| 作曲者 | Ludwig van Beethoven (1770-1827)・ルートヴィヒ・ヴァン・ベートーヴェン |
| タイトル | Variations for Pianoforte and Violoncello op. 66, WoO 45, WoO 46 |
| 出版社 | Bärenreiter・ベーレンライター |
| シリーズ名 | BÄRENREITER URTEXT |
| 楽器編成 | Piano and Cello |
| 楽器編成（詳細） | piano/Vc |
| 品番 | 9790006529162 |
| 校訂者 | Jonathan Del Mar |
| 形状 | XI, 62/15 ページ・31.0 x 24.3 cm・379 g・Stapled |
| 出版年 | 2019年第3刷 |
| 出版番号 | BA 9028 |
| ISMN | 979-0006529162 |
Beethoven's three sets of cello variations comprise the "Twelve Variations on a Theme from Händel's Oratorio 'Judas Maccabeus'" (WoO 45), the "Twelve Variations on the theme 'Ein Mädchen oder Weibchen'" (op.66) from Mozart's opera "Die Zauberflöte" and the "Seven Variations on the duet 'Bei Männern, welche Liebe fühlen'" (WoO 46), also from "Die Zauberflöte".
These works have existed in many different editions, some of which have from time to time been (tacitly) reprinted with corrections to keep up to date with the latest scholarship. This new Bärenreiter Urtext edition, however, is the first to give all Beethoven's rhythms in the violoncello part correctly. Beethoven's autograph manuscript of op.66 is lost; the critical commentary (English) includes a complete facsimile of the violoncello part from the only surviving source (the first edition), illustrating the various problems encountered in determining the best musical text.
- With numerous corrections in the violoncello part
- Included in the critical commentary is a complete facsimile of the violoncello
part of op. 66, as it appeared in the first edition