| 作曲者 | Max Reger (1873-1916)・マックス・レーガー |
| タイトル | Reger Edition of Work, series 2, vol. 8: Works for mixed voice unaccompanied choir I (1890–1902) |
| サブタイトル | Works for mixed voice unaccompanied choir I (1890–1902) |
| 出版社 | Carus・カールス |
| 楽器編成 | Unaccompanied choir |
| 品番 | M007188313 |
| 校訂者 | Alexander Becker, Stefan König, Stefanie Steiner-Grage, Christopher Grafschmidt |
| 形状 | 288 ページ・25 x 32 cm・1555 g・布装丁 |
| 出版年 | 2018年 |
| 出版番号 | CV 52.815/00 |
| ISMN | 979-0-007-18831-3 |
| ISBN | 9783899483024 |
| サンプル | https://www.carusmedia.com/images-intern/medien/50/5281500/5281500x.pdf |
This first part-volume contains mixed choruses composed by Reger between 1890 and 1902. It includes functional music for use in the Catholic liturgy (Opus 61 and WoO VI/12, 19) and the Protestant liturgy (Opus 79f and WoO VI/17, which provides chorale-based four-part settings for a complete church year). Reger wrote both secular folk song settings (WoO VI/10, 11), as well as sacred (WoO VI/13, 14). His Drei Chöre [Three Choruses] op. 39, very demanding both compositionally and tonally, were dedicated to renowned choral societies, almost professional in standard. “Palmsonntagmorgen” WoO VI/18, written as a commission, forms a bridge to Reger’s later motets to a certain extent. Since January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a “hybrid” edition breaks new ground in the methods of editorial practice.