| 作曲者 | Camille Saint-Saëns (1835-1921)・カミーユ・サン＝サーンス |
| タイトル | Morceau de Concert f-moll Op. 94 |
| サブタイトル | für Horn und Klavier |
| 出版社 | G. Henle Verlag |
| 楽器編成 | horn and piano |
| 品番 | 9790201812847 |
| 校訂者 | Dominik Rahmer |
| 形状 | 210 g・ソフトカバー |
| 出版番号 | HN 1284 |
| ISMN | 979-0-2018-1284-7 |
As with Schumann’s Concert Piece for four Horns op. 86 (HN 1138) Saint-Saëns’ Morceau de Concert was also composed with the idea of exploiting the technical possibilities of the new valve-horn mechanism. In this case, the French horn player Henri Chaussier provided the impulse. He had developed a novel “Cor omnitonique” and wanted to demonstrate the merits of his instrument with Saint-Saëns’ composition. Chaussier’s invention did not gain acceptance amongst horn players – although the Morceau de Concert did! From today’s standpoint the popular work with one movement is not overly demanding technically, in addition, Saint-Saëns himself suggested two abridgements to simplify the piece, meaning that even advanced pupils can venture to play it.