作曲者 | Patricia Hall |
タイトル | The Oxford Handbook of Music Censorship |
出版社 | Oxford University Press (USA) |
シリーズ名 | Oxford Handbooks |
品番 | 9780199733163 |
形状 | 728 ページ・24.8 x 17.1 cm・1386 g・ハードカバー |
出版番号 | 9780199733163 |
ISBN | 9780199733163 |
In this first major collection of its kind, thirty contributors tackle centuries of music censorship across the globe from the medieval era to the modern day. Focusing on individual composers and artists as well as eras within single countries, this Handbook champions the efficacy of music as an agent of collective power and resilience.
Introduction, Patricia Hall, I. Censorship and Religion, 1. In the Quest of Gallican Remnants in Gregorian Manuscripts, Luisa Nardini, 2. The English Kyrie Eleison, Alejandro Planchart, 3. Government Controls and the Music Printing Industry in the Elizabethan Era, Jeremy L. Smith, 4. The Sound of Indigenous Ancestors: Music, Corporality, and Memory in the Jesuit Missions of Colonial South America, Guillermo Wilde, 5.We Should Not Sing of Heaven and Angels: Performing Western Sacred Music in Soviet Russia, 1917-67, Pauline Fairclough, 6. A Strident Silencing The Ban on Richard Wagner in Israel, Na'ama Sheffi, II. Censorship During the Enlightenment, 7. Harpocrate at Work: How the God of Silence Protected Eighteenth-Century French Iconoclasts, Hedy Law, 8. Sex, Politics, and Censorship in Mozart's Don Giovanni / Don Juan, Martin Nedbal, 9. The Depoliticized Drama: Mozart's Figaro and the Depths of Enlightenment, Laurenz Lutteken, 10. The Curious Incident of Fidelio and the Censors, Robin Wallace, III. Censorship in Transitional Governments, 11. Years in Prison: Giuseppe Verdi and Censorship in Pre-Unification Italy, Francesco Izzo, 12. Micronarratives of music and (self)censorship in the Former Yugoslavia, Ana Hofman, 13. Popular Music as a Barometer of Political Change: Evidence from Taiwan, Nancy Guy, 14. Music, Power and Censorship in Vietnam since 1954, Barley Norton, IV. Censorship in Totalitarian States, 15. Miguel Angel Estrella (Classical) Music for the People, Dictatorship, and Memory, Carol Hess, 16. A Case Study of Brazilian Popular Music (MPW) and Censorship: Ivan Lins' Music During Dictatorship in Brazil, Thais Lima Nicodemo, 17. Alban Berg's Guilt by Association, Patricia Hall, 18. Slow Dissolves, Full Stops, and Interruptions: Terezin, Censorship, and the Summer of 1944, Michael Beckerman, 19. Selling Schnittke:Late Soviet Censorship and the Cold War Marketplace, Peter J. Schmelz, 20. Curb that Enticing Tone Music Censorship in the PRC, Hon-Lun Yang, V. Censorship in Democracies, 21. From Premiere to Present: Marc Blitzstein's The Cradle Will Rock and American Culture, David Paul, 22. Pete Seeger's Project, Dick Flacks, 23. Government Censorship and Aaron Copland's Lincoln Portrait during the Second Red Scare:, Jennifer DeLapp, 24. A Day in the Life: The Beatles and the BBC, May 1967, Gordon Thompson, VI. Censoring Race, Gender and Sexual Orientation, 25. Composing in Black and White: Code-Switching in the Songs of Sam Lucas, Sandra Graham, 26. Exploring Transitions in Popular Music: Censorship from Apartheid to Post-Apartheid South Africa, Michael Drewett, 27. Rap Music and Rap Artists Revisited: How Race Matters in the Perception of Rap Music, Travis L. Dixon, 28. Deaths and Silences: Coding and Defiance in Music about AIDS, Paul Attinello, 29. Teaching Silence in the Twenty-First Century: Where are the Missing Women Composers?, Roxanne Prevost and Kimberly Francis, 30. Veiled Voices: Music and Censorship in Post-Revolutionary Iran, Ameneh Youssefzadeh