| 作曲者 | Johann Christoph Friedrich Bach (1732-1795)・ヨハン・クリストフ・フリードリヒ・バッハ |
| タイトル | Miserere in c, BR JCFB E 1 [complete orchestral parts] |
| 出版社 | Carus・カールス |
| 楽器編成（詳細） | Soli SATB,Coro SATB,2 Violins,Viola,Basso continuo |
| 品番 | M007247881 |
| 校訂者 | Wolfgang Wiemer |
| 言語 | ラテン語 |
| 形状 | 21 x 29.7 cm・1119 g・表紙カバー無し |
| 演奏時間 | 50分 |
| 出版年 | 2019年 |
| 出版番号 | CV 34.103/19 |
| ISMN | 979-0-007-24788-1 |
It was not only the musicians of the 16th and 17th centuries who – for liturgical reasons – regularly presented settings of the penitential psalm 50 (51). Even in later times, composers occasionally cultivated this tradition, for example, the “Bückeburger” Johann Christoph Friedrich Bach with his 12-movement composition dated around 1770 which was only discovered in 1975. Bach’s Miserere, held almost exclusively in flat keys, consists of a balanced alternation of choral and solo sections. One common stylistic feature of all the sections is, in particular, the lavishly used “empfindsam” suspensions and small ornamental notes. As an example of the pre-Classical era, the composition is well suited for programmes featuring fast and penance compositions from several epochs.