In his day, Johann Jacob Froberger (1617–1667) was a towering figure who created a style of composition uniting influences from Italy , France and England . His music continued to be published seventy years after his death and was evidently still being played after 1750.

Today there is a growing awareness that his only peer in 17th century keyboard music was Jan Pieterszoon Sweelinck.

The complete edition of Froberger’s music is scheduled to encompass six bilingual volumes (German and English). Each volume contains a critical report and a detailed preface with sections on the scope and subdivision of the edition, the editorial method, performance practice (including a discussion of contemporary instruments and ornamentation) and biographical notes.

Now, for the first time, keyboard players have access to every work attributed to Froberger, including a large number of pieces discovered by the editor, as well as alternative versions and pieces of doubtful authenticity.

Partita in g FbWV 641
Partita in e FbWV 642
Partita in e FbWV 643
Partita in c FbWV 644
Partita in E FbWV 645
Partita in fis / f sharp FbWV 646
Courante in d FbWV 647
Partita Dolorosa in e FbWV 648
Partita in g FbWV 649
Allemande in g FbWV 650
Partita in e FbWV 651
Partita (Fragment) in C FbWV 605b
Partita in a FbWV 629
Gique in G FbWV Anh. IV / 01
Partita in B / B flat FbWV Anh. IV / 02
Gigue in A FbWV Anh. IV / 03
Saraband in g FbWV Anh. IV / 04
Partita (Fragment) in g FbWV Anh. IV / 05
Allemanda in d FbWV Anh. IV / 06
Cour (ant) (Fragment) in g FbWV Anh. IV / 07
Partita in F FbWV Anh. IV / 08
Allemande in A FbWV Anh. IV / 09
Sarab (and) in F FbWV Anh. IV / 10
Ergäntzungssätze fremder Komponisten
Unechte Werke
Critical Commentary