{"product_id":"kga9783761825754","title":"交響曲第8番 op. 93（自筆スコア・ファクシミリ版）= Sinfonie No. 8","description":"\u003csection id=\"content2\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-comment\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003eSeemingly more light-weight than its sister work, the Seventh Symphony, and often overshadowed by the Ninth, “the Eighth Symphony, which gambles with expectations” (Peter Gülke) reflects musically on its own formal models—subtly, self-ironically, and with such artistry that Beethoven did not compose another symphony for nearly ten years thereafter.\u003cbr\u003e\n\u003cbr\u003e\nIn his Introduction, Peter Gülke explains which listener expectations Beethoven breaks with here and unravels the inner logic of the musical development. Drawing on selected passages from the manuscript, he and Hans-Joachim Hinrichsen also demonstrate how Beethoven worked and notated, and what interpretive questions emerge from these practices. Martina Rebmann traces the manuscript’s journey from Beethoven’s possession to its place in the collection of the Staatsbibliothek zu Berlin.\u003cbr\u003e\n\u003cbr\u003e\nBeethoven wrote the four movements alternately on portrait and landscape-format paper. The facsimile, printed in high-quality four-colour, reproduces the autograph in its original size. The inclusion of movement and folio numbers, as well as the measures shown on each page, facilitates the search for specific passages in the work.            \u003c\/p\u003e\n          \u003c\/div\u003e  \n\u003c\/section\u003e\n\n\u003csection id=\"content3\" class=\"tab-content\"\u003e\n          \u003cdiv id=\"c-product-table-table-of-content\" class=\"c-product-table\"\u003e\n            \u003cp class=\"c-product-table__text\"\u003e\u003cb\u003eFacsimile: Sinfonie No. 8 op. 93\u003c\/b\u003e\u003cbr\u003e\nI. Allegro vivace e con brio\u003cbr\u003e\nII. Allegretto scherzando\u003cbr\u003e\nIII. Tempo di Menuetto\u003cbr\u003e\nIV. Allegro vivace\u003cbr\u003e\n\u003cbr\u003e\n\u003cb\u003eKommentar = Commentary\u003c\/b\u003e\u003cbr\u003e\nBei der Lektüre von Handschriften = Reading Manuscripts\u003cbr\u003e\nUraufführung und Rezeption = Premiere and Reception\u003cbr\u003e\nKonzeption und Erwartungen = Concept and Expectations\u003cbr\u003e\nTempi: Beethoven und das Metronom = Tempi: Beethoven and the Metronome\u003cbr\u003e\nDas Autograph: Arbeitsprozess und Notationsweisen = The Autograph: Compositional Process and Notation\u003cbr\u003e\nNachwort = Postscript\u003cbr\u003e\nZur Geschichte der Beethoven-Sammlung in Berlin = On the History of the Beethoven Collection in Berlin            \u003c\/p\u003e \n         \u003c\/div\u003e  \n\u003c\/section\u003e","brand":"Bärenreiter・ベーレンライター","offers":[{"title":"Default Title","offer_id":67892028768486,"sku":"KGA9783761825754","price":151470.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0499\/1710\/0196\/files\/co_lrg_01_686a84cb-7fe1-4a39-899a-b298ff2e8beb.jpg?v=1793267225","url":"https:\/\/gaudeamusic.com\/ja\/products\/kga9783761825754","provider":"Gaudeamus","version":"1.0","type":"link"}