| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Das neugeborne Kindelein, BWV 122 (Score) |
| サブタイトル | Cantata for the Sunday after Christmas |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成 | 混声合唱 |
| 楽器編成（詳細） | Soli SATB,Coro SATB,3 Recorders,2 Ob,Tl (Eh),2 Violins,Viola,Basso continuo |
| 品番 | M007097462 |
| 校訂者 | Christiane Hausmann |
| 編曲者 | Paul Horn, Paul Horn |
| 言語 | ドイツ語・英語 |
| 形状 | 28 ページ・21 x 29.7 cm・120 g・ソフトカバー |
| 演奏時間 | 16分 |
| 作曲年 | 1724年 |
| 出版年 | 2012年 |
| 出版番号 | CV 31.122/00 |
| ISMN | 979-0-007-09746-2 |
| サンプル | https://www.carusmedia.com/images-intern/medien/30/3112200/3112200x.pdf |
More than usual, in this chorale cantata the hymn is continuously present, it appears as the cantus firmus in four of the six movements and gives the work an overall unity. In addition to the opening chorus and in the closing chorale, it appears in a trio, a rare occurrence in Bach’s vocal works, and even in a recitative. The latter is performed by recorders. The rich scoring for winds - besides the recorders it also includes three oboes - characterizes this cantata, which is performed after Christmas and whose text refers back to Christmas and also points to the new year.