作曲者 | Alexander Rehding / Steven Rings |
タイトル | The Oxford Handbook of Critical Concepts in Music Theory |
出版社 | Oxford University Press (USA) |
シリーズ名 | Oxford Handbooks |
品番 | 9780190454746 |
形状 | 920 ページ・24.8 x 17.1 cm・1526 g・ハードカバー |
出版番号 | 9780190454746 |
ISBN | 9780190454746 |
Music Theory operates with a number of fundamental terms that are rarely explored in detail. This book offers in-depth reflections on key concepts from a range of philosophical and critical approaches that reflect the diversity of the contemporary music theory landscape.
Contributors, Introduction, 1. Pitch, Tone, and Note, Bryan Parkhurst, Stephan Hammel, 2. Interval, Henry Klumpenhouwer, 3. Mode, Susan McClary, 4. Scale, Matthew Gelbart, 5. Tonic, Steven Rings, 6. Timbre, David Blake, 7. Texture, Jonathan De Souza, 8. Repetition, Elizabeth Hellmuth Margulis, 9. Meter, Richard Cohn, 10. Temporalities, Martin Scherzinger, 11. Groove, Guilherme Schmidt Camara, Anne Danielsen, 12. Phrase, Janet Schmalfeldt, 13. Music's Moving Form, Daniel Grimley, 14. Expressive Timing, Mitch Ohriner, 15. Melody, David Trippett, 16. Consonance and Dissonance, Alexander Rehding, 17. Tonal Harmony, Ian Quinn, 18. Key and Modulation, Suzannah Clark, 19. Cadence, Daniel Harrison, 20. Sequence, Naomi Waltham-Smith, 21. Polyphony, Michael Tenzer, 22. Musical Grammar, Robert O. Gjerdingen, 23. Beneath Improvisation, Vijay Iyer, 24. Analytical Relationships, Marion Guck, 25. Images, Visualization, and Representation, Dora Hanninen, 26. What is Music, Anyway?, Andrew Bowie, Index