| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Schau, lieber Gott, wie meine Feind, BWV 153（ヴォーカル・スコア） |
| サブタイトル | Cantata for the Sunday after New Year |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成（詳細） | Soli ATB,Coro SATB,2 Violins,Viola,Basso continuo |
| 品番 | M007183424 |
| 校訂者 | Karin Wollschläger |
| 言語 | ドイツ語・英語 |
| 形状 | 24 ページ・19 x 27 cm・81 g・ソフトカバー |
| 演奏時間 | 15分 |
| 作曲年 | 1724年 |
| 出版年 | 2017年 |
| 出版番号 | CV 31.153/03 |
| ISMN | 979-0-007-18342-4 |
| サンプル | https://www.carusmedia.com/images-intern/medien/30/3115303/3115303x.pdf |
Bach chose an unconventional beginning for his nine-movement cantata "Schau, lieber Gott, wie meine Feind" BWV 153, which he composed in his first year as Kantor of St. Thomas’s for the Sunday after New Year 1724. Instead of the usual opening chorus, the cantata opens with a simple four-part chorale movement. There are also chorales in the middle of the work (movement 5) and at the end. By avoiding extended or demanding choral movements, Bach probably wanted to save the voices of his choir members at St Thomas’s, who had just been involved in a demanding week of almost constant singing. This may also be why the cantata uses just three soloists (alto, tenor, bass). In the arias, each preceded by a secco recitative, the accompaniment is provided by 2 violins and viola.