| 作曲者 | Heinrich Ignaz Franz Biber (1644-1704)・ハインリヒ・イグナス・フランツ・ビーバー |
| タイトル | Missa Sancti Henrici (Score) |
| 出版社 | Carus・カールス |
| シリーズ名 | Sacred music from Salzburg |
| 楽器編成 | 混声合唱 |
| 楽器編成（詳細） | Soli SSATB,Coro SSATB,2 Ctr,3 Tr,3 Trb,Timp,2 Violins,3 Violas,Basso continuo (Cello/Fg/Contrabass,Organ) |
| 品番 | M007074227 |
| 校訂者 | Armin Kircher |
| 編曲者 | Paul Horn, Paul Horn |
| 言語 | ラテン語 |
| 形状 | 120 ページ・21 x 29.7 cm・534 g・ソフトカバー |
| 作曲年 | 1696年 |
| 出版年 | 2004年 |
| 出版番号 | CV 40.676/00 |
| ISMN | 979-0-007-07422-7 |
The Missa Sancti Henrici is a work of Biber’s later years. It is one of his largest and most mature pieces of church music. With the skillful alternation of the “stile antico” and the “stile moderno, ” as well as the contrast between Solo and Tutti, Biber attained a structure within the individual movements rich in variety. In its original architectural conception, Salzburg Cathedral had four galleries, each with its own organ, on the piers supporting the dome at the crossing. This conception created the spatial prerequisite for double- and polychoral performance tradition on the Venetian model. Biber’s magnificent sacred music brought this tradition to a point of culmination in a „colossal style“ that was unique in transalpine Europe.