| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Mer hahn en neue Oberkeet. Cantate burlesque (Bauernkantate), BWV 212（ヴォーカル・スコア） |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成（詳細） | Soli SB,Fl,Cor,2 Violins,Viola,Basso continuo |
| 品番 | M007187545 |
| 校訂者 | Solvej Donadel |
| 言語 | ドイツ語・英語 |
| 形状 | 40 ページ・19 x 27 cm・120 g・ソフトカバー |
| 演奏時間 | 30分 |
| 作曲年 | 1742年 |
| 出版年 | 2019年 |
| 出版番号 | CV 31.212/03 |
| ISMN | 979-0-007-18754-5 |
| サンプル | https://www.carusmedia.com/images-intern/medien/30/3121203/3121203x.pdf |
The Peasant Cantata BWV 212 is unique in Bach’s cantata output both in content and musically. Although it belongs to Bach’s homage cantatas, the text deals only indirectly with praise for a new chamberlain. Rather, the eloquent characters portray situations from rural life, which are also reflected in the music: Bach often drew on well-known dance movements and folk tunes. Because of this the cantata as a whole seems less ‘academic’ than his (surviving) sacred vocal music. Just two arias were composed in the typical da capo structure in which the musicians’ abilities are put to the test. But because of the shortness of the other movements, the cantata is extremely varied. Picander’s humorous text makes the cantata extremely versatile, far beyond its original purpose.