| 作曲者 | Ludwig van Beethoven・Carl Czerny・Franz Liszt・Ignaz Moscheles・Franz Schubert |
| タイトル | ディアベリ変奏曲 op. 120・あるワルツによる50の変奏曲 op. 120 = 33 Veränderungen über einen Walzer "Diabelli-Variationen"・50 Veränderungen über ein Walzer |
| サブタイトル | komponiert von den vorzüglichsten Tonsetzern und Viruosen Wiens |
| 出版社 | Bärenreiter・ベーレンライター |
| 楽器編成 | Piano |
| 品番 | 979-0006528141 |
| 校訂者 | Mario Aschauer |
| 形状 | XXXIX, 175 ページ・31 x 24.3 cm・855 g・ソフトカバー |
| 出版年 | 2020年第1刷 |
| 出版番号 | BA 9656 |
| ISMN | 9790006528141 |
| その他 | With notes on performance practice by Mario Aschauer |
Beethoven’s “Diabelli Variations”, written between 1819 and 1823, mark the pinnacle of his oeuvre for variations and next to Bach’s “Goldberg Variations” form one of the most important contributions to this genre. In addition to Beethoven, 50 other composers from Austria, mainly Vienna, followed Diabelli’s call to create variations for his famous waltz, among them Czerny, Moscheles, Fr. X. Mozart, Schubert, the 11-year-old Liszt and J. N. Hummel.
The variations first printed by Diabelli fictively as “Fatherlandish Union of Artists Part I” (Beethoven’s op. 120) and “Part II” (the 50 variations of Vienna’s “most excellent composers and virtuosos”) are presented here by Mario Aschauer for the first time in one edition. Furthermore the variations of Part II appear in an Urtext edition for the first time. The musical text is based on a meticulous study of the sources and for the first time relevant discrepancies between the main sources are presented in light grey print.
A detailed Critical Commentary (Eng) and notes regarding Viennese piano performance practice during Beethoven’s day complete this special Urtext edition based on the most current research.