![Ich geh und suche mit Verlangen, BWV 49 [study score]](http://gaudeamusic.com/cdn/shop/products/3104907u_{width}x.jpg?v=1615289419)
![Ich geh und suche mit Verlangen, BWV 49 [study score]](http://gaudeamusic.com/cdn/shop/products/3104907u_1024x.jpg?v=1615289419)
| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Ich geh und suche mit Verlangen, BWV 49 [study score] |
| サブタイトル | Cantata for the 20th Sunday after Trinity |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成（詳細） | Soli SB,Obda,2 Violins,Viola,Cellopic,Organ obl,Basso continuo |
| 品番 | M007137465 |
| 校訂者 | Felix Loy |
| 言語 | ドイツ語・英語 |
| 形状 | 56 ページ・14.8 x 21 cm・104 g・ソフトカバー |
| 演奏時間 | 29分 |
| 作曲年 | 1726年 |
| 出版年 | 2012年 |
| 出版番号 | CV 31.049/07 |
| ISMN | 979-0-007-13746-5 |
| サンプル | https://www.carusmedia.com/images-intern/medien/30/3104907/3104907x.pdf |
The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the “faithful soul” (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation – a “masterpiece in the Bachian art of characterization.” (Alfred Dürr)