| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Wohl dem, der sich auf seinen Gott, BWV 139 [basso continuo] |
| サブタイトル | Cantata for the 23rd Sunday after Trinity. Reconstruction Klaus Hofmann |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成（詳細） | Soli SATB,Coro SATB,2 Obda,2 Violins,Viola,[Cellopic],Basso continuo |
| 品番 | M007208288 |
| 校訂者 | Klaus Hofmann |
| 編曲者 | Sven Hiemke |
| 言語 | ドイツ語・英語 |
| 形状 | 12 ページ・23 x 32 cm・45 g・表紙カバー無し |
| 演奏時間 | 20分 |
| 作曲年 | 1724年 |
| 出版年 | 2016年 |
| 出版番号 | CV 31.139/15 |
| ISMN | 979-0-007-20828-8 |
Bach’s chorale cantata with its opening text “Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen” (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout, this is followed by a lively tenor aria “Gott ist mein Freund” (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria “Das Unglück schlägt auf allen Seiten” (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello.