| 作曲者 | Wolfgang Amadeus Mozart (1756-1791)・ヴォルフガング・アマデウス・モーツァルト |
| タイトル | La clemenza di Tito K. 621（布装丁） |
| サブタイトル | Opera seria in 2 acts |
| 出版社 | Bärenreiter・ベーレンライター |
| シリーズ名 | Wolfgang Amadeus Mozart. Neue Ausgabe sämtlicher Werke; New Mozart Edition (NMA) Ser. 2. Vol. 5/20 |
| 楽器編成 | Solos, Mixed Choir, Orchestra |
| 楽器編成（詳細） | 4SSolo/TSolo/BSolo/Mixed choir-SATB/2Fl/2Ob/2clarinet/clarinet-B/BaHn/2bassoon/2Hn/2Trp/timpani/2V/2Va/Vc/double bass/Bc |
| 品番 | 9790006450527 |
| 校訂者 | Franz Giegling |
| 言語 | イタリア語 |
| 形状 | XX, 340 ページ・33.0 x 26.5 cm・1833 g・布装丁 |
| 出版年 | 2017年第4刷 |
| 出版番号 | BA 4554-01 |
| ISMN | 979-0006450527 |
As remarkable as the quality of the compositions themselves is the astonishing rapidity with which Mozart composed his last two great operas, "Die Zauberflöte", K.620, and "La clemenza di Tito", K.621: From first sketches and drafts to finished products, some 800 pages of music penned within the six-month period from April to September 1791.
Opinions of the work at the time of its premičre are as varied as the history of its reception. As a "coronation" opera it initially lent itself to court festivities everywhere, and because of its aspect of "clemency", to charitable events. It survived in its own right as opera seria through the first two decades of the 19th century, then, but for occasional performances (these sometimes with altered or added texts), fell into obscurity for the next 150 years.