| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Schweigt stille, plaudert nicht (Kaffeekantate), BWV 211 [viola] |
| サブタイトル | Coffee Cantata |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成（詳細） | Soli STB,Fl,2 Violins,Viola,Basso continuo |
| 品番 | M007251765 |
| 校訂者 | Uwe Wolf |
| 言語 | ドイツ語・英語 |
| 形状 | 8 ページ・23 x 32 cm・31 g・表紙カバー無し |
| 演奏時間 | 27分 |
| 作曲年 | 1734年 |
| 出版年 | 2019年 |
| 出版番号 | CV 31.211/13 |
| ISMN | 979-0-007-25176-5 |
In 1729 Bach took over the running of the “Collegium musicum” in Leipzig, founded by Telemann, and continued the tradition of giving concerts at least once a week with this ensemble in Zimmermann’s coffee house or, in the summer, in the coffee garden there. The compositions which were probably composed for performance there include Bach’s famous Coffee Cantata. The cantata is only superficially about daughter Liesgen’s addiction to coffee, in fact it is really about her strict father Schlend rian’s educational efforts, which ultimately remain ineffective – but only in Bach’s cantata. In Picander’s printed libretto it seems as if Schlendrian might prevail, and only in Bach’s cantata, which includes two movements setting additional text, is there a twist to the contrary. Might Bach’s experiences as a father have come into play here?