作曲者 | Frank Gunderson / Robert C. Lancefield / Bret Woods |
タイトル | The Oxford Handbook of Musical Repatriation |
出版社 | Oxford University Press (USA) |
シリーズ名 | Oxford Handbooks |
品番 | 9780190659806 |
形状 | 824 ページ・24.8 x 17.1 cm・1562 g・ハードカバー |
出版番号 | 9780190659806 |
ISBN | 9780190659806 |
The Oxford Handbook of Musical Repatriation critically explores issues surrounding musical repatriation, chiefly of recordings from archives. Based on dynamic and richly layered stories and critical questions arising from archival and repatriation work, this Handbook's thirty-eight chapters address the subjective issues involved in musical repatriation, and its wider cultural significance.
Acknowledgments, About the Editors, List of Contributors, About the Companion Website, Pathways and Trajectories: A Guide to the Organization and Use of This Book, Pathways toward Open Dialogues about Sonic Heritage: An Introduction to The Oxford Handbook of Musical Repatriation, Frank Gunderson and Bret Woods, 1. Musical Traces' Retraceable Paths: The Repatriation of Recorded Sound, Robert C. Lancefield, 2. Reflections on Reconnections: When Human and Archival Modes of Memory Meet, Daniel B. Reed, 3. Music Archives and Repatriation: Digital Return of Hugh Tracey's Chemirocha Recordings in Kenya, Diane Thram, 4. Rethinking Repatriation and Curation in Newfoundland: Archives, Angst, and Opportunity, Beverly Diamond and Janice Esther Tulk, 5. Repatriating the Alan Lomax Haitian Recordings in Post-quake Haiti, Gage Averill, 6. Where Dead People Walk: Fifty Years of Archives to Q'eros, Peru, Holly Wissler, 7. Audiovisual Archives: Bridging Past and Future, Judith Gray, 8. Archives, Repatriation, and the Challenges Ahead, Anthony Seeger, 9. Returning Voices: Repatriation as Shared Listening Experiences, Brian Diettrich, 10. Boulders, Fighting on the Plain: A World-War-One-Era Song Repatriated and Remembered in Western Tanzania, Frank Gunderson, 11. We Want Our Voices Back: Ethical Dilemmas in the Repatriation of Recordings, Grace Koch, 12. Sharing John Blacking: Recontextualizing Children's Music and Reimagining Musical Instruments in the Repatriation of a Historical Collection, Andrea Emberly and Jennifer C. Post, 13. Autism Doesn't Speak, People Do: Musical Thinking, Chat Messaging, and Autistic Repatriation, Michael B. Bakan, 14. Musical Repatriation as Method, Michael Iyanaga, 15. Teachers as Agents of the Repatriation of Music and Cultural Heritage, Patricia Shehan Campbell and J. Christopher Roberts, 16. Each in Our Own Village: Creating Sustainable Interactions between Custodian Communities and Archives, Catherine Ingram, 17. Radio Afghanistan Archive Project: Averting Repatriation, Building Capacity, Hiromi Lorraine Sakata, Laurel Sercombe, and John Vallier, 18. Bringing Radio Haiti Home: The Digital Archive as Devoir de Memoire, Craig Breaden and Laura Wagner, 19. Strategies for Cultural Repatriation: Bali 1928 Music Recordings and 1930s Films, Edward Herbst, 20. Cinematic Journeys to the Source: Musical Repatriation to Africa in Film, Lisa Osunleti Beckley-Roberts, 21. Pour preserver la memoire: Algerian Sha'b? Musicians as Repatriated Subjects and Agents of Repatriation, Christopher Orr, 22. Repatriating an Egyptian Modernity: Transcriptions and the Rise of Coptic Women's Song Activism, Carolyn M. Ramzy, 23. Memory, Trauma, and the Politics of Repatriating Bikindi's Music in the Aftermath of the Rwandan Genocide, Jason McCoy, 24. New Folk Music as Attempted Repatriation in Romania, Maurice Mengel, 25. The Politics of Repatriating Civil War Brass Music, Elizabeth Whittenburg Ozment, 26. Radio Archives and the Art of Persuasion, Carlos Odria, 27. The Banning of Samoa's Repatriated Mau Songs, Richard Moyle, 28. Bells in the Cultural Soundscape: Nazi-Era Plunder, Repatriation, and Campanology, Carla Shapreau, 29. Digital Repatriation: Copyright Policies, Fair Use, and Ethics, Alex Perullo, 30. Mountain Highs, Valley Lows: Institutional Archiving of Gospel Music in the Twenty-first Century, Birgitta Johnson, 31. The Songs Are Alive: Bringing Frances Densmore's Recordings Back Home to Ojibwe Country, Lyz Jaakola and Timothy B. Powell, 32. Moving Songs: Repatriating Audiovisual Recordings of Aboriginal Australian Dance and Song (Kimberley Region, Northwestern Australia), Sally Treloyn, Matthew Dembal Martin, and Rona Googninda Charles, 33. After the Archive: An Archaeology of Bosnian Voices, Peter McMurray, 34. Reclaiming Ownership of the Indigenous Voice: The Hopi Music Repatriation Project, Trevor Reed, 35. Yolngu Music, Indigenous Knowledge Centres, and the Emergence of Archives as Contact Zones, Peter G. Toner, 36. Traditional Re-Appropriation: Modes of Access and Digitization in Irish Traditional Music, Bret Woods, 37. Claiming Ka Mate: M?ori Cultural Property and the Nation's Stake, Lauren E. Sweetman and Kirsten Zemke, 38. Repatriation and Decolonization: Thoughts on Ownership, Access, and Control, Robin R. R. Gray, Index $ http://ukcatalogue.oup.com/images/en_US/covers/large/9780190659806_450.jpg $ $