| 作曲者 | Marc-Antoine Charpentier (1644-1704)・マルカントワーヌ・シャルパンティエ |
| タイトル | Te Deum, H 146 (Score) |
| 出版社 | Carus・カールス |
| 楽器編成 | 混声合唱 |
| 楽器編成（詳細） | Soli e Coro SST(A)TB,2 Fl,2 Ob,2 Tr,Timp,2 Violins,2 Violas (Viola,Violin),Cello/ Fg/ Tiorba,Basso continuo |
| 品番 | M007186135 |
| 校訂者 | Hans Ryschawy |
| 難易度 | 中級 |
| 言語 | ラテン語 |
| 形状 | 72 ページ・21 x 29.7 cm・258 g・ソフトカバー |
| 演奏時間 | 25分 |
| 出版年 | 2018年 |
| 出版番号 | CV 21.032/00 |
| ISMN | 979-0-007-18613-5 |
| サンプル | https://www.carusmedia.com/images-intern/medien/20/2103200/2103200x.pdf |
In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention (“Eurovision Hymn”) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier’s Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier’s musical-theological interpretation of the Latin hymn of praise that it is based on.