| 作曲者 | Modest Mussorgsky (1839-1881)・モデスト・ムソルグスキー |
| タイトル | Tableaux d’une exposition (Bilder einer Ausstellung = Pictures at an Exhibition) (Cello Part) |
| サブタイトル | Urtext of the Orchestration |
| 出版社 | Breitkopf & Härtel・ブライトコプフ |
| 楽器編成 | Orchestra |
| 楽器編成（詳細） | 3(2picc).3(cor ang).2.B-clar.A-sax.2.dble bsn – 4.3.3.1 – timp.perc(4) – 2 hp – cel – str |
| 品番 | 979-g6c9e71d0 |
| 校訂者 | Jean-François Monnard |
| 形状 | 16 ページ・25 x 32 cm・80 g・stapled |
| 演奏時間 | 30分 |
| 出版番号 | OB 5532-23 |
| ISMN | 979-0004348239 |
| サンプル | https://www.breitkopf.com/assets/haendler/samples/9790004348239.pdf |
Ravel's brilliant compositional interpretation of the Pictures at an Exhibition is, to this day, the most famous and independent orchestration of Mussorgsky's masterpiece. When the French composer turned his attention to his Russian colleague's piano cycle in 1922, he was at the height of his mastery and Paris was enraptured by Russian music. Notated with remarkable accuracy in an autograph score, Ravel's orchestration was an audience favorite from the very start. Jean-François Monnard, who previously edited the Breitkopf Urtext editions of Boléro, La Valse and Rapsodie espagnole, presents a text in which even the tiniest detail is authentic. The edition not only eliminates many previously undiscovered errors, but also offers a wealth of practical information on the long and multi-faceted performance history of the work, including the metronome markings of great conductors who were connected to the work in a very special manner.Bibliography:Mayer, Stephan: Sonne für die Seele. Ein lehrreicher Nachmittag am Genfer See, in: Musikforum, 2015, Heft 4, pp. 32-35.
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