{"title":"オーケストラ","description":null,"products":[{"product_id":"m007120467","title":"Symphonia Pastorella in C-Dur, op. 16, 8 (Score)","description":"","brand":"Alfred Coppenrath","offers":[{"title":"Default Title","offer_id":39357787013284,"sku":"M007120467","price":2574.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9117200u.jpg?v=1615283566"},{"product_id":"m007115685","title":"Concerto pastorello 23 + 24 (Score)","description":"","brand":"Alfred Coppenrath","offers":[{"title":"Default Title","offer_id":39357789110436,"sku":"M007115685","price":2960.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9110600u.jpg?v=1615283622"},{"product_id":"m007107659","title":"Totus in corde langueo, D 136 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eOffertorium in C major            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357810278564,"sku":"M007107659","price":3604.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7004500u.jpg?v=1615283894"},{"product_id":"m007017835","title":"Sonate in C, KV 329 (Score)","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357958160548,"sku":"M007017835","price":2960.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5132900u.jpg?v=1615284648"},{"product_id":"m007090739","title":"Konzertouvertüren","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eRheinberger's concert overtures are completely beholden to the tradition of the genre established at least since the 1820s. The spread of this genre was favored in equal measure by the growth of bourgeois musical culture and the overwhelming model of Beethoven's nine symphonies, which sowed a certain perplexity and discouragement among composers of the next generation and led them to turn increasingly to the smaller single-movement genre in their orchestral music. Soon a generic distinction arose between two types of overture. One was the autonomous overture, whose character results from its specific introductory function. Rheinberger's Academic Overture follows in this same line of tradition. The other type was the overture with subject-matter, in which the romantic inclination to recreate extra-musical material in music found an expecially fruitful field of exploration. Having originated as the opening item of an opera or play, the overture had, after all, long been accustomed to accommodating the contents of the work that followed. The concert overture on an extra-musical subject is in turn associated in particular with the works of Felix Mendelssohn Bartholdy. Rheinberger too, closely modeled his opp. 11 and 110 on Mendelssohn's overtures.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357979656356,"sku":"M007090739","price":44273.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5022500u.jpg?v=1615284860"},{"product_id":"m007128678","title":"Akademische Ouvertüre, op. 195 (Score)","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357982605476,"sku":"M007128678","price":5405.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5019500u.jpg?v=1615284889"},{"product_id":"m007087418","title":"Sinfonie in F \"Florentiner Sinfonie\", op. 87 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eRheinberger began work on his second Symphony during his visit to Italy with his wife in 1874. He was commissioned to write it by an orchestral society in Florence – an indication that his reputation had already spread throughout Europe. The autograph score contains a poem by his wife Fanny, which in four sections expressed the moods of impressions of the visit which seem to underlie the symphony. Contemporaries praised particularly the ”beauty of the Adagio.” The work is here presented for the first time in an edition based critically on the sources.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357982867620,"sku":"M007087418","price":68726.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5022400u.jpg?v=1615284891"},{"product_id":"m007093136","title":"Schauspielmusiken","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357983785124,"sku":"M007093136","price":59717.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5021400u.jpg?v=1615284899"},{"product_id":"m007128999","title":"Ouvertüre zu Shakespeares Die Zähmung der Widerspenstigen, op. 18","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358017437860,"sku":"M007128999","price":8237.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/5001800u.jpg?v=1615285186"},{"product_id":"m007106027","title":"Finale zur 9. Sinfonie, WAB 109, 4","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe present version of the Finale of Anton Bruckner's 9th Symphony establishes the diverse cyclical relationships to the preceding first and third movements, as Bruckner had already done in his 8th Symphony. In terms of the orchestra, this completion adheres strictly to Bruckners own concept of orchestral color, The composer had finished the orchestration of the entire exposition and in the following sections, the development and the recapitulation, he also completed the string parts, whereas the remaining wind and brass parts have often been suggested by entries made in pencil. Josephson employed Bruckner's own scores, drafts and sketches for his completion of the Finale of the 9th Symphony. In addition, he employed Bruckner's notes concerning the coda, the last section of which is based on the sequence of themes of Bruckner's exposition.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358147461284,"sku":"M007106027","price":21107.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4058800u.jpg?v=1615286109"},{"product_id":"m007071479","title":"Orchestersuite Nr. 3 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eOverture in E minor            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358148411556,"sku":"M007071479","price":4633.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4052900u.jpg?v=1615286123"},{"product_id":"m007056926","title":"Suite in a, TVWV 55:a2 (Score)","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358286069924,"sku":"M007056926","price":5405.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/3980400u.jpg?v=1615287186"},{"product_id":"m007137281","title":"Sinfonia D-Dur, BR-WFB C-Inc. 16 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eOrchestral music played a significant role in the output of Wilhelm Friedemann Bach. In his early years as a professional organist at the Sophienkirche in the Saxon capital Dresden (1733-1746), he developed his own unmistakable personal style in a series of ambitious concertos and sinfonias. The surviving body of W. F. Bach's sinfonias has been affected by considerable losses. The Sinfonia in D major (BR-WFB C-Inc. 16), published here for the first time, was attributed to both Johann Sebastian Bach and Carl Philipp Emanuel Bach, however on stylistic grounds, it is more likely attributable to W. F. Bach.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358417666212,"sku":"M007137281","price":7207.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/3230500u.jpg?v=1615287992"},{"product_id":"m007095703","title":"Marche funèbre (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eCherubini’s \"Marche funèbre\" is in the tradition of the funeral music of the French Revolution. The work was composed in 1820 on the occasion of the solemn funeral services for Charles Ferdinand of Bourbon, the Duke of Berry, who was the victim of an assassination when leaving the Paris Opera. In the piece the regular, penetrating beat of the tam tams and the drum roll which follows, the dark-sounding colors and the painful dissonances leave their mark on the funeral march, which suggests that for a performance this work could be combined with either of Cherubini’s settings of the Requiem text            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358737449124,"sku":"M007095703","price":3604.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/1650200u.jpg?v=1615291395"},{"product_id":"m007063580","title":"Preludio sinfonico, SC 32","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe Preludio sinfonico in A major, Giacomo Puccini’s second orchestral work, was written in 1882 during the time the composer was completing his studies at the Milan Conservatory. The piece shows the remarkable musical progress of its author and his considerable talent in the symphonic genre – supported by an impassioned melodic invention – which set him apart from other Italian opera composers of the fin de siècle. The manner in which the only theme of the Preludio is developed and varied, alternating between diatonic elements and chromaticism by means of complex harmonies, is reminiscent of passages from Massenet and of the romanticism of Wagner. Above all, the tone colors show a close connection to the “Vorspiel” from Lohengrin. This is the first critical edition of the Preludio, included in the vol. II\/1 of the Edizione Nazionale delle Opere di Giacomo Puccini (“Composizioni per orchestra”).            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358739284132,"sku":"M007063580","price":8366.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/1620600u.jpg?v=1615291422"},{"product_id":"m007091279","title":"Ouverture in d, KV N 4 (Score)","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358743019684,"sku":"M007091279","price":2008.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/1591100u.jpg?v=1615291513"},{"product_id":"m007091262","title":"Ouverture in d, KV E 109 (Score)","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358743117988,"sku":"M007091262","price":2008.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/1590900u.jpg?v=1615291485"},{"product_id":"m007030087","title":"Du Friedefürst, Herr Jesu Christ, BuxWV 21, 2 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSinfonia from the cantata \"Du Friedefürst, Herr Jesu Christ\"            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358745673892,"sku":"M007030087","price":1338.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/1303800u.jpg?v=1615291536"},{"product_id":"9790004921906","title":"A Little Serenade in G major K. 525 [full score]","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39359652921508,"sku":"9790004921906","price":3671.0,"currency_code":"JPY","in_stock":true}]},{"product_id":"9790004503164","title":"SymphoniClass [スコア]","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39359776653476,"sku":"9790004503164","price":12807.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004503164.jpg?v=1615302124"},{"product_id":"9790004216316","title":"Symphony No. 4 in A minor Op. 63 [スコア]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eIn the fall of 1909 Sibelius wrote in his diary:“At Koli! One of the greatest impressions in my life. Plans [for] ‘La Montagne’!” These plans proved to be for the Fourth Symphony. The composition process was not an easy one and in the end – according to his diary – Sibelius was“struggling with God!” and only just able to finish the work in time for the premiere in spring 1911:“My new symphony is a total protest against present-day compositions. Nothing – absolutely nothing of the circus [in it].” This extraordinary work was at first found difficult to understand although its technical brilliance was recognized. The appreciation of the Fourth has, however, grown in the course of years.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361853096100,"sku":"9790004216316","price":18753.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004216316.jpg?v=1615315769"},{"product_id":"9790004215982","title":"Symphony No. 1, Symphony No. 1 and Symphonic Movement \"Blumine\" [スコア]","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361853915300,"sku":"9790004215982","price":71052.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004215982.jpg?v=1615315779"},{"product_id":"9790004215821","title":"Concertino in Eb major Op. 5 [full score]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe present Concertino in E-flat major, Op. 5, was composed especially for the Leipzig trombone virtuoso Carl Traugott Queisser (1800–1846), to whom the work is also dedicated. The Concertino was first reviewed by the critic Gottfried Wilhelm Fink (1783–1846) in the Leipzig Allgemeine Musikalische Zeitung (AMZ), issue no. 38, September 1832. The critic discussed the work in detail, calling it a milestone of the trombone literature, “... its public performance should thus be determined by only true masters. The rest, however, may wish to utilize it, in silence, that is not overheard by expectant listeners, to strive with it to strengthen their powers....” The Concertino ’s premiere can be dated to 1828, with Queisser himself as soloist, and the composer conducting. Queisser repeatedly performed the Concertino up to 1843. The work was published under catalogue number 5227 in 1832 by Breitkopf \u0026amp; Härtel. Sometime in the 1940s the work was lost to sight and no performances known to come from then. Together with the Concertino, Op. 4, later composed by Ferdinand David, Müller’s contribution to this genre is among the most often played and most demanding of the trombone literature. The score includes, besides a preface detailing the work’s genesis and reception history, also facsimile pages to round out the edition. You may browse our piano vocal score here.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361854603428,"sku":"9790004215821","price":12388.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004215821.jpg?v=1615315817"},{"product_id":"9790004215555","title":"Finlandia Op. 26 [full score]","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361858633892,"sku":"9790004215555","price":8426.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004215555.jpg?v=1615315838"},{"product_id":"9790004215531","title":"Symphony [No. 13] in F major K. 112（ポケット・スコア）","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361859584164,"sku":"9790004215531","price":2970.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004215531.jpg?v=1615315843"},{"product_id":"9790004215395","title":"Symphonic Movement \"Blumine\" to the 1st Symphony [full score]","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361859682468,"sku":"9790004215395","price":7105.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004215395.jpg?v=1615315845"},{"product_id":"9790004215289","title":"Symphony No. 1 [full score]","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361860632740,"sku":"9790004215289","price":41997.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004215289.jpg?v=1615315851"},{"product_id":"9790004215180","title":"Valses nobles et sentimentales（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e“À l’exemple de Schubert” – Ravel re-invents the waltz, inspired by Liszt, Chopin, Schumann and Chabrier, transforming the rhapsodic gyrations of the dance and sending it whirling into the 20th century. Ravel needed only two weeks of intensive concentration to orchestrate his piano suite Valses nobles et sentimentales, which was given its premiere performance in March 1911. Consisting of seven waltzes and one epilogue, the work stamped Ravel as a creative personality whose masterpiece breathed an“unbelievably new kind of musicality and incredibly intensive poetry.” Let us not forget that this was twelve years before La Valse, with which it shares a number of similarities. The new edition of the complete performance material in Breitkopf’s Urtext series was prepared by the Ravel expert Jean-François Monnard.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361860894884,"sku":"9790004215180","price":4633.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004215180.jpg?v=1615315868"},{"product_id":"9790004215111","title":"Tableaux d’une exposition (Pictures at an Exhibition)（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eHere you will find the original version of Mussorgskij's Pictures at an Exhibition. Ravel's brilliant compositional interpretation of the Pictures at an Exhibition is, to this day, the most famous and independent orchestration of Mussorgsky's masterpiece. When the French composer turned his attention to his Russian colleague's piano cycle in 1922, he was at the height of his mastery and Paris was enraptured by Russian music. Notated with remarkable accuracy in an autograph score, Ravel's orchestration was an audience favorite from the very start. Jean-François Monnard, who previously edited the Breitkopf Urtext editions of Boléro, La Valse and Rapsodie espagnole, presents a text in which even the tiniest detail is authentic. The new edition not only eliminates many previously undiscovered errors, but also offers a wealth of practical information on the long and multi-faceted performance history of the work, including the metronome markings of great conductors who were connected to the work in a very special manner. Bibliography : Mayer, Stephan: Sonne für die Seele. Ein lehrreicher Nachmittag am Genfer See, in: Musikforum, 2015, Heft 4, pp. 32-35.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361861976228,"sku":"9790004215111","price":4015.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004215111.jpg?v=1615315892"},{"product_id":"9790004214916","title":"Symphony No. 6 in F major Op. 68 (Dufner校訂) [full score]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe study score („Studien-Edition“) is available at G. Henle Verlag It was only shortly after the 5th Symphony that Beethoven completed the Pastoral Symphony. The two formed a complementary work pair, consigned together to a patron in June 1808, publicly premiered in Vienna in December 1808, and published by Breitkopf \u0026amp; Härtel in the spring of 1809. During this period, Beethoven revised the symphony several times. Only in the course of preparing for publication did Beethoven send Breitkopf \u0026amp; Härtel a letter, together with a list of corrections, disclosing the title that he desired, “Pastoral Symphony or recollections of country life. More an expression of feeling than painting.” The Pastoral with its tone-painting elements gives evidence of Beethoven’s closeness to nature, characterizing in five movements his various experiences and images of nature. Based on the music text of the Beethoven Complete Edition, the new performance material of this recently published edition presents the current, authoritative status of Beethoven research for this work.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361867481252,"sku":"9790004214916","price":16112.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004214916.jpg?v=1615315890"},{"product_id":"9790004214886","title":"Symphony No. 3 in Eb major Op. 55 (Churgin校訂) [full score]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe study score („Studien-Edition”) is available at G. Henle Verlag. The \"Eroica\" according to the Complete Edition \"Exploring the Eroica\" is the name of the essay with which the editor made herself known back in 1998 and which contributed decisively to the research into the complex transmission. Written in 1803, the autograph of the work is lost today. The title \"Sinfonia Eroica\" is already found in the first edition (but only there as well). The main source of the edition is the copy of the score, which was carefully examined and emended by Beethoven, and into which he made corrections even after the appearance of the first printed set of parts. In addition, the copies of the parts used for first performances (before publication) as well as the extremely error-filled first edition of the instrumental parts are also relevant, more so, however, is another printed set that Beethoven personally revised. Thanks to the new performance material, the musical text of the new Beethoven Complete Edition can now also be heard alternatively to the \"Breitkopf Urtext\" edition by Peter Hauschild (PB\/OB 5233 ).            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361868136612,"sku":"9790004214886","price":15029.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004214886.jpg?v=1615315896"},{"product_id":"9790004214893","title":"Symphony No. 4 in Bb major op. 60 (Churgin校訂) [full score]","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361868169380,"sku":"9790004214893","price":16112.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004214893.jpg?v=1615315897"},{"product_id":"9790004214336","title":"Serenade No. 2 in A major Op. 16 [full score]","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361874428068,"sku":"9790004214336","price":15584.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004214336.jpg?v=1615315933"},{"product_id":"9790004214329","title":"Serenade No. 1 in D major Op. 11 [full score]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe study score („Studien-Edition”) is available at G. Henle Verlag. Johannes Brahms was long reluctant to compete with Beethoven in the field of symphonic music. With his D-major Serenade in six movements, the young composer deliberately chose a genre that had had its golden era in the 18th century, thus before Beethoven. Initially, he even conceived the Serenade for a smaller setting, but decided on a full orchestra in 1860. But even then, it was slow in becoming an audience success. The new Brahms Complete Edition has chosen as its principal source a copy of the scores first edition that Brahms used as his personal work copy. There, however, errors remained undiscovered, and recurred in later print runs as well. It was not until the new Brahms Edition that a music text of the D-major Serenade is finally being published, a text that clearly heeds all of the composers emendations and eliminates other shortcomings.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361875640484,"sku":"9790004214329","price":16640.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004214329.jpg?v=1615315941"},{"product_id":"9790004213971","title":"Tapiola Op. 112（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe symphonic poem Tapiola is the final major composition for orchestra that Sibelius was able to complete and publish. In January 1926 he had accepted the commission from the conductor Walter Damrosch to compose an orchestral work of at most 20 minutes in length for a performance in New York at the end of that year. Shortly thereafter Sibelius was successful in getting Breitkopf \u0026amp; Härtel to do the first publication of this tone poem. The premiere of Tapiola took place on 26 December 1926. The edition takes over the music text published in volume I\/16 of the complete edition Jean Sibelius Works.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361881800868,"sku":"9790004213971","price":4728.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213971.jpg?v=1615315975"},{"product_id":"9790004213964","title":"Tapiola Op. 112 [full score]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe symphonic poem Tapiola is the final major composition for orchestra that Sibelius was able to complete and publish. In January 1926 he had accepted the commission from the conductor Walter Damrosch to compose an orchestral work of at most 20 minutes in length for a performance in New York at the end of that year. Shortly thereafter Sibelius was successful in getting Breitkopf \u0026amp; Härtel to do the first publication of this tone poem. The premiere of Tapiola took place on 26 December 1926. The edition takes over the music text published in volume I\/16 of the complete edition Jean Sibelius Works.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361881997476,"sku":"9790004213964","price":16904.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213964.jpg?v=1615315978"},{"product_id":"9790004213957","title":"Lemminkäinen's Return Op. 22\/4 [full score]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eLittle is known about the actual composition process of Lemminkäinen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en suite through the complete edition of Jean Sibelius Works only in 2013. In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing:“I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet.” As a result he abandoned his opera plans, but musical material may have found its way into the Lemminkäinen pieces which he started composing during that time. Lemminkäinen became popular from the beginning and has attained a fixed position in the concert repertoire. On Lemminkäinen’s Return Sibelius commented:“I would like to see more pride in us Finns. Why should we be ashamed? This is the underlying thought in Lemminkäinen’s Return. Lemminkäinen is just as good as the noblest of earls. He is an aristocrat, without question an aristocrat!”            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361882095780,"sku":"9790004213957","price":13180.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213957.jpg?v=1615315977"},{"product_id":"9790004213940","title":"Lemminkäinen in Tuonela Op. 22\/3 [full score]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eLittle is known about the actual composition process of Lemminkäinen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en suite through the complete edition of Jean Sibelius Works only in 2013. In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing:“I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet.” As a result he abandoned his opera plans, but musical material may have found its way into the Lemminkäinen pieces which he started composing during that time. Lemminkäinen became popular from the beginning and has attained a fixed position in the concert repertoire. Sibelius said about Lemminkäinen in Tuonela :“The cradle song at the end of the work is maternal love, which rakes the pieces of Lemminkäinen together from the River Tuonela.”            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361882259620,"sku":"9790004213940","price":12388.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213940.jpg?v=1615315979"},{"product_id":"9790004213933","title":"The Swan of Tuonela Op. 22\/2 [full score]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eLittle is known about the actual composition process of Lemminkäinen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en suite through the complete edition of Jean Sibelius Works only in 2013. In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing:“I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet.” As a result he abandoned his opera plans, but musical parts may have found their way into the Lemminkäinen pieces which he started composing during that time. Definitely the overture had, it is now known and loved as“The Swan of Tuonela”. Lemminkäinen became popular from the beginning and has attained a fixed position in the concert repertoire.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361882554532,"sku":"9790004213933","price":6049.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213933.jpg?v=1615315983"},{"product_id":"9790004213926","title":"Lemminkäinen and the Maidens on the Island Op. 22\/1 [full score]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eLittle is known about the actual composition process of Lemminkäinen, and the performance and publication history is rather complex, resulting in a first complete printing of all four movements en suite through the complete edition of Jean Sibelius Works only in 2013. In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing:“I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet.” As a result he abandoned his opera plans, but musical parts may have found their way into the Lemminkäinen pieces which he started composing during that time. Lemminkäinen became popular from the beginning and has attained a fixed position in the concert repertoire. A critic opined on Lemminkäinen and the Maidens on the Island :“We do not hesitate to award this tone painting of Lemminkäinen’s erotic emotional world the first prize among all the young composer’s works.”            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361882652836,"sku":"9790004213926","price":16376.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213926.jpg?v=1615315983"},{"product_id":"9790004213919","title":"Symphony No. 5 in D minor MWV N 15 \n(Reformation Symphony) [full score]","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361882947748,"sku":"9790004213919","price":20866.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213919.jpg?v=1615315985"},{"product_id":"9790004213766","title":"Symphony [No. 40] in G minor K. 550（ポケット・スコア）","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361886519460,"sku":"9790004213766","price":3445.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213766.jpg?v=1615316002"},{"product_id":"9790004213742","title":"Skogsrået – The Wood Nymph Op. 15（ポケット・スコア）","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361886945444,"sku":"9790004213742","price":4633.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213742.jpg?v=1615316008"},{"product_id":"9790004213735","title":"Divertimento BB 118 [full score]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe“Breitkopf Urtext” edition is based on Bartók’s autograph and the first edition of the score, which he meticulously revised. In the summer of 1939, Béla Bartók traveled to Switzerland to compose the \"Divertimento for String Orchestra\" within the two weeks in which he enjoyed the hospitality of his patron Paul Sacher. Inspired by the convivial atmosphere there, he felt like an \"old-world musician.\" The Divertimento is Bartók's highly original contribution to this traditionally entertaining genre of music. The title and three-part structure with two dance-like, vital outer movements allude to Mozart's time, whereas the cheerful alternation between solo group and tutti in the final movement tie up with the Baroque concerto grosso principle. Only the burnished glow of the middle movement suggests that Bartók found little of comfort in the world of his time just a few days before the outbreak of World War II. The \"Breitkopf Urtext\" edition is based on Bartók' autograph and the first edition of the score, which he meticulously revised. Subsequent emendations noted by Bartók in his personal copy were taken into account.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361888845988,"sku":"9790004213735","price":8848.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213735.jpg?v=1615316014"},{"product_id":"9790004213797","title":"Le Tombeau de Couperin（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eRavel's multi-layered homage in \"Breitkopf Urtext\" In his homage Le Tombeau de Couperin, Ravel is less specifically interested in Couperin than in French music of the late 18th century. In his preface, editor Jean-Francois Monnard explains how Ravel paid a moving and intensely personal tribute to the events of World War I with his multi-layered work. The orchestral version goes back to the original, eponymous piano suite (1914–17). Then, in 1919, the composer selected four pieces from this source, orchestrated them with all of his grace and artistry, the result provides a charming contrast to the pseudo-Baroque musical idiom, and places the pieces in a new and effective sequence. The work quickly gained great popularity immediately after the concertant world premiere, when the three dance movements of the orchestral suite were included in a ballet production. The underpinnings of Monnard's edition are provided by the most important sources. The preface features a great deal of information on the interpretation and performance history of the work. This is the fifth major Ravel work now available in print from Breitkopf Urtext.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361889435812,"sku":"9790004213797","price":4015.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213797.jpg?v=1615316022"},{"product_id":"9790004213698","title":"Symphony No. 5 in E minor Op. 64（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eTchaikovsky’s“Hamburg Symphony” in the Urtext Like Hamlet Overture, originating at about the same time, Tchaikovsky’s 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be – triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch’s commitment. The new edition’s textual criticism takes into account besides the autograph and first edition also the first edition’s orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer’s doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky’s conductor’s copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky’s conductor’s score and oral references by the composer’s brother Modest. So, anyone wishing to deal seriously with the work’s certainties will not be able to do so in the future without having also to deal with its uncertainties.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361889534116,"sku":"9790004213698","price":5108.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213698.jpg?v=1615316025"},{"product_id":"9790004213650","title":"Music for String Instruments, Percussion and Celesta BB 114 [full score]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eOne of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day. In 1936 Béla Bartók was commissioned by his Swiss patron Paul Sacher to write the“Music for Stringed Instruments, Percussion and Celesta.” What Bartók created was nothing less than one of the greatest masterworks of the 20th century that beguiles the listener through its extraordinarily refined construction and lushly expressive rhythms and melodies. Also remarkable is that Bartók jotted down the four-movement orchestral work very rapidly and without a short score. Breitkopf’s new edition is based on the autograph, on the first editions of the conducting and pocket score, and in particular on the composer's personal copy of the pocket score, in which Bartók later entered the corrections that he had discovered - alterations that were taken into consideration for the first time in this new edition.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361890156708,"sku":"9790004213650","price":21659.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213650.jpg?v=1615316032"},{"product_id":"9790004213629","title":"Symphony [No. 35] in D major K. 385（ポケット・スコア）","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361890484388,"sku":"9790004213629","price":3065.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213629.jpg?v=1615316034"},{"product_id":"9790004213612","title":"The Year 1812. Festival Overture Op. 49（ポケット・スコア）","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361890582692,"sku":"9790004213612","price":3920.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213612.jpg?v=1615316034"},{"product_id":"9790004213537","title":"Rapsodie espagnole（ポケット・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe“Rapsodie espagnole” qualifies above all as a masterpiece of Ravel’s instrumental magic – a fireworks of orchestration! After“ Boléro” and“La Valse”, a third, often-played work by Ravel is now entering Breitkopf's orchestral program, obviously in a Breitkopf Urtext edition that was supervised by the Ravel expert Jean-François Monnard. As a compositional destination around 1900, Spain was in the air, as is also confirmed by Debussy's Iberia. Monnard's incisive preface brilliantly draws links between the two composers who, along with Igor Stravinsky, were working in Paris during those years. The“Rapsodie espagnole” qualifies above all as a masterpiece of Ravel's instrumental magic. This fireworks of orchestration demands a reliable and purchasable performance material that can grace the library of every professional orchestra.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39361890746532,"sku":"9790004213537","price":4633.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004213537.jpg?v=1615316038"}],"url":"https:\/\/gaudeamusic.com\/ja\/collections\/okesutora.oembed?page=99","provider":"Gaudeamus","version":"1.0","type":"link"}