| 作曲者 | Antonio Vivaldi (1678-1741)・アントニオ・ヴィヴァルディ |
| タイトル | Catone in Utica (Vocal score) |
| サブタイトル | Opera in tre atti |
| 出版社 | Boosey & Hawkes・Bote & Bock・ブージー＆ホーク |
| シリーズ名 | Il Complesso Barocco Edition |
| 楽器編成 | Soloists, Choir and Orchestra |
| 品番 | mds9790202540169 |
| 校訂者 | Alan Curtis・Alessandro Ciccolini |
| 形状 | 68 ページ・270 g・中綴じ |
| 作曲年 | 1737年 |
| 出版年 | 2026年 |
| 出版番号 | BB 4016 |
| ISMN | 9790202540169 |
| ISBN | 9783793146339 |
| その他 | Critical edition |
| サンプル | https://mds-partner.com/en/pdfpreview/index/view/id/876178/ |
The surviving second and third acts of Catone in Utica, one of Metastasio’s most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act.
Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi’s working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi’s Motezuma and Ercole sul Termodonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.