| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Himmelskönig, sei willkommen, BWV 182 (G major) (Study score) |
| サブタイトル | First Leipzig version. Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成（詳細） | Soli ATB,Coro SATB,Recorder f1,Violin,2 Violas,Cello,Basso continuo |
| 品番 | M007142872 |
| 校訂者 | Klaus Hofmann |
| 言語 | ドイツ語・英語 |
| 形状 | 60 ページ・14.8 x 21 cm・104 g・ソフトカバー |
| 演奏時間 | 30分 |
| 出版年 | 2014年 |
| 出版番号 | CV 31.182/57 |
| ISMN | 979-0-007-14287-2 |
| サンプル | https://www.carusmedia.com/images-intern/medien/30/3118257/3118257x.pdf |
Version in G major (A major = Carus 31.182/00) The cantata "Himmelskönig, sei willkommen" BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708, on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was "Himmelskönig, sei willkommen." The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder.