| 作曲者 | Michael Praetorius (ca.1571-1621)・ミヒャエル・プレトリウス |
| タイトル | Nun lob, mein Seel, den Herren (SAB) |
| サブタイトル | à 2 & à 3 in quartam. Chorale concerto |
| 出版社 | Carus・カールス |
| 楽器編成 | 混声合唱 |
| 楽器編成（詳細） | Soli/Coro SAB,Basso continuo,ad lib: 3 Instr |
| 品番 | M007188825 |
| 校訂者 | Uwe Wolf |
| 言語 | ドイツ語 |
| 形状 | 8 ページ・21 x 29.7 cm・24 g・表紙カバー無し |
| 演奏時間 | 3分 |
| 作曲年 | 1619年 |
| 出版年 | 2018年 |
| 出版番号 | CV 01.034/00 |
| ISMN | 979-0-007-18882-5 |
| サンプル | https://www.carusmedia.com/images-intern/medien/00/0103400/0103400x.pdf |
The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius’s output. It combines "Solennische Friedt- und Frewden-Concert:" which Praetorius as a travelling musician had composed largely for festive occasions – he writes of "Kayser: König: Chur: vnd Fürstlichen zusammen Kunfften" – and also for "fürnehme Capellen vnd Kirchen". In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. Even in the small-scale form of the chorale arrangement for two to three voices and basso continuo, Praetorius gives hints of the range of sound textures he is to use: the alternation between contrapuntal and homophonic styles of setting, duple and triple meter, and different dynamic. Nun lob, mein Seel, den Herren is available on the CD Praetorius: Gloria sei dir gesungen. Choralkonzerte (Carus 83.482).