| 作曲者 | Johann Sebastian Bach (1685-1750)・ヨハン・セバスティアン・バッハ |
| タイトル | Ich freue mich in dir, BWV 133 (Score) |
| サブタイトル | Cantata for the 3rd day of Christmas |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Bach Edition |
| 楽器編成 | 混声合唱 |
| 楽器編成（詳細） | Soli SATB,Coro SATB,2 Obda,Ctto,2 Violins,Viola,Basso continuo |
| 品番 | M007097486 |
| 校訂者 | Tobias Rimek |
| 編曲者 | Paul Horn, Paul Horn |
| 言語 | ドイツ語 |
| 形状 | 36 ページ・21 x 29.7 cm・148 g・ソフトカバー |
| 演奏時間 | 20分 |
| 作曲年 | 1724年 |
| 出版年 | 2012年 |
| 出版番号 | CV 31.133/00 |
| ISMN | 979-0-007-09748-6 |
| サンプル | https://www.carusmedia.com/images-intern/medien/30/3113300/3113300x.pdf |
The cantata "Ich freue mich in dir" was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word "Getrost!" (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words "Wie lieblich klingt es in den Ohren" are emphasized in an exchange between open strings and sixteenth note figures.