作曲者 | James MacMillan (b. 1959)・マクミラン |
タイトル | Piano Concerto No. 3 |
サブタイトル | The Mysteries of Light |
出版社 | Boosey & Hawkes(ブージー&ホークス) |
楽器編成 | piano and orchestra |
楽器編成(詳細) | 3 flutes (3rd doubling piccolo), 2 oboes, cor anglais, 3 clarinets in Bb (3rd doubling bass clarinet), 2 bassoons, contrabassoon, 4 horns in F, 3 trumpets in C, 3 trombones (2 tenor, 1 bass), tuba, timpani, percussion (vibraphone, mark tree, 4 woodblocks, 4 brake drums, bass drum, glockenspiel, tuned gongs, metal bar, tambourine, water gong, tam-tam, tubular bells, güiro, vibraslap, 4 tom-toms, snare drum, suspended cymbals), harp, strings |
品番 | 9790060123740 |
難易度 | 上中級 |
形状 | 76 ページ・Saddle stitching |
演奏時間 | 25分 |
作曲年 | 2007-2008年 |
出版年 | 2012年 |
出版番号 | BH 12374 |
ISMN | 979-0060123740 |
ISBN | 9780851628127 |
Sub-titled 'The Mysteries of Light’, the composer states that this work attempts to revive the ancient practice of writing music based on the structure of the Rosary. The most famous example of this is the collection of the Rosary (or Mystery) Sonatas for violin by Heinrich Biber, written in the late 17th century. MacMillan’s concerto is based on a set of five meditations introduced by John Paul II in 2002, the Luminous Mysteries. In spite of this, rather than being devotional the work proceeds in quasi-dramatic fashion, not too distant in concept from a tone poem. Commissioned by Osmo Vänskä and the Minnesota Orchestra on the occasion of the Orchestra’s Centennial, and first performed with soloist Jean-Yves Thibaudet in April 2011. Performance materials available on hire.
Baptisma Iesu Christi - Miraculum in Cana - Proclamatio Regni Dei - Transfiguratio Domini Nostri - Institutio Eucharistiae