| 作曲者 | Ludwig van Beethoven (1770-1827)・ルートヴィヒ・ヴァン・ベートーヴェン |
| タイトル | ロマンス ヘ長調・ト長調 = Romanzen in F-Dur und G-Dur für Violine und Orchester (Score) |
| 出版社 | Bärenreiter・ベーレンライター |
| 楽器編成 | Violin and Orchestra |
| 楽器編成（詳細） | V-solo/Fl/2Ob/2bassoon/2Hn/2V/Va/Vc/double bass |
| 品番 | 9790006540846 |
| 校訂者 | Jonathan Del Mar |
| 形状 | VIII, 38 ページ・31.0 x 24.3 cm・225 g・中綴じ |
| 出版年 | 2018年第3刷 |
| 出版番号 | BA 9026 |
| ISMN | 9790006540846 |
| その他 | パート譜もお取り寄せできます。詳細はお問合せフォームよりお問合せください。 |
Beethoven's "Romances" are performed all over the world, yet how many conductors, performers and listeners are aware that op. 50 which was incidentally composed before op. 40, comes down to us in an unfinished form? The autograph score contains little to no articulation or dynamics and to the present day the work has existed only in highly over-edited publications. The performer has no way of knowing what was originally intended by the composer.
Bärenreiter's new Urtext edition of opp. 50 and 40 offers the score to op. 50 twice; the first score reflects the state of Beethoven's autograph with editorial markings clearly indicated, the second score has been edited based on other works by Beethoven from that period. This manner of publishing remains true to the sources and at the same time offers musicians a reliable transparent score for performances.
In addition to the Urtext solo part, a second solo part with fingering and bowing by Detlef Mahn is also included in the piano reduction.
- Piano reduction which includes an Urtext solo part as well as an additional solo part with fingering and bowing
- The score to op. 50 available in two versions
- Detailed critical commentary (Eng)