作曲者 | Gustav Mahler (1860-1911)・グスタフ・マーラー |
タイトル | Des Knaben Wunderhorn: 15 Songs, Humoresques and Ballads [low voice and piano] |
サブタイトル | 15 Songs, Humoresques and Ballads |
出版社 | Universal Edition(ユニヴァーサル・エディション) |
楽器編成 | low voice and piano |
品番 | 9790008025150 |
編曲者 | Renate Stark-Voit |
出版番号 | UE30601 |
ISMN | 9790008025150 |
ISBN | 9783702412289 |
This edition is more oriented to practical performance than the New Complete Critical Edition. From the range designations of the Lieder, one can see that, despite the transpositions, not all fifteen Lieder of a volume are suited to one and the same voice. The alternative pitches and easier passages written by Mahler often for only one of the voice ranges of a Lied (and not necessarily always for the original voice range) are here provided for both voices. The Notes (pp.165-170) show for which voice these were originally conceived and whether this has to do with a purely vocal facilitation or a musical variant. Unlike the Kindertotenlieder, the fifteen Wunderhorn Lieder do not form a cycle and do not even suggest a unified collection of songs such as the Rückert Lieder. They can only be organized according to their sequence of composition, which should, however, have no influence on the choice or order of a performance. As Mahler himself urged upon his singers: I ask at the very least that you determine the sequence of the Lieder yourself. (Letter to the baritone Johannes Messchaert, 1906)
Der Schildwache Nachtlied · Verlorne Müh'! · Wer hat dies Liedlein erdacht? · Das himmlische Leben · Trost im Unglück · Das irdische Leben · Urlicht · Des Antonius von Padua Fischpredigt · Rheinlegendchen · Es sungen drei Engel einen süßen Gesang · Lob des hohen Verstands · Lied des Verfolgten im Turm · Wo die schönen Trompeten blasen · Revelge · Der Tamboursg'sell