作曲者 | Charles Ives (1874-1954) |
タイトル | Country Band March (Score & Parts) |
サブタイトル | Full Score and Parts |
出版社 | Theodore Presser・プレッサー |
楽器編成 | 吹奏楽 |
楽器編成(詳細) | Tenor Saxophone, Piccolo, Clarinet 1, Clarinet 2, Clarinet 3, Clarinet, Contrabass Clarinet, Cornet 1, Cornet 2, Cornet 3, Alto Saxophone 1, Alto Saxophone 2, Alto Clarinet, Bassoon 1, Bassoon 2, Baritone Saxophone, Bass Clarinet, Oboe 1, Oboe 2, Trumpet 1, Trumpet 2, Horn 1, Horn 2, Horn 3, Flute 1, Flute 2 |
品番 | HL9781598065114 |
編曲者 | James Sinclair |
形状 | 2+12+12+3+3+2+12+12+8+4+4+2+2+2+6+4+4+4+9+6+6+2+2+2+2+2+2+4+4+4+12+1+1+12+28+4+4 ページ・24.1 x 30.5 cm・230 g |
演奏時間 | 4:00 |
出版年 | 1935年, 1974年 |
出版番号 | 145-40012 |
ISBN | 9781598065114 |
From the "out of tune" introduction to the pandemonium which reigns at the close, the Country Band March is a marvelous parody of the realities of performance by a country band. While the main march theme is probably Ives' own, the march features an impressive list of quotations that includes "Arkansas Traveler,” "Battle Cry of Freedom,” "British Grenadiers,” "The Girl I Left Behind Me,” "London Bridge,” "Marching Through Georgia,” "Massa's in de Cold, Cold Ground,” "My Old Kentucky Home,” "Violets,” "Yankee Doodle,” "May Day Waltz" and "Semper Fidelis." There is rarely anything straight-forward about the use of this material; the tunes are subjected to Ives's famous techniques of "poly-everything." Of particular interest is Ives's use of ragtime elements to enliven this already spirited march.)