![Akrostichon für sechs Violoncelli op. 237a [score]](http://gaudeamusic.com/cdn/shop/products/BA07256_00_9790006525638_nb_lrg_01_12b1cf3b-9818-421e-a924-a4c60ca49530_{width}x.jpg?v=1615720018)
![Akrostichon für sechs Violoncelli op. 237a [score]](http://gaudeamusic.com/cdn/shop/products/BA07256_00_9790006525638_nb_lrg_01_12b1cf3b-9818-421e-a924-a4c60ca49530_1024x.jpg?v=1615720018)
| 作曲者 | Ernst Krenek (1900-1991)・クレネック |
| タイトル | Akrostichon für sechs Violoncelli op. 237a [score] |
| 出版社 | Bärenreiter・ベーレンライター |
| 楽器編成 | 6 Cellos |
| 楽器編成（詳細） | 6Vc |
| 品番 | 9790006525638 |
| 形状 | 29.7 x 21.0 cm・61 g・Stapled |
| 出版番号 | BA 7256 |
| ISMN | 979-0006525638 |
"One need have no hesitation about designating my writing of the past ten years as dodecaphonic, since the twelve tones are always in close proximity. It is atonal, since it rejects tonal centers. I only occasionally employ the stricter disciplines of the dodecaphonic and serial techniques, since I am more interested in a suppler writing style. I have nothing to do with new tendencies like 'New Simplicity', 'Neoromanticism', 'Minimalism', and so forth." Ernst Krenek, 1989.