Henry Brant's new guide to orchestration is, in fact, the result of his lifelong work as a conductor, composer, and teacher; its first page written in the 1940s, and its final page written in 2005. In observation of other orchestration texts throughout his life, Brant realized that many were incomplete, in that they gave instructions based on "hoped-for evocations of mystic visions" rather than the actual, practical qualities of instruments. Textures and Timbres focuses on the study of acoustic instrumental tone-qualities, offering comprehensive systematic procedures for balancing and mixing them, both in harmonic and linear contexts. The lessons and inspiration shared in this text span Brant's entire career, from his work in commercial radio to his orchestration classes at the Juilliard School and orchestrations of numerous Hollywood film scores. Textures and Timbres: An Orchestrator's Handbook is an absolutely vital tool for composers and conductors.

Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Part Two:
Chapter 22
Chapter 22
Chapter 22
Chapter 22
Chapter 22
Chapter 23
Chapter 23
Chapter 23
Chapter 23
Chapter 23
Chapter 24
Chapter 24
Chapter 24
Chapter 24
Chapter 25
Chapter 25
Chapter 25
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 30
Chapter 30
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 33
Chapter 33
Chapter 34
Chaper 35
Chapter 36
Chapter 37
Chapter 38
Chapter 38
Chapter 38
Chapter 38
Chapter 38
Chapter 38
Chapter 38
Chapter 38
Chapter 38
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 43
Chapter 43
Epilog
Appendix 1
Appendix 2
Appendix 3
Appendix 4
Appendix 5