Rempp |
| 言語 | ドイツ語・英語 |
| 形状 | 48 ページ・21 x 29.7 cm・184 g・ソフトカバー |
| 演奏時間 | 25分 |
| 作曲年 | 1726年 |
| 出版年 | 2017年 |
| 出版番号 | CV 31.187/00 |
| ISMN | 979-0-007-17165-0 |
| サンプル | https://www.carusmedia.com/images-intern/medien/30/3118700/3118700x.pdf |
The two-part cantata from Bach’s third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (“Vox Christi”). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235.