作曲者 | Sheila Whiteley / Shara Rambarran |
タイトル | The Oxford Handbook of Music and Virtuality |
出版社 | Oxford University Press (USA) |
シリーズ名 | Oxford Handbooks |
品番 | 9780190061906 |
形状 | 720 ページ・24.4 x 17 cm・1138 g・ソフトカバー |
出版番号 | 9780190061906 |
ISBN | 9780190061906 |
The Oxford Handbook of Music and Virtuality, edited by Sheila Whiteley and Shara Rambarran, brings together a multidisciplinary group of scholars who address issues such as artistic agency, the relationship between reality and illusion or simulation, and the construction of musical personae, subjectivities and identities in a virtual world.
List of Figures and Tables, Companion Website and List of Musical Examples, List of Contributors, Acknowledgements, Preface, Andy Bennett, Introduction, Sheila Whiteley, PART 1 The Pre-Digital Virtual, Introduction, 1 In Seventeenth Heaven: Virtual Listening and its Discontents, Christian Lloyd, 2 Nothing is Real: The Beatles as Virtual Performers, Philip Auslander and Ian Inglis, 3 Tom, Jerry and the Virtual Virtuoso, Sheila Whiteley, 4 Bring that Beat Back: Sampling as Virtual Collaboration, Rowan Oliver, 5 An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa, Paul Carr, PART 2 Vocaloids, Holograms and Virtual Pop Stars, Introduction, 6 Vocaloids and Japanese Virtual Vocal Performance: The Cultural Heritage and Technological Futures of Vocal Puppetry, Louise H. Jackson and Mike Dines, 7 Hatsune Miku and Japanese Virtual Idols, Rafal Zaborowski, 8 Hatsune Miku, 2.0Pac and Beyond: Rewinding and Fast-Forwarding the Virtual Pop Star, Thomas Conner, 9 Feel Good with Gorillaz and Reject False Icons: The Fantasy Worlds of the Virtual Group and their Creators, Shara Rambarran, PART 3 Second Life, Introduction, 10 Avatar Rockstars: Constructing Musical Personae in Virtual Worlds, Trevor S. Harvey, 11 Performing Live in Second Life, Justin Gagen and Nicholas Cook, 12 Live Opera Performance in Second Life: Challenging Producers, Performers and the Audience, Marco Antonio Chavez-Aguayo, PART 4 Authorship, Creativity and Musicianship, Introduction, 13 We Are, The Colors: Collaborative Narration and the Experimental Construction of a Non-Existent Band, Alon Ilsar and Charles Fairchild, 14 Music in Perpetual Beta: Composition, Remediation, and 'Closure', Paul Draper and Frank Millward, 15 Justin Bieber Featuring Slipknot: Consumption as Mode of Production, Ragnhild Brovig-Hanssen, 16 Human After All: Understanding Negotiations of Artistic Identity through the Music of Daft Punk, Cora S. Palfy, 17 Virtual Bands: Recording Music Under the Big Top, David Tough, PART 5 Communities and the World-Wide-Web, Introduction, 18 Uploading to Carnegie Hall: The First YouTube Symphony Orchestra, Shzr Ee Tan, 19 The Listener as Remixer: Mix Stems in Online Fan Community and Competition Contexts, Samantha Bennett, 20 Sample Sharing: Virtual Laptop Ensemble Communities, Benjamin O'Brien, 21 Stone Tapes: Ghost Box, Nostalgia, and Post-War England, David Pattie, 22 From Hypnagogia to Distroid: Postironic Musical Renderings of Personal Memory, Adam Trainer, 23 Bands in Virtual Spaces, Social Networking and Masculinity, Danijela Bogdanovic, PART 6 Sonic Environments and Musical Experience, Introduction, 24 From Environmental Sound To Virtual Environment Enhancing: Consuming Ambiance as Listening Practice, Thomas Brett, 25 App Music, Jeremy Wade Morris, 26 Alternative Virtuality. Independent Micro Labels Facing the Ideological Challenge of Virtual Music Culture: The Case of Finnish Ektro Records, Juho Kaitajarvi-Tiekso, 27 Everybody Knows There is Here: Surveying the Indexi-Local in CBC Radio 3, Michael Audette-Longo, 28 Mind Usurps Program: Virtuality and the New Machine Aesthetic of Electronic Dance Music, Benjamin Halligan, PART 7 Participatory Culture and Fundraising, Introduction, 29 Virtual Music, Virtual Money: The Impact of Crowdfunding Models on Creativity, Authorship and Identity, Mark Thorley, 30 With a Little Help From My Friends, Family and Fans. DIY, Participatory Culture and Social Capital in Music Crowdfunding, Francesco D'Amato, 31 Music and Crowdfunded Websites: Digital Patronage and Artist-Fan Interactivity, Justin Williams and Ross Wilson, PART 8 Authors' Blog: Final Thoughts on Music and Virtuality, Ed. Paul Carr, PART 9 Glossary, Ed. Shara Rambarran, Index