| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Nun danket alle Gott, BWV 192 (Score) |
| サブタイトル | Church cantata. Reconstruction Detlev Schulten |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成 | 混声合唱 |
| 楽器編成（詳細） | Soli SATB,Coro SATB,2 Fl,2 Ob,2 Violins,Viola,Basso continuo |
| 品番 | M007171667 |
| 校訂者 | Christine Blanken |
| 編曲者 | Christine Blanken, Detlev Schulten |
| 言語 | ドイツ語・英語 |
| 形状 | 60 ページ・21 x 29.7 cm・234 g・ソフトカバー |
| 演奏時間 | 15分 |
| 作曲年 | 1730年頃 |
| 出版年 | 2016年 |
| 出版番号 | CV 31.192/00 |
| ISMN | 979-0-007-17166-7 |
| サンプル | https://www.carusmedia.com/images-intern/medien/30/3119200/3119200x.pdf |
The cantata “Nun danket alle Gott” (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach’s prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig).