| 作曲者 | Wilhelm Killmayer (1927-2017)・キルマイヤー |
| タイトル | Douze Études transcendentales |
| 出版社 | Schott（ショット） |
| 楽器編成 | piano |
| 品番 | 9790001112116 |
| 難易度 | 上中級 |
| 形状 | 28 ページ・中綴じ |
| 演奏時間 | 26分 |
| 作曲年 | 1991-1992年 |
| 出版年 | 2002年 |
| 出版番号 | ED 8398 |
| ISMN | 9790001112116 |
Unlike the highly virtuoso Études d’exécution transcendante by Franz Liszt, these études by Wilhelm Killmayer are written ‘in a deliberately anti-virtuosomanner, without chroma, i.e. with seven tones and largely in two parts’. (Wilhelm Killmayer)Each of the twelve pieces focusses on a single compositional or technical aspect. Diatonic scales, parallel thirds and major chords are combined with some technically very tricky passages.Killmayer makes great demands on the pianist’s concentration, subtly coloured performance and differentiated articulation. The seventh étude is given the title ‘Im Schumann-Ton’ – unforced heartfelt music, always somehow “absent” and unpredictable in its modulations.
I Appasionato espressivo • II "Ländler" d’execution transparente • III Lugubre • IV Vergnügt, leicht, ohne Hast • V Ländler solenne • VI Leicht, mit Anmut • VII Im Schumann-Ton • VIII Presto •IX Mit Schleier •X Kraftvoll und geschmeidig, in allen Stimmen singend • XI Rasch dahin • XII Choral, mesto