| 作曲者 | Felix Mendelssohn (1809-1847)・フェリークス・メンデルスゾーン |
| タイトル | Paulus, MWV A 14 (Score) |
| サブタイトル | Oratorio |
| 出版社 | Carus・カールス |
| シリーズ名 | Stuttgart Mendelssohn Edition |
| 楽器編成 | 混声合唱 |
| 楽器編成（詳細） | Soli SATB,Coro SATB,2 Fl,2 Ob,2 Clt,2 Fg,4 Cor,2 Tr,3 Trb,Serpente,Timp,2 Violins,Viola,Cello,Contrabass,Organ |
| 品番 | M007087708 |
| 校訂者 | R. Larry Todd |
| 難易度 | 中級 |
| 言語 | ドイツ語・英語 |
| 形状 | 448 ページ・25 x 32 cm・1928 g・ソフトカバー |
| 演奏時間 | 145分 |
| 作曲年 | 1834-1836年 |
| 出版年 | 2001年 |
| 出版番号 | CV 40.129/00 |
| ISMN | 979-0-007-08770-8 |
| サンプル | https://www.carusmedia.com/images-intern/medien/40/4012900/4012900x.pdf |
Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition.” He described it as a “jewel of the present.”