作曲者 | Christian Thorau / Hansjakob Ziemer |
タイトル | The Oxford Handbook of Music Listening in the 19th and 20th Centuries |
出版社 | Oxford University Press (USA) |
シリーズ名 | Oxford Handbooks |
品番 | 9780190466961 |
形状 | 536 ページ・24.8 x 17.1 cm・1088 g・ハードカバー |
出版番号 | 9780190466961 |
ISBN | 9780190466961 |
This Handbook delves through two centuries to enable a different conceived history of listening practices.
The Art of Listening and Its Histories: An Introduction, Christian Thorau and Hansjakob Ziemer, Section I: Listening Behaviors and Emotions, 1. Who Cares if you Listen? Researching Audience Behavior(s) in Nineteenth-Century Paris, Katharine Ellis, 2. The Well-Mannered Auditor: Zones of Attention and the Imposition of Silence in the Salon of the Nineteenth Century, James Deaville, 3. The Problem of Eclectic Listening in French and German Concerts, 1860-1910, William Weber, 4. The Crisis of Listening in Interwar Germany, Hansjakob Ziemer, 5. Listening as a Practice of Everyday Life: The Munich Philharmonic Orchestra and Its Audiences in the Second World War, Neil Gregor, Section II: Listening Ideologies and Instructions, 6. Turning Liebhaber into Kenner: Forkel's Lectures on the Art of Listening, , c. 1780-1785, Mark Evan Bonds, 7. Designated Attention: The Transformation of Music Announcements in Leipzig's Concert Life, 1781-1850, Anselma Lanzendorfer, 8. Concert Listening the British Way?: Program Notes and Victorian Culture, Christina Bashford, 9. What ought to be heard: Touristic Listening and the Guided Ear, Christian Thorau, Section III: Listening Spaces and Encounters, 10. Architectural Acoustics and the Trained Ear in the Arts: A Journey from 1780 to 1830, Viktoria Tkaczyk and Stefan Weinzierl, 11. Amateurs and Auditors: Listening to the British Musical Festival, 1810-1835, Charles Edward McGuire, 12. The Intimate Art of Listening:, Music in the Private Sphere during the Nineteenth Century, Wolfgang Fuhrmann, 13. Symmetries in Spaces, Symmetries in Listening: Musical Theater Buildings in Europe around 1900, Gesa zur Nieden, 14. Music in the Air-Listening in the Streets: Popular Music and Urban Listening Habits in Berlin around 1900, Daniel Morat, Section IV: Listening and Technologies, 15. From the Music-Telegraph to the Opera-Telephone-Listening to Music in the Late Nineteenth and Early Twentieth Centuries, Sonja Neumann, 16. First Re-Creations: Psychology, Phonographs, and New Cultures of Listening at the Beginning of the Twentieth Century, Alexandra Hui, 17. Between Personal Experience and Public Discourse: Reproduced Music and the Politics of Listening in the Twentieth Century, Axel Volmar, Section V: Towards an Art of Listening of the Twenty-First Century, 18. Capturing the Landscape Within: On Writing the History of Experience, James H. Johnson, 19. Listening and Possessing, Fred Maus, 20. Is Listening to Music an Art-or Not?, Wolfgang Gratzer, 21. Performer or listener, everybody in the concert hall should be devoted entirely to the music: On the Actuality of Not Listening to Music in Symphonic Concerts, Christiane Tewinkel