作曲者 | Youn Kim / Sander L. Gilman |
タイトル | The Oxford Handbook of Music and the Body |
出版社 | Oxford University Press (USA) |
シリーズ名 | Oxford Handbooks |
品番 | 9780190636234 |
形状 | 472 ページ・24.8 x 17.1 cm・948 g・ハードカバー |
出版番号 | 9780190636234 |
ISBN | 9780190636234 |
The presence of the phenomenological body is central to music in all of its varieties. The Oxford Handbook of Music and the Body brings together scholars from across the humanities, social sciences, and biomedical sciences to provide an introduction into the rich, multidimensional world of music and the body.
1. Youn Kim and Sander Gilman: Contextualizing Music and the Body: An Introduction, Part I. The Moving and Performing Body , 2. Musicalities and the Moving Body in Western Concert Dance, Byron Suber, 3. Music and Movement: Expectations, Aesthetics, and Representation, Jay Schulkin, 4. The Science of Voice and the Body, Marina Gilman, 5. The Body as Musical Instrument, Atau Tanaka and Marco Donnarumma, Part II. The Musical Brain, Psyche, and Beyond , 6. Music Changes the Brain, Paul Lennard, 7. Music and Psychoanalysis, Sander Gilman, 8. Music Sociology Meets Neuroscience, Mia Nakamura, Part III. Embodied Mind, Embodied Rhythm , 9. Sound-Motion Bonding in Body and Mind, Rolf Inge Godoy, 10. Music, Bacchus, and Freedom, Hedy Law, 11. Entrainment and Embodiment in Musical Performance, Eugene Montague, 12. Rhythm and the Performer's Body, Daniel B. Stevens, 13. Embodied Rhythm and Musical Impact of Corporal Punishment in Twentieth-Century Opera, Shersten Johnson, IV. Music and the Disabled and Sexual Body , 14. Music and the Embodiment of Disability, Michael B. Bakan, 15. Musical Remediation of Disability, Blake Howe, 16. Virtuosities of Deafness and Blindness: Musical Performance and the Prized Body, Stefan Sunandan Honisch, 17. Embodied Representation in Staged Opera, Linda Hutcheon and Michael Hutcheon, 18. Sexuality, Dis/Ability, and Sublimity in Grand Opera, Hanne Blank, 19. Is There Disabled Music? Music and the Body from Dame Evelyn Glennie's Perspective, Evelyn Glennie, Sander Gilman, and Youn Kim, V. Music as Medicine , 20. Music and the Body in the History of Medicine, James Kennaway, 21. Music in Body and Imagination, H. M. Evans, VI. Music and The Multimodal Body, 22. Spatial Representations Common to Music and Bodily Experience, Xuejing Lu and William Forde Thompson, 23. Multimodal Music in Infancy and Early Childhood, Sandra E. Trehub, 24. Opera as Film: Multimodal Narrative and Embodiment, Yayoi U. Everett, 25. Listening to the Musicking Body: A Cross-Disciplinary and Historical Perspective, Youn Kim: