| 作曲者 | Leonard Bernstein (1918-1990)・バーンスタイン |
| タイトル | Chichester Psalms (Vocal score) |
| サブタイトル | In three movements |
| 出版社 | Boosey & Hawkes（ブージー＆ホークス） |
| 楽器編成 | boy soloist, mixed choir (SATB) and orchestra, or soprano, mixed choir (SATB), harp, organ and percussion |
| 楽器編成（詳細） | 3tpt.3trbn-timp.perc(5):chime/susp.cym/cyms/BD/SD/xyl/glsp/tamb/tgl/ wdbl/3bongos/whip/rasp/tpl.bl-2harp-strings |
| 品番 | 9790051321407 |
| 言語 | ヘブライ語 |
| 形状 | 44 ページ・Saddle stitching |
| 演奏時間 | 18分 30秒 |
| 作曲年 | 1965年 |
| 出版番号 | BHI 5500149 |
| ISMN | 979-0051321407 |
| ISBN | 9781458415820 |
| その他 | suitable for versions with large or reduced orchestration |
Every summer, Chichester Cathedral in Sussex, England and its neighbours from Winchester and Salisbury mobilise all their energies to lift one of Britain's most important Church Music festivals (Southern Cathedral's Festival). For the festival in 1965, Leonard Bernstein was commissioned with a composition - the occasion for the now very popular Chichester Psalms. The three-part work is based on Hebrew Psalms, the amber itself put together and underline its liturgical character. Bernstein was released from his duties with the New York Philharmonic Orchestra for a sabbatical year in the year of the Chichester Psalms, and used this opportunity to compose. He reports: At that time I wrote only twelve-tone music and even more experimental stuff almost the whole year. I was happy to be able to bring out these new sounds; but after about six months of work, I threw everything away. That was not my music; it was not sincere. And as a result, the Chichester Psalms were born - surely the most catchy B flat major tonal piece I've ever written.
Psalm 108, vs. 2 - Psalm 100, entire - Psalm 23, entire - Psalm 2, vs 1-4 - Psalm 131, entire - Psalm 133, vs. 1