作曲者 | Mark Grimshaw-Aagaard / Mads Walther-Hansen / Martin Knakkergaard |
タイトル | The Oxford Handbook of Sound and Imagination, vol. 1 |
出版社 | Oxford University Press (USA) |
シリーズ名 | Oxford Handbooks |
品番 | 9780190460167 |
形状 | 808 ページ・24.8 x 17.1 cm・1640 g・ハードカバー |
出版番号 | 9780190460167 |
ISBN | 9780190460167 |
In this two-volume Handbook, contributors address the tendency to discuss musical imagination through terms like compositional creativity or performance technique, correcting the current bias towards visual imagination to instead highlight the many forms of sonic and musical imagination.
Contributor Affiliations, Acknowledgments, Introduction, MARK GRIMSHAW-AAGAARD, MADS WALTHER-HANSEN, MARTIN KNAKKERGAARD, PART I. FOUNDATIONS, Chapter 1. Imagining Sound as the Absolute: The Case of Sarangadeva, SAAM TRIVEDI, Chapter 2. The Sensation of Sound and Imagination in a Historical Perspective, SVEN HROAR KLEMPE, Chapter 3. Imagining the Sounds Themselves, MALCOLM RIDDOCH, Chapter 4. Auditory Imagination. A Phenomenological Perspective, DANIEL A. SCHMICKING, Chapter 5. The Necessity of Vagueness and Ambiguity to the Imagining of Sound, MARK GRIMSHAW-AAGAARD, Chapter 6. Listening and/as Imagination, MARCEL COBUSSEN, Chapter 7. Imagination, Multimodality, and Sound, JOAQUIM BRAGA, Chapter 8. Some Anticipatory, Kinesthetic, and Dynamic Aspects of Auditory Imagery, TIMOTHY L. HUBBARD, PART II. SOCIETY AND IDENTITY, Chapter 9. Into the Sounds of War: Imagination, Media, and Experience, MICHAEL BULL, Chapter 10. Shifting Metaphors in the Conceptualization of Musical Knowledge and Learning, PETTER DYNDAHL, Chapter 11. Fantasy Control: Implications for Distributed Imagination and Affect Attunement in Music and Sound, ULRIK VOLGSTEN, Chapter 12. Musical Preferences and the Imagined Self, ALEXANDRA LAMONT, Chapter 13. Burmese Spirit Worship: Music as a Medium for the Transformation of Self, JUDITH BECKER, Chapter 14. Opera and the South African Political, CHRISTOPHER BALLANTINE, Chapter 15. Noise and Tranquility at Stonehenge: The Political Acoustics of Cultural Heritage, ODD ARE BERKAAK, Chapter 16. The Sonic Abject: Sound and Violence in the Legal Imagination, VEIT ERLMANN, Chapter 17. Building Worlds Together with Sound and Music: Imagination as an Active Engagement Between Ourselves, KAI TUURI AND HENNA-RIIKKA PELTOLA, Chapter 18. Sonic Branding: From Brand Image to Brand Imagination, CLARA GUSTAFSSON, Chapter 19. Radio Imaginaries: Music, Space, and Broadcasting in the 1950s, MORTEN MICHELSEN, PART III. LANGUAGE, Chapter 20. Audio Inside the Mind: The Poetics of Sound, SEAN STREET, Chapter 21. The Acoustic Imaginations of East Asia, KERIM YASAR, Chapter 22. Imagining Sonic Stories, VINCENT MEELBERG, Chapter 23. Sound Quality, Language, and Cognitive Metaphors, MADS WALTHER-HANSEN, Chapter 24. Speech, Sound, Technology, JOHANNES MULDER AND THEO VAN LEEUWEN, Chapter 25. Divergent Images of Early Sound Experience during Infancy and Early Childhood, MICHAEL FORRESTER, PART IV. IMAGE, Chapter 26. The Aural Dimension in Comic Art, MARCO PELLITTERI, Chapter 27. Sound, Museums, and the Modulation of the Imagination, WILLIAM WHITTINGTON, Chapter 28. Cinema as Social Knowledge. The Case of the Beatles in the Studio, FRANCOIS RIBAC, Chapter 29. Concerning the Iconic Signification of Music in Cinema, MICHAEL CHANAN, Chapter 30. Embodied Listening: A Moving Dimension of Imagination, MARTINE HUVENNE, Chapter 31. The Listener's Choice: The Sounds of Music, Meanings, and Measurements, OLA STOCKFELT, PART V. SPACE AND PLACE, Chapter 32. Imagining Acoustic Spaces Through Listening and Acoustic Ecology, BARRY TRUAX, Chapter 33. Presence, Environment, and Sound and the Role of Imagination, MARK GRIMSHAW-AAGAARD, Chapter 34. Music Places: Imaginative Transports of Listening, JUDY LOCHHEAD, Chapter 35. Beacons of Sound, MARTIN KNAKKERGAARD, Chapter 36. The Sound of an Endless Column: How Music Imagines Unimaginable Space, ZOHAR EITAN AND HILA TAMIR-OSTROVER, Chapter 37. Auditory Mirrors: About the Politics of Hearing, SABINE SANIO, Chapter 38. What You Hear is Where You Are, LINDA-RUTH SALTER, Chapter 39. Bridging the Other-Real: Video Game Sound and the Imagination, TOM A. GARNER, Index