| 作曲者 | Wolfgang Amadeus Mozart (1756-1791)・ヴォルフガング・アマデウス・モーツァルト |
| タイトル | Concerto for Bassoon and Orchestra B-flat Major K. 191 (186e)（ポケットスコア） |
| 出版社 | Bärenreiter・ベーレンライター |
| シリーズ名 | BÄRENREITER URTEXT |
| 楽器編成 | Bassoon and Orchestra |
| 楽器編成（詳細） | bassoon-solo/2Ob/2Hn/Str |
| 品番 | 9790006202218 |
| 校訂者 | Franz Giegling |
| 難易度 | 中上級 |
| 形状 | IV/32 ページ・22.5 x 16.5 cm・74 g・Stapled |
| 演奏時間 | 30分 |
| 出版年 | 2018年第2刷 |
| 出版番号 | TP 253 |
| ISMN | 979-0006202218 |
Throughout his career Mozart had a special feeling for the wind instruments. Not only did he add a distinctive flavor to the wind band in his orchestral music - indeed, his writing for winds became a defining and inimitable feature of his music - he also wrote compositions for wind players in his circle of friends.
The autograph score has disappeared, and all that has come down to us is a set of printed parts published by André in Offenbach for the first time.
This is Mozart´s very first wind concerto altogether.
The relation between the solist and the orchestra is not so much one of opposition as of complementarity, the bassoon embroidering the bass line in "leaps and runs" in much the same manner as, say, figured basses were once treated by the viola da gamba. The solo part, rather than being virtuoso and domineering, enters into a dialogue with the "lively participation of the orchestra".