| 作曲者 | Ludwig van Beethoven (1770-1827)・ルートヴィヒ・ヴァン・ベートーヴェン |
| タイトル | Symphony No. 9 D minor Finale = Symphonie Nr. 9, op. 125, 4（ヴォーカル・スコア） |
| サブタイトル | Ode to Joy. Vocal score compatible with all available music editions |
| 出版社 | Carus・カールス |
| 楽器編成 | 混声合唱 |
| 楽器編成（詳細） | Soli SATB,Coro SATB,Piano (Orchesterbesetzung: Pic,2 Fl,2 Ob,2 Clt,2 Fg,Cfg,4 Cor,2 Tr,3 Trb,Timp,Perc,2 Violins,Viola,Cello,Contrabass) |
| 品番 | M007165017 |
| 校訂者 | Stefan Schuck |
| 言語 | ドイツ語 |
| 形状 | 64 ページ・19 x 27 cm・179 g・ソフトカバー |
| 演奏時間 | 22分 |
| 作曲年 | 1815-1824年 |
| 出版年 | 2015年 |
| 出版番号 | CV 23.801/03 |
| ISMN | 979-0-007-16501-7 |
| サンプル | https://www.carusmedia.com/images-intern/medien/20/2380103/2380103x.pdf |
It’s about 200 years since Beethoven scribbled down a theme in D minor in his sketch book, which he later used, slightly altered, in the 2nd movement of his 9th Symphony. Beethoven had thought of setting Schiller’s “Ode to Joy” much earlier. As early as 1803 Ferdinand Ries mentioned a complete setting of the text by Beethoven which no longer survives. The vocal score of the finale of the 9th Symphony is based on the vocal score made by Carl Reinecke around the end of the 19th century. The version by Reinecke, popular worldwide, closely reflects the sound of the orchestral writing, yet at the same time is remains playable. Stefan Schuck has revised this historic vocal score, in the process taking into account recent research findings. The new Carus vocal score contains rehearsal letters from all current versions of the orchestral material, and is thus compatible with all available music editions. In the presentation of this edition, particular attention has been paid to the practical needs of (choral) singers and répétiteurs.