| 作曲者 | Antonio Vivaldi (1678-1741)・アントニオ・ヴィヴァルディ |
| タイトル | Credo in G, RV 592 (Score) |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Editions (Urtext): Vivaldi-Archiv |
| 楽器編成 | 混声合唱 |
| 楽器編成（詳細） | Soli SA,Coro SATB,[Ob],2 Violins,2 Violas,Basso continuo |
| 品番 | M007187729 |
| 校訂者 | Gregory Pysh |
| 編曲者 | Andrea Tasler |
| 言語 | ラテン語 |
| 形状 | 48 ページ・21 x 29.7 cm・186 g・ソフトカバー |
| 演奏時間 | 13分 |
| 出版年 | 2019年 |
| 出版番号 | CV 40.009/00 |
| ISMN | 979-0-007-18772-9 |
| サンプル | https://www.carusmedia.com/images-intern/medien/40/4000900/4000900x.pdf |
It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo, almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text, perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined.