![El Cimarrón [study score]](http://gaudeamusic.com/cdn/shop/products/ED_6327-Henze_5B648_5D_{width}x.jpg?v=1615390120)
![El Cimarrón [study score]](http://gaudeamusic.com/cdn/shop/products/ED_6327-Henze_5B648_5D_1024x.jpg?v=1615390120)
| 作曲者 | Hans Werner Henze (1926-2012)・ヘンツェ |
| タイトル | El Cimarrón [study score] |
| サブタイトル | Biography of the runaway slave Estéban Montejo. Recital for four musicians |
| 出版社 | Schott（ショット） |
| シリーズ名 | Music Of Our Time |
| 楽器編成 | baritone, flute, guitar, percussion |
| 楽器編成（詳細） | Mitwirkende: Bariton - Flötist (Picc. · Fl. · Altfl. · Bassfl. · Ryuteki [oder Picc.] · Mundharm. [Harmonetta] · Trillerpf. · Maultrommel) - Gitarrist - Schlagzeuger (3 Fingerzimb. · Vibr. · Marimba · 3 Herdengl. · 3 hg. Beck. · 2 Tamt. · 13 Tomt. [chrom.] · 3 Bong. · kl. Tr. · 8 Boo-bams · 4 Log Drums · Cong. [Tumba] · Trinidad Steel Drum · gr. Tr. [mit Ped.] · Mar. · Guiro · Kette auf Holz · Kette auf Metallplatte · 3 Dobaçi · Clav. · Matraca · hg. Bambusstäbe · hg. Glasstäbe [Glasspiel] · Shell Chimes · Vogellockrufe · Marimbula · 2 Donnerbleche) |
| 品番 | 9790001067287 |
| 校訂者 | Hans Magnus Enzensberger |
| 言語 | ドイツ語・英語 |
| 形状 | 100 ページ・ソフトカバー |
| 演奏時間 | 76分 |
| 作曲年 | 1969-1970年 |
| 出版年 | 1986年 |
| 出版番号 | ED 6327 |
| ISMN | 9790001067287 |
The making of El Cimarrón began in about 1986, with a conversation I had with Hans Magnus Enzensberger about the difficulties of writing political songs today that would go beyond the achievements of Eisler, Weill and Dessau in this field. It seemed to me that I might try to tackle the problem by writing a cycle with a variety of musical materials out of which perhaps something novel might emerge in a new and different context, almost by chance. Enzensberger told me of the recent publication of a biography by Estéban Montejo, an old Afrocuban who lived in Havana and who recalled his adolescence as a slave, and suggested that I should set episodes from this book that he, Enzensberger, would select for my experimentation.El Cimarrón, however, did not turn into a cycle of songs and was, indeed, not even intended as such - what came out of the work is a new form of theatrical music making.Singer, flautist and guitarist are occasionally required to play percussion instruments.- Hans Werner Henze
I Die Welt - II Der Cimarrón - III Die Sklaverei - IV Die Flucht - V Der Wald - VI Die Geister - VII Die falsche Freiheit - VIII Die Frauen - IX Die Maschinen - X Die Pfarrer - XI Der Aufstand - XII Die Schlacht von Mal Tiempo - XIII Der schlechte Sieg - XIV Die Freundlichkeit - XV Das Messer