{"title":"Schubert","description":"","products":[{"product_id":"9790006538744","title":"Winterreise op. 89 D 911 (High Voice)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eIn spring 1827 Schubert performed the first part of his best-known song cycle ' Winterreise ' for his friends for the first time. At this time he assumed that he had set all the texts belonging to the cycle to music. Only later did he come across the complete cycle of 24 songs in Müller's volume ' Gedichte  aus den hinterlassenen  Papieren eines  reisenden Waldhornisten ' of 1824. As a result, he set the twelve further poems as a separate group, partly paraphrasing the songs in the first part and partly continuing them.\u003cbr\u003e \u003cbr\u003e The appendices also contain four songs – \" Wasserflut \", \" Rast \", \" Mut \" and \" Der Leiermann \"– in Schubert's original keys before they were transposed down a tone by him or his publisher Haslinger.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - Famous song cycle, taken from the practical Complete Edition of Schubert Lieder, Volume 3\u003cbr\u003e - Foreword by Walther Dürr discussing the history of the work's composition and sources (Ger\/Eng)\u003cbr\u003e - With an English translation of the song texts by Richard Wigmore\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eGute Nacht - Die Wetterfahne - Gefrorne Tränen - Erstarrung - Der Lindenbaum - Wasserflut - Auf dem Flusse - Rückblick - Irrlicht - Rast - Frühlingstraum - Einsamkeit Zweite Abteilung - Die Post - Der greise Kopf - Die Krähe - Letzte Hoffnung - Im Dorfe -            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334550339748,"sku":"9790006538744","price":5108.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA09118_00_9790006538744_co_lrg_01.jpg?v=1615719183"},{"product_id":"9790006538751","title":"Winterreise op. 89 D 911 (Medium Voice)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eIn spring 1827 Schubert performed the first part of his best-known song cycle ' Winterreise ' for his friends for the first time. At this time he assumed that he had set all the texts belonging to the cycle to music. Only later did he come across the complete cycle of 24 songs in Müller's volume ' Gedichte  aus den hinterlassenen  Papieren eines  reisenden Waldhornisten ' of 1824. As a result, he set the twelve further poems as a separate group, partly paraphrasing the songs in the first part and partly continuing them.\u003cbr\u003e \u003cbr\u003e The appendices also contain four songs – \" Wasserflut \", \" Rast \", \" Mut \" and \" Der  Leiermann \"– in Schubert's original keys before they were transposed down a tone by him or his publisher Haslinger.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e - Famous song cycle, taken from the practical Complete Edition of Schubert Lieder, Volume 3\u003cbr\u003e - Foreword by Walther Dürr discussing the history of the work's composition and sources (Ger\/Eng)\u003cbr\u003e - With an English translation of the song texts by Richard Wigmore\u003cbr\u003e            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eGute Nacht - Die Wetterfahne - Gefrorne Tränen - Erstarrung - Der Lindenbaum - Wasserflut - Auf dem Flusse - Rückblick - Irrlicht - Rast - Frühlingstraum - Einsamkeit Zweite Abteilung - Die Post - Der greise Kopf - Die Krähe - Letzte Hoffnung - Im Dorfe -            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":39334550601892,"sku":"9790006538751","price":5108.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/BA09138_00_9790006538751_co_lrg_01.jpg?v=1615719181"},{"product_id":"m007124618","title":"Gesänge am Palmsonntag","description":"","brand":"Alfred Coppenrath","offers":[{"title":"Default Title","offer_id":39357782982820,"sku":"M007124618","price":644.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9177900u.jpg?v=1615283480"},{"product_id":"m007165994","title":"Stabat Mater, D 383 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eIn spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the \"Stabat Mater\" in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck’s edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus \"Wer wird Zähren sanften Mitleids\", Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the \"Tragic\", at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357804380324,"sku":"M007165994","price":17503.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7006500u.jpg?v=1615283851"},{"product_id":"m007166007","title":"Stabat Mater, D 383（ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eIn spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the \"Stabat Mater\" in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck’s edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus \"Wer wird Zähren sanften Mitleids\", Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the \"Tragic\", at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357804445860,"sku":"M007166007","price":5534.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7006503u.jpg?v=1615283851"},{"product_id":"m007107918","title":"Deutsche Messe, D 872（合唱楽譜）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe nine sacred songs which make up the Deutsche Messe, D 872, have become what is probably the best known of all of Schubert's church music works. Both in its original choral version and also in the version for unison voices, which is simply the soprano melody and which is included, for example, int the Austrian section of the Gotteslob, this has a place as one of the most widely used Mass liturgies sung by German-speaking Catholic congregations. The uncommonly great popularity of this work, exceeding that of any of Schubert's other masses, is due largely to the use of German words instead of the Latin text of the traditional Catholic rite, as is emphasized by the titel \"Deutsche Messe\", under which the work was first published in 1870.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357804478628,"sku":"M007107918","price":1081.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7006005u.jpg?v=1615283851"},{"product_id":"m007090012","title":"Deutsche Messe, D 872（オルガン・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe nine sacred songs which make up the Deutsche Messe, D 872, have become what is probably the best known of all of Schubert's church music works. Both in its original choral version and also in the version for unison voices, which is simply the soprano melody and which is included, for example, int the Austrian section of the Gotteslob, this has a place as one of the most widely used Mass liturgies sung by German-speaking Catholic congregations. The uncommonly great popularity of this work, exceeding that of any of Schubert's other masses, is due largely to the use of German words instead of the Latin text of the traditional Catholic rite, as is emphasized by the titel \"Deutsche Messe\", under which the work was first published in 1870.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357804609700,"sku":"M007090012","price":1802.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7006003u.jpg?v=1615283856"},{"product_id":"m007082666","title":"Deutsche Messe, D 872 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe nine sacred songs which make up the Deutsche Messe, D 872, have become what is probably the best known of all of Schubert's church music works. Both in its original choral version and also in the version for unison voices, which is simply the soprano melody and which is included, for example, int the Austrian section of the Gotteslob, this has a place as one of the most widely used Mass liturgies sung by German-speaking Catholic congregations. The uncommonly great popularity of this work, exceeding that of any of Schubert's other masses, is due largely to the use of German words instead of the Latin text of the traditional Catholic rite, as is emphasized by the titel \"Deutsche Messe\", under which the work was first published in 1870.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357804708004,"sku":"M007082666","price":4376.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7006000u.jpg?v=1615283857"},{"product_id":"m007240936","title":"Magnificat in C, D 486（ヴォーカル・スコア、拡大文字版）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eWith a duration of about 10 minutes, Schubert’s Magnificat D 486 in C major is one of the more concise settings of the well-known Marian canticles, originally for the service of Vespers. It was composed in late summer 1815, and is therefore probably one of a series of church music works Schubert wrote in his youth for Lichtenthal Parish Church. The work requires a large-scale orchestra with strings, woodwind, and brass. The four-part choir contrasts with four soloists, this quartet sings the peaceful middle section of the three-section work. For the Carus edition Schubert’s own autograph manuscript of his Magnificat was consulted again for the first time since 1888. Until 1989 this had been thought to be lost.  This work is now available in carus music, the choir app!            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357804740772,"sku":"M007240936","price":4891.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7005304u.jpg?v=1615283859"},{"product_id":"m007087678","title":"Magnificat in C, D 486（ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eWith a duration of about 10 minutes, Schubert’s Magnificat D 486 in C major is one of the more concise settings of the well-known Marian canticles, originally for the service of Vespers. It was composed in late summer 1815, and is therefore probably one of a series of church music works Schubert wrote in his youth for Lichtenthal Parish Church. The work requires a large-scale orchestra with strings, woodwind, and brass. The four-part choir contrasts with four soloists, this quartet sings the peaceful middle section of the three-section work. For the Carus edition Schubert’s own autograph manuscript of his Magnificat was consulted again for the first time since 1888. Until 1989 this had been thought to be lost.  This work is now available in carus music, the choir app!            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357804871844,"sku":"M007087678","price":3333.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7005303u.jpg?v=1615283893"},{"product_id":"m007071677","title":"Magnificat in C, D 486 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eWith a duration of about 10 minutes, Schubert’s Magnificat D 486 in C major is one of the more concise settings of the well-known Marian canticles, originally for the service of Vespers. It was composed in late summer 1815, and is therefore probably one of a series of church music works Schubert wrote in his youth for Lichtenthal Parish Church. The work requires a large-scale orchestra with strings, woodwind, and brass. The four-part choir contrasts with four soloists, this quartet sings the peaceful middle section of the three-section work. For the Carus edition Schubert’s own autograph manuscript of his Magnificat was consulted again for the first time since 1888. Until 1989 this had been thought to be lost.  This work is now available in carus music, the choir app!            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357804904612,"sku":"M007071677","price":5920.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7005300u.jpg?v=1615283862"},{"product_id":"m007107802","title":"Tantum ergo in D, D 750（合唱楽譜）","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357805265060,"sku":"M007107802","price":463.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7005105u.jpg?v=1615283873"},{"product_id":"m007107758","title":"Tantum ergo in C, D 739 (Score)","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357809787044,"sku":"M007107758","price":978.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7005000u.jpg?v=1615283881"},{"product_id":"m007089207","title":"Intende voci, D 963（ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eIn contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the \"Mass in E flat\".            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357809885348,"sku":"M007089207","price":2445.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7004603u.jpg?v=1615283888"},{"product_id":"m007107659","title":"Totus in corde langueo, D 136 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eOffertorium in C major            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357810278564,"sku":"M007107659","price":3604.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7004500u.jpg?v=1615283894"},{"product_id":"m007107635","title":"Tres sunt, qui testimonium dant in coelo, D 181（ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eOffertorium de B.V. Maria            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357810540708,"sku":"M007107635","price":2046.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7004403u.jpg?v=1615283899"},{"product_id":"m007082505","title":"Stabat Mater in g, D 175 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSchubert composed the Latin \"Stabat Mater\", D 175, between the 4th and 6th April 1815, probably without any specific commission. The text had been appointed by Pope Benedict XIII in 1727 for use at the Feast of the \"Seven Sorrows of the Blessed Virgin Mary\" on the 15th September. Schubert set to music only the first four of the Stabat Mater's 20 verses, but each verse is repeated with a concluding coda.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357810966692,"sku":"M007082505","price":5405.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7004300u.jpg?v=1615283901"},{"product_id":"m007088446","title":"Stabat Mater in g, D 175（ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSchubert composed the Latin \"Stabat Mater\", D 175, between the 4th and 6th April 1815, probably without any specific commission. The text had been appointed by Pope Benedict XIII in 1727 for use at the Feast of the \"Seven Sorrows of the Blessed Virgin Mary\" on the 15th September. Schubert set to music only the first four of the Stabat Mater's 20 verses, but each verse is repeated with a concluding coda.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39357810999460,"sku":"M007088446","price":2008.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/7004303u.jpg?v=1615283902"},{"product_id":"m007090678","title":"Messe in G, D 167 [Arrangement for choir and 1 organ]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eFranz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the “Kyrie” and the “Credo”, forms a magical counterpoint to more concertante passages in the “Gloria” and the “Sanctus”. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. However, since the mid-1990s it has been known that the parts for trumpets and timpani were additionally composed by Franz Schubert himself for use “ad libitum”. The present edition offers this “Klosterneuburg Version” – with trumpets and timpani ad libitum, but without Ferdinand’s wind parts – in an Urtext edition reflecting Schubert’s own intended orchestration.  This work is available in carus music, the choir app!            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358075797668,"sku":"M007090678","price":3881.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4067545u.jpg?v=1615285636"},{"product_id":"m007187354","title":"Messe in G, D 167（ヴォーカル・スコア、拡大文字版）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eFranz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the “Kyrie” and the “Credo”, forms a magical counterpoint to more concertante passages in the “Gloria” and the “Sanctus”. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. However, since the mid-1990s it has been known that the parts for trumpets and timpani were additionally composed by Franz Schubert himself for use “ad libitum”. The present edition offers this “Klosterneuburg Version” – with trumpets and timpani ad libitum, but without Ferdinand’s wind parts – in an Urtext edition reflecting Schubert’s own intended orchestration.  This work is available in carus music, the choir app!            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358075895972,"sku":"M007187354","price":4891.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4067504u.jpg?v=1615285638"},{"product_id":"m007089375","title":"Messe in G, D 167（ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eFranz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the “Kyrie” and the “Credo”, forms a magical counterpoint to more concertante passages in the “Gloria” and the “Sanctus”. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. However, since the mid-1990s it has been known that the parts for trumpets and timpani were additionally composed by Franz Schubert himself for use “ad libitum”. The present edition offers this “Klosterneuburg Version” – with trumpets and timpani ad libitum, but without Ferdinand’s wind parts – in an Urtext edition reflecting Schubert’s own intended orchestration.  This work is available in carus music, the choir app!            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358076256420,"sku":"M007089375","price":2819.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4067503u.jpg?v=1615285639"},{"product_id":"m007085605","title":"Messe in G, D 167 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eFranz Schubert’s Mass in G major is one of the most popular settings of the mass ordinary: the charming song-like melodic writing, especially in the “Kyrie” and the “Credo”, forms a magical counterpoint to more concertante passages in the “Gloria” and the “Sanctus”. For a long time it was thought that Schubert’s final version was scored for purely string orchestra, whilst a version with wind, brass, and timpani was thought to be an expanded orchestration by his brother Ferdinand Schubert. However, since the mid-1990s it has been known that the parts for trumpets and timpani were additionally composed by Franz Schubert himself for use “ad libitum”. The present edition offers this “Klosterneuburg Version” – with trumpets and timpani ad libitum, but without Ferdinand’s wind parts – in an Urtext edition reflecting Schubert’s own intended orchestration.  This work is available in carus music, the choir app!            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358077010084,"sku":"M007085605","price":7207.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4067500u.jpg?v=1615285644"},{"product_id":"m007141226","title":"Messe in Es, D 950（合唱楽譜）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe Mass in E flat major is the last of Schubert’s six settings of the Ordinarium Missae and it is also his most significant work in this form. It is full of varied dramatic gestures and fervent expression and because of some essential omissions of text, it was described by some contemporaries as “unsuitable for liturgical use”. For the new editions of the \"great\" Schubert Masses the editors have once again thoroughly and subtly reexamined the source material. This has resulted in historical-critical Urtext editons which differ from previous editions in many passages: these are major differences but many obvious details, especially dynamic and articulation are corrected (which has been a trouble spot in the Schubert Edition). The scholarly editions present the musical text in a manner which furthers historically informed performance practice. This work is available in carus music, the choir app.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358082515108,"sku":"M007141226","price":2960.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4066005u.jpg?v=1615285698"},{"product_id":"m007085537","title":"Messe in Es, D 950（ポケットスコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe Mass in E flat major is the last of Schubert’s six settings of the Ordinarium Missae and it is also his most significant work in this form. It is full of varied dramatic gestures and fervent expression and because of some essential omissions of text, it was described by some contemporaries as “unsuitable for liturgical use”. For the new editions of the \"great\" Schubert Masses the editors have once again thoroughly and subtly reexamined the source material. This has resulted in historical-critical Urtext editons which differ from previous editions in many passages: these are major differences but many obvious details, especially dynamic and articulation are corrected (which has been a trouble spot in the Schubert Edition). The scholarly editions present the musical text in a manner which furthers historically informed performance practice. This work is available in carus music, the choir app.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358083629220,"sku":"M007085537","price":5405.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4066007u.jpg?v=1615285676"},{"product_id":"m007085520","title":"Messe in Es, D 950（ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe Mass in E flat major is the last of Schubert’s six settings of the Ordinarium Missae and it is also his most significant work in this form. It is full of varied dramatic gestures and fervent expression and because of some essential omissions of text, it was described by some contemporaries as “unsuitable for liturgical use”. For the new editions of the \"great\" Schubert Masses the editors have once again thoroughly and subtly reexamined the source material. This has resulted in historical-critical Urtext editons which differ from previous editions in many passages: these are major differences but many obvious details, especially dynamic and articulation are corrected (which has been a trouble spot in the Schubert Edition). The scholarly editions present the musical text in a manner which furthers historically informed performance practice. This work is available in carus music, the choir app.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358083989668,"sku":"M007085520","price":3861.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4066003u.jpg?v=1615285682"},{"product_id":"m007085513","title":"Messe in Es, D 950 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eThe Mass in E flat major is the last of Schubert’s six settings of the Ordinarium Missae and it is also his most significant work in this form. It is full of varied dramatic gestures and fervent expression and because of some essential omissions of text, it was described by some contemporaries as “unsuitable for liturgical use”. For the new editions of the \"great\" Schubert Masses the editors have once again thoroughly and subtly reexamined the source material. This has resulted in historical-critical Urtext editons which differ from previous editions in many passages: these are major differences but many obvious details, especially dynamic and articulation are corrected (which has been a trouble spot in the Schubert Edition). The scholarly editions present the musical text in a manner which furthers historically informed performance practice. This work is available in carus music, the choir app.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358085136548,"sku":"M007085513","price":27027.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4066000u.jpg?v=1615285692"},{"product_id":"m007088019","title":"Messe in As, D 678（ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eFranz Schubert’s Mass in A-flat major: A work that time and again occupied the composer anew, with which he, in his words, strived towards the “highest in art” – and perhaps only wished to receive a court appointment in Vienna. His efforts to present a new, individual mass led, at any rate, to unconventional solutions (and an unusual key), a renunciation of plain acclamation, a reduction of pathos in favor of an exceptionally elaborate composition, particularly the first part – a brilliant missa solemnis for the ceremonious organization of the court church service and, at the same time, the public presentation of an ambitious composer’s artistic competence.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358085562532,"sku":"M007088019","price":4118.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4065903u.jpg?v=1615285696"},{"product_id":"m007085414","title":"Messe in As, D 678 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eFranz Schubert’s Mass in A-flat major: A work that time and again occupied the composer anew, with which he, in his words, strived towards the “highest in art” – and perhaps only wished to receive a court appointment in Vienna. His efforts to present a new, individual mass led, at any rate, to unconventional solutions (and an unusual key), a renunciation of plain acclamation, a reduction of pathos in favor of an exceptionally elaborate composition, particularly the first part – a brilliant missa solemnis for the ceremonious organization of the court church service and, at the same time, the public presentation of an ambitious composer’s artistic competence.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358085857444,"sku":"M007085414","price":19820.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4065900u.jpg?v=1615285696"},{"product_id":"m007085346","title":"Messe in C, D 452（ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eEnsembles which are not large enough to tackle the “great” masses by Schubert will find a suitable alternative in this compact Mass of 1816, scored for small forces. In size and length (c. 25 minutes) it is like a Missa brevis. The compositional structure is comparatively simple, but without lacking any of the typically Schubertian style in harmony or melody. The wind parts added later by the composer can be regarded as optional, as the work was originally scored for just the south German-Austrian “church trio” of 2 violins and organ. This work is now available in carus music, the choir app!            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358086185124,"sku":"M007085346","price":3604.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4065803u.jpg?v=1615285697"},{"product_id":"m007085339","title":"Messe in C, D 452 (Score)","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eEnsembles which are not large enough to tackle the “great” masses by Schubert will find a suitable alternative in this compact Mass of 1816, scored for small forces. In size and length (c. 25 minutes) it is like a Missa brevis. The compositional structure is comparatively simple, but without lacking any of the typically Schubertian style in harmony or melody. The wind parts added later by the composer can be regarded as optional, as the work was originally scored for just the south German-Austrian “church trio” of 2 violins and organ. This work is now available in carus music, the choir app!            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358086742180,"sku":"M007085339","price":9781.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4065800u.jpg?v=1615285703"},{"product_id":"m007085247","title":"Messe in B, D 324（ヴォーカル・スコア）","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eWith a total duration of about 30 minutes, Schubert’s Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart’s and Haydn’s classical “Brevis” masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the “symphonic mass” (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358086873252,"sku":"M007085247","price":3732.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4065703u.jpg?v=1615285705"},{"product_id":"m007085155","title":"Messe in F, D 105（ヴォーカル・スコア）","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358087102628,"sku":"M007085155","price":4505.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4065603u.jpg?v=1615285705"},{"product_id":"m007089924","title":"Messe in F, D 105 (Score)","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358087200932,"sku":"M007089924","price":19820.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4065600u.jpg?v=1615285706"},{"product_id":"m007068837","title":"Mirjams Siegesgesang, D 942 (Score)","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358174199972,"sku":"M007068837","price":3861.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/4028700u.jpg?v=1615286387"},{"product_id":"m007102760","title":"Geistliche Lieder (arr. Bornefeld)","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358604312740,"sku":"M007102760","price":4633.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/2921000u.jpg?v=1615289849"},{"product_id":"m007029333","title":"Der Wegweiser, D 911, 20","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e“Der Wegweiser” for 8-voice men’s choir a cappella is the most recent of five Gottwald arrangements available in the Carus program – this is one of Schubert’s lieder from his “Winterreise\" with bittersweet, melancholy character. The arrangement was commissioned by ChorWerk Ruhr and it will receive its world premiere performance by this ensemble, conducted by Peter Neumann on 23 November 2003 in Mühlheim\/Ruhr (Germany).            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358847090852,"sku":"M007029333","price":1673.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/0960300u.jpg?v=1615292745"},{"product_id":"m007082680","title":"Rastlose Liebe, An den Mond","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358867275940,"sku":"M007082680","price":2008.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/0912620u.jpg?v=1615292994"},{"product_id":"m007110611","title":"Nacht und Träume, Am Tage Allerseelen","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358867407012,"sku":"M007110611","price":1416.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/0912610u.jpg?v=1615293001"},{"product_id":"m007246402","title":"tôw l'hòdòs","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358924947620,"sku":"M007246402","price":901.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/0337010u.jpg?v=1615293667"},{"product_id":"m007243272","title":"Am Brunnen vor dem Tore","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39358935990436,"sku":"M007243272","price":644.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/0335790u.jpg?v=1615293885"},{"product_id":"m007155643","title":"Am Brunnen vor dem Tore","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39359015026852,"sku":"M007155643","price":515.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/0318420u.jpg?v=1615295146"},{"product_id":"m007154813","title":"Am Brunnen vor dem Tore","description":"","brand":"Carus・カールス","offers":[{"title":"Default Title","offer_id":39359023743140,"sku":"M007154813","price":515.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/0317190u.jpg?v=1615295268"},{"product_id":"9790004500149","title":"String Trio in Bb major D 581","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39360029065380,"sku":"9790004500149","price":4633.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004500149.jpg?v=1615302862"},{"product_id":"9790004500132","title":"String Trio in Bb major D 471","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39360030867620,"sku":"9790004500132","price":3540.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004500132.jpg?v=1615302901"},{"product_id":"9790004500071","title":"String Quartet in Eb major D 87 [Op, post, 125\/1]","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39360038011044,"sku":"9790004500071","price":5584.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004500071.jpg?v=1615302922"},{"product_id":"9790004486849","title":"Notturno in G major D 96","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39360164593828,"sku":"9790004486849","price":10811.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004486849.jpg?v=1615303554"},{"product_id":"9790004412794","title":"Im Gegenwaertigen Vergangenes D 710","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eRosmarin und Salbeiblättlein (Schwaben) \/ Durch's Wiesental gang i jetzt na (Bad.Schwarzwald)            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39360419102884,"sku":"9790004412794","price":1259.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004412794.jpg?v=1615304906"},{"product_id":"9790004412787","title":"Gebet D 815 [op. post. 139]","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39360419233956,"sku":"9790004412787","price":1402.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004412787.jpg?v=1615304907"},{"product_id":"9790004412381","title":"Mass in Ab major D 678 [合唱楽譜]","description":"","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39360444727460,"sku":"9790004412381","price":2495.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004412381.jpg?v=1615305020"},{"product_id":"9790004412336","title":"Mass in Eb major D 950 [合唱楽譜]","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSchubert's last great mass, whose first performance in October 1829 he no longer lived to experience. “Striving for the highest in art\" – this is how Schubert announced his A-flat major Mass to the Schott publishing house in 1828. The statement can also be seen as an artistic credo applicable to his last great mass, which the composer wrote that same year but whose first performance in October 1829 he no longer lived to experience. Since a source-critical new edition of the E-flat major Mass is a must for Breitkopf \u0026amp; Härtel's catalogue, Peter Jost has taken up this challenge and come up with a compelling edition that does justice to the high demands of the“Breitkopf Urtext\" collection. „Herrlich übersichtlich und klar, in vollendeten und großzügigen Proportionen. Ein solches Aussehen wünscht man jeder Partitur.\" (Matthias Mader, Neue Chorzeit) „Der Notensatz ist in bewährter Breitkopf-Qualität groß und übersichtlich gestaltet. Der Klavierauszug von Julius Spengel ist gut spielbar.\" (Forum Kichenmusik)“Sehr gut gelungen! Neben dem blitzsauberen Notenbild und einer behutsamen Neueinrichtung des Notentextes, worüber sich vor allem Pianisten und Korrepetitoren freuen dürfen, überzeugt der Herausgeber durch einen Anhang, der in Kommentaren die Arien einordnet.” (amazon-Kundenrezension)            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Breitkopf \u0026 Härtel・ブライトコプフ","offers":[{"title":"Default Title","offer_id":39360447938724,"sku":"9790004412336","price":2827.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/products\/9790004412336.jpg?v=1615305035"}],"url":"https:\/\/gaudeamusic.com\/ja\/collections\/schubert.oembed?page=34","provider":"Gaudeamus","version":"1.0","type":"link"}