| 作曲者 | George Frideric Handel (1685-1759)・ジョージ・フリデリック・ヘンデル |
| タイトル | La Resurrezione HWV 47 （ヴォーカル・スコア） |
| サブタイトル | Oratorio in two parts |
| 出版社 | Bärenreiter・ベーレンライター |
| シリーズ名 | BÄRENREITER URTEXT |
| 楽器編成 | Solos, Mixed Choir, Orchestra |
| 楽器編成（詳細） | 2SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/Fl/2recorder/2Ob/bassoon/2Trp/trombone/4V/Va/Vagb/Bassi (Vc/double bass/Erzlaute/Lt-B/harpisc.) |
| 品番 | 9790006541263 |
| 校訂者 | Andreas Köhs |
| 言語 | イタリア語 |
| 形状 | XV, 127 ページ・27.0 x 19.0 cm・358 g・ソフトカバー |
| 演奏時間 | 105分 |
| 出版年 | 2016年第2刷 |
| 出版番号 | BA 4096-90 |
| ISMN | 979-0006541263 |
The Italian oratorio "La Resurrezione" (The Resurrection) was written during Handel's time in Rome. It was performed on Easter Sunday 1708 with great splendour and extravagance by a large orchestra conducted by Arcangelo Corelli in the Palazzo Bonelli, the Roman palazzo of Handel's patron the Marchese Francesco Maria Ruspoli.
In its dramatic structure and characterisation of the protagonists, the work displays a striking affinity with Italian opera. Lucifer's raging sixty fourth notes call to mind the demon characters in Venetian opera and Maddalena's arias are so full of expressive power and virtuosity that Handel later incorporated one of them into his opera "Agrippina". The unusual musical richness of this work and the virtuosic and masterly shaping of the arias make it a welcome addition to any concert programme.
The edition is based on the complete edition volume of the "Halle Handel Edition" (BA 4096), making the complete music text of the oratorio available for the first time.
- Scholarly-critical edition based on the Urtext of the "Halle Handel Edition"
- Straight forward, clear piano reduction
- Foreword (Ger/Eng)